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Graphic arts --- beeldverhalen --- Literature --- Comic books, strips, etc. --- History and criticism --- Comic books, strips, etc. - History and criticism --- BANDES DESSINEES --- Bandes dessinées --- ESTHETIQUE --- HISTOIRE --- TECHNIQUE --- Histoire et critique

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Eszter Szép'sComics and the Bodyis the first book to examine the roles of the body in both drawing and reading comics within a single framework. With an explicit emphasis on the ethical dimensions of bodily vulnerability, Szép takes her place at the forefront of scholars examining comics as embodied experiences, pushing this line of inquiry into bold new territory. Focusing on graphic autobiography and reportage, she argues that the bodily performances of creators and readers produce a dialogue that requires both parties to experience and engage with vulnerability, thus presenting a crucial opportunity for ethical encounters between artist and reader. Szép considers visceral representations of bulimia, pregnancy, the effects of STIs, the catastrophic injuries of war, and more in the works of Lynda Barry, Ken Dahl, Katie Green, Miriam Katin, and Joe Sacco. She thus extends comics theory into ethical and psychological territory that finds powerful intersections and resonances with the studies of affect, trauma, gender, and reader response.

Comic books, strips, etc. --- Human body in literature --- History and criticism --- Comic books, strips, etc. - History and criticism --- Gender Identity --- Comic Books, Strips, Etc. --- Social Science --- Literary Criticism

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Comic books, strips, etc. - Religious aspects. --- Comic books, strips, etc. - History and criticism --- Christian religion --- Drawing --- Literature --- godsdienst --- beeldverhalen --- Comic books, strips, etc.

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Graphic arts --- comics [documents] --- Literature --- Comic books, strips, etc. --- Railroads --- History and criticism. --- trains [vehicle groupings] --- Thematology --- Iconography --- Comic books, strips, etc. - France - History and criticism. --- Railroads - Comic books, strips, etc. - History and criticism.

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Comment lire une bande dessinée ? Mais de toutes les manières et dans tous les sens possibles. Même si le trait, la couleur ou le dialogue méritent parfaitement d'être analysés, Benoît Peeters a mis l'accent sur ce que la bande dessinée est seule à mettre en oeuvre : la case, le strip, la planche, les relations entre le texte et le dessin, entre le scénario et sa mise en images. A partir d'exemples variés empruntés à toute l'histoire de la bande dessinée -de Töpffer à Trondheim en passant par Jacobs, Franquin, Loustal ou Spiegelman- il s'est efforcé de donner quelques outils et de lever quelques malentendus. Edité en 1991 et épuisé depuis, Case, planche, et récit est aujourd'hui modifié avec un cahier supplémentaire, un chapitre sur l'ampleur des mangas et les nouvelles tendances de la bande dessinée des années 90. On peut donc le considérer non comme une remise en marché, mais bien comme une nouveauté à part entière, avec une nouvelle couverture et de nouvelles illustrations.

Bandes dessinées --- Strips --- Comic books, strips, etc. --- History and criticism --- History and criticism. --- Bande dessinée --- Comic books, strips, etc --- Comic books, strips, etc. - History and criticism --- 82-931 --- 82-931 Stripverhaal --- Stripverhaal --- Drawing --- Literature --- beeldverhalen --- Sociology of literature