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Notre propos est d'étudier le comique de l'hybridation et l'exhibition du comique dans les formes dramatiques et paradramatiques contemporaines. Notre champ d'investigation se propose d'être transversal. Il ne sera ni limité strictement à une époque donnée, ni aux auteurs français ou francophones. Une première partie étudiera le comique en question. Une seconde s'attachera à la poétique du rire. La troisième examinera les principales formes du comique moderne. La quatrième définira le grotesque hybride et le burlesque exhibé. La cinquième examinera les modalités d'application de l'hybridation ainsi que de l'exhibition en montrant comment le théâtre contemporain entraîne le spectateur du Bouffon Hilarant aux salves du Rire. Les traits saillants du devenir du comique dans le théâtre contemporain seront ainsi abordés, dégagés.
Drama --- Comic, The, in literature --- Aesthetics --- Aesthetics.
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Comic, The, in literature. --- Allais, Alphonse, --- Technique.
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Comic, The, in literature. --- Jandl, Ernst, --- Literary style. --- Comic, The, in literature
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A collection of essays that explore the very dynamics of comedy, jokes laughter and theorization from early writings of antiquity to contemporary modern day fiction and fits well into the genre of comparative literature and will pose many opportunities for further scholarship.
Comic, The, in literature. --- Laughter in literature. --- Comic, The, in literature --- Laughter in literature
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The author of the widely acclaimed Morphology of the Folktale has written an original, comprehensive, and exciting study on how humour works, and on everything you wanted to know about the genre, in a clear, approachable, and insightful manner.
Comic, The, in literature. --- Laughter in literature. --- Humor in literature.
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"The Idea of Comedy: History, Theory, Critique assembles a rich corpus of materials from different languages and eras to construct a history of the commentaries and reflections, the theoretical postulates and conjectures, and the often acrimonious debates about comedy through the centuries from Plato and Aristotle to our contemporaries. The aim is dual: to situate comic theories in their historical moment, as participants in the wider intellectual currents of their time, and to trace underlying types of consensus and dispute running through different theories and intellectual generations. The book brings into view the full landscape of comic theory as a field of ideas, a terrain of thought extending from antique to recent conceptions."--Jacket.
Comic, The, in literature --- Comedy --- History and criticism
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