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Romantic Comedy offers an introduction to the analysis of a popular but overlooked film genre. The book provides an overview of Hollywood's romantic comedy conventions, examining iconography, narrative patterns, and ideology. Chapters discuss important subgroupings within the genre: screwball sex comedy and the radical romantic comedy of the 1970s. A final chapter traces the lasting influence of these earlier forms within current romantic comedies. Films include: Pillow Talk (1959), Annie Hall (1977), and You've Got Mail (1998).
Film --- United States --- Romantic comedy films --- Comédies romantiques (cinéma) --- History and criticism --- Histoire et critique --- Comédies romantiques (cinéma) --- United States of America --- History and criticism.
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Bound to Bond: Gender, Genre, and the Hollywood Romantic Comedy looks at gender roles in a unique way--by examining what the last thirty years of romantic comedy films have argued, reflected, and implied. Mark Rubinfeld contends that, essentially, we are what we see, and by identifying four basic plots of the genre, representing four basic love stories, he studies the implications of filmic depictions of male/female relationships. Cultural changes that have transformed our society since 1970 are seen here as we see them on the silver screen, and the author analyzes notable examples of the genre with a rigorous sociological perspective. What he reveals may be surprising: during the seventies and, to an extent, the early eighties, the plot conventions of Hollywood romantic comedy seemed to challenge, rather than reinforce, existing gender stereotypes. Later, however--during what should have been a more "enlightened" time--the genre reversed course, reverting to more traditional "types" for men and women alike.
Love in motion pictures --- Role selon le sexe dans le cinéma --- Sex role in motion pictures --- Sexuele rolpatronen in de film --- Romantic comedy films --- Love in motion pictures. --- Sex role in motion pictures. --- Comédies romantiques (cinéma) --- Amour au cinéma --- Rôle selon le sexe au cinéma --- History and criticism. --- Histoire et critique --- 305 --- 791.43 <73> --- 791.43.04-055.2 --- Motion pictures --- Romantic comedies (Motion pictures) --- Romcoms (Motion pictures) --- Comedy films --- Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- De vrouw in de film --- 791.43.04-055.2 De vrouw in de film --- 791.43 <73> Filmkunst. Films. Cinema--Verenigde Staten van Amerika. VSA. USA --- 305 Genderstudies. Rol van de sekse. Gender. Personen vanuit interdisciplinair gezichtspunt --- Comédies romantiques (cinéma) --- Amour au cinéma --- Rôle selon le sexe au cinéma --- History and criticism --- United States
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