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Collier, Brian ; Dion, Mark ; Hakansson, Henrik ; Hesse, Frank ; Höller, Carsten ; Keller, Christoph ; KissPal, Szabolcs ; Lang, Gerhard ; M+M ; Nicolai, Carsten ; Nicolai, Olaf ; Petzet, Nana ; Pollmann, Tyyne Claudia ; Radtke, Theda ; Rickli, Hannes ; Sachs, Hinrich ; Shawcross, Conrad ; Stöger, Günter ; Turk, Herwig ; Walgenbach, Judith
kunst --- kunst en wetenschap --- natuurwetenschappen --- twintigste eeuw --- eenentwintigste eeuw --- Collier Brian --- Dion Mark --- Hakansson Henrik --- Hesse Frank --- Höller Carsten --- Isaacs John --- Keller Christoph --- Kisspál Szabolcs --- Lang Gerhard --- M+M --- Nicolai Carsten --- Nicolai Olaf --- Petzet Nana --- Radtke Theda --- Pollmann Tyyne Claudia --- Rickli Hannes --- Sachs Hinrich --- Shawcross Conrad --- Turk Herwig --- Stöger Günter --- Walgenbach Judith --- Duchamp Marcel --- Lang Nikolaus --- Nauman Bruce --- 7.039 --- Exhibitions --- Art and science --- Art, Modern
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Discussions of the object as a key to understanding central aspects of modern and contemporary art. Artists increasingly refer to “post-object-based” work while theorists engage with material artifacts in culture. A focus on “object-based” learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the “objectness” of production, with art as its focus. Among the topics it examines are the relation of the object to subjectivity; distinctions between objects and things; the significance of the object's transition from inert mass to tool or artifact; and the meanings of the everyday in the found object, repetition in the replicated or multiple object, loss in the absent object, and abjection in the formless or degraded object. It also explores artistic positions that are anti-object; theories of the experimental, liminal or mental object; and the role of objects in performance. The object becomes a prism through which to reread contemporary art and better understand its recent past.
art criticism --- performance art --- assemblages [sculpture] --- found objects --- theme --- philosophy of art --- kunstbeschouwing --- sculpture [visual work] --- thema's in de kunst --- Art --- Object (Aesthetics) --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- Wurm Erwin --- Watier Eric --- Tuerlinckx Joëlle --- Szapocznikow Alina --- Strau Josef --- Song Dong --- Snelson Kenneth --- Schneider Gregor --- Samb Issa --- Pisano Falke --- Piper Adrian --- Palmer Katrina --- Orozco Gabriel --- Oiticica Hélio --- Metzger Gustav --- McCollum Allan --- Levine Sherrie --- Latham John --- Kelley Mike --- Hesse Eva --- Gruppe Geflecht --- Genzken Isa --- General idea --- Weiss David --- Fischli Peter --- Durham Jimmie --- Collier Brian D. --- 7.038/039 --- 7.01 --- Closky Claude --- Clark Lygia --- Broodthaers Marcel --- Bourgeois Louise --- Baxter Iain --- Art in ruins --- Absalon --- objecten --- objet trouvé --- kunsttheorie --- Aesthetics, European --- Art, theory --- Kunst ; theorie, filosofie, esthetica --- sculpture [visual works] --- Kunsttheorie ; kunst en object --- Objectkunst --- Objet trouvé --- Appropriaton Art --- Object (Aesthetics). --- Collier Brian D --- Aesthetic object --- Aesthetics --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Objet usuel --- Objet d'art --- Objet symbolique --- Performance --- Kunst --- beeldhouwwerken [beeldmateriaal] --- assemblages [beeldhouwwerken] --- performances [live] --- kunstkritiek --- thema --- kunstfilosofie --- Art conceptuel --- Rythme --- Simulation --- Processus de conception --- Modélisation
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From land art and earthworks in the 1960s to conceptual art of the new millennium, ecology-focused art has been a prominent genre in the art world for decades. This book offers a look into the recent explosion in contemporary art that deals directly with nature, the environment, climate change, and ecology. Organized into six thematic chapters, Art & Ecology Now moves through the various levels of artists’ engagement, from those who document and reflect on nature, to those who use the physical environment as the raw material for their art, and committed activists who set out to make art that transforms both our attitudes and our habits.
political art --- climate change --- photography [process] --- sculpting --- video recordings --- Nature --- Art --- installations [visual works] --- ecology --- activists --- Zdravič, Andrej --- Epstein, Mitch --- Zoche, Stefanie --- Bell, Vaughn --- Beltrá, Daniel --- Hayes, Paula --- Sternfeld, Joel --- Hatakeyama, Naoya --- Simpson, Buster --- Almárcegui, Lara --- Irland, Basia --- Allora, Jennifer --- Regan Toland, Alexandra --- Raaf, Sabrina --- Sayler, Susannah --- Best, Suky --- Yao Lu --- Autogena, Lise --- Corby, Tom --- Curtis, Layla --- Jeremijenko, Natalie --- Eke, Bright Ugochukwu --- Collier, Brian --- Aquin, Benoit --- Agarwal, Ravi --- Orta, Jorge --- Balkin, Amy --- Paterson, Katie --- RIGO 23 --- Ouedraogo, Nyaba Léon --- Knowles, Tim --- Mosher, Eve --- Smilde, Berndnaut --- Buckland, David --- Drury, Chris --- Weber, Klaus --- Morris, Edward --- Portway, Joshua --- Maisel, David --- Draper, Simon --- Holten, Katie --- Lecca, Chiara --- Kander, Nadav --- Derges, Susan --- Neuenschwander, Rivane --- Liu, Bolin --- Mackenzie, Jonathan --- Baily, Gavin --- Berkowitz, Lauren --- Costello, Matt --- Polli, Andrea --- Ackroyd, Heather --- Fleischmann, Dirk --- Blumenfeld, Erika --- Calzadilla, Guillermo --- Jerram, Luke --- Turnbull, Alison --- Jospin, Eva --- Martins, Edgar --- Rúrí --- Scheruebl, Wilhelm --- Jordan, Chris --- Ostapovici, Svetlana --- Metzger, Gustav --- HeHe --- Ballengée, Brandon --- Starling, Simon --- Fairnington, Mark --- Alves, Maria Thereza --- Haeg, Fritz --- Greenfort, Tue --- Randerson, Janine --- Harvey, Dan --- Dijkman, Marjolijn --- Carroll, Mary Ellen --- Dextras, Nicole --- Haubitz, Sabine --- Håkansson, Henrik --- Norman, Nils --- Tan, Tattfoo --- Mäkipää, Tea --- Orta, Lucy --- Heather and Ivan Morison --- Futurefarmers [San Francisco, Calif.] --- United Visual Artists [London] --- Simparch --- Preemptive Media --- N55 [Copenhagen] --- Neighbourhood Satellites --- Free Soil --- Superflex [Copenhagen] --- The Canary Project [New York, N.Y.] --- Artist as Family --- anno 2000-2099 --- 705.9 --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- SUPERFLEX [Copenhagen] --- Almarcegui, Lara --- video recordings [physical artifacts] --- kunst en wetenschap --- Environnement (art). --- Écologie --- Land art. --- Dans l'art. --- Thèmes, motifs. --- Environnement (art) --- Environnement naturel --- Art conceptuel --- Changement climatique --- Land art --- Écologie
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