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Los ensayos seleccionados en esta publicación apuntan a la construcción de una mirada analítica sobre el fenómeno del teatro comunitario argentino. Todos los trabajos abordan desde sus campos disciplinares específicos procesos similares que se dan en la práctica, como la construcción de operaciones de memoria colectiva, la inserción en el contexto barrial, la conformación de un discurso contra hegemónico, la utilización del cuerpo, el rol de la experiencia, la inclusión del juego, la discusión de lo popular y lo comunitario.En la primera parte del libro, los artículos reflexionan sobre el movimiento de teatro comunitario desde una óptica general, mientras que en la segunda se analizan estudios de caso: Grupo de Teatro Popular de Sansinena (Partido de Rivadavia - Buenos Aires), Res o no Res (Mataderos - CABA), La Murga de la Estación (Posadas - Misiones) y Teatro Núcleo (Pontelagoscuro - Italia).La heterogeneidad de elementos en juego en las dinámicas y lógicas que se entrecruzan en la práctica dan cuenta de la riqueza de esta actividad artística como parte del escenario social y político en donde tienen lugar los procesos culturales.
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"The Applied Theatre Reader is the first book to bring together new case studies of practice by leading practitioners and academics in the field and beyond, with classic source texts from writers such as Noam Chomsky, bell hooks, Mikhail Bakhtin, Augusto Boal, and Chantal Mouffe. This new edition brings the field fully up to date with the breadth of applied theatre practice in the Twenty First Century, adding essays on playback theatre, digital technology, work with indigenous practitioners, inter-generational practice, school projects, and contributors from South America, Australia and New Zealand. The Reader divides the field into key themes, inviting critical interrogation of issues in applied theatre whilst also acknowledging the multi-disciplinary nature of its subject, crossing fields like theatre in educational settings, prison theatre, community performance, theatre in conflict resolution, interventionist theatre, and theatre for development. A new lexicon of Applied Theatre and further reading for every section will equip readers with the ideal tools for studying this broad and varied field. This collection of critical thought and practice is essential to those studying or participating in the performing arts as a means for positive change"--
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"Directing for Community Theatre is a primer for the amateur director working in community theatre. With an emphasis on preparedness, this book gives the amateur director the tools and techniques needed to effectively work on a community theatre production. Covering play analysis, blocking, staging, communication, and working with actors, designers, and other theatre personnel, this how-to book is designed to have the community theatre director up and running quickly, with full knowledge of how to direct a show. The book also contains sample forms and guidelines, including acting analysis, character analysis, rehearsal schedule, audition form, prop list, and blocking pans. Directing for Community Theatre is written for the community theatre participant who is interested, or already cast, in the role of the director"--
Amateur theater --- Community theater. --- Production and direction
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Community theater. --- Community plays, etc. --- Theater --- Little theater movement
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Community theater. --- Theater and society. --- Theater --- Workers' theater. --- Political aspects.
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"At once both guide book and provocation, this is an indispensable companion for students and practitioners of applied theatre. It addresses all key aspects: principles, origins, politics and aesthetics in a concise and accessible style designed to appeal both to those who have recently discovered this sub-discipline and to experienced practitioners and academics.Part 1 is divided into two chapters. The first introduces the sub-discipline of Theatre for Development, covering its origins, principles and history, and providing an overview of theatre for development in Western contexts as well as in Africa, Asia, the Indian Subcontinent and Latin America. The second focuses upon theoretical and philosophical issues confronting the discipline and its relationship to contemporary politics, as well as considering its future role.Part 2 consists of seven chapters contributed by leading figures and current practitioners from around the world and covering a diverse range of themes, methodologies and aesthetic approaches. One chapter offers a series of case studies concerned with sexual health education and HIV prevention, drawn from practitioners working in Vietnam, Papua New Guinea, Southern Africa, and China. Other chapters include studies of intercultural theatre in the Peruvian Amazon; a programme of applied theatre conducted in schools in Canterbury, New Zealand, following the 2010 earthquake; an attempt to reinvigorate a community theatre group in South Brazil; and an exchange between a Guatemalan arts collective and a Dutch youth theatre company, besides others"--
Community theater. --- Performing arts --- Theater and society. --- Theater --- History & Criticism.
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Community theater --- College theater --- Theater --- Production and direction --- United States.
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Community theater --- College theater --- Theater --- College theater. --- Community theater. --- Production and direction --- Production and direction. --- United States.
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Community theater --- College theater --- Theater --- College theater. --- Community theater. --- Theater --- Production and direction --- Production and direction. --- United States.
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