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Art --- Art museums --- Exhibitions --- History --- Collectors and collecting --- Historiography --- Expositions --- Histoire --- Collectionneurs et collections --- Musées --- Historiographie --- Musées --- History. --- Art - Collectors and collecting - History

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Antiquities --- Collectors and collecting --- Collection and preservation --- Social aspects. --- History of civilization --- essays --- cultural artifacts --- art collections --- Art --- History --- Art, Greek. --- Collectors and collecting. --- Art - Collectors and collecting - History --- Art - Collectors and collecting. --- historiografie van de kunstgeschiedenis

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La jaquette indique : "Des accumulations des tombeaux égyptiens ou chinois et des trésors royaux jusqu'à notre Louvre aujourd'hui, entre autres lieux, il faudra du temps pour que le musée trouve sa forme et sa fonction de conservation, d'étude et d'exposition des objets. Or, une histoire mondiale des musées, à la fois politique, sociale et culturelle, n'a encore jamais été écrite. La voici : Le Musée, une histoire mondiale, en trois volumes qui paraîtront sur deux ans. Le premier volume de cette monumentale entreprise, Du trésor au musée, part d'un passé lointain pour arriver à la création de l'institution appelée « musée » inventée en Italie à la fin du XVe siècle, gagnant toute l'Europe au XVIIIe siècle. Une histoire faite de dons et de marchandises, de vols et de pillages, de guerres et de diplomatie. Et aussi d'architecture, de manières de contempler et de manier les objets, de problèmes juridiques et d'organisation. Une histoire d'art, et aussi de commerce, de savoirs et de techniques. Le second volume traitera de L'ancrage européen des musées, de la Révolution française aux années 1850, et le troisième, du musée À la conquête du monde, de la Révolution industrielle à nos jours."

Musées --- Art --- Collectionneurs et collections --- Histoire. --- Collections publiques --- Musées --- Museum --- Collectors and collecting --- Museums --- History --- History. --- Musée --- Museology --- World history --- art [fine art] --- museums [buildings] --- Histoire universelle. --- Musées. --- Muséologie. --- Collectionneurs et collections. --- Collections publiques. --- Museums - History --- Collectors and collecting - History --- art [discipline]

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Based on Guilliam Forchondt’s surviving business documentation in Antwerp and applying an aggregate and data-driven approach, Connecting Art Markets focuses on the role of art dealers in mediating the supply and demand for art, behaving in particular ways as to influence the markets for artworks in which they were strategically invested. Van Ginhoven presents her findings on Guilliam Forchondt’s workshop production volumes and transatlantic art trade flows, and evaluates the relationship between the production of paintings in the Southern Netherlands, their local, regional and overseas distribution channels, and the markets for these works in Europe and the Americas during the seventeenth century.

Painting --- History of Antwerp --- collectors --- art market --- Economic relations. Trade --- easel paintings [paintings by form] --- Forchondt, Guillaume --- anno 1600-1699 --- Art dealers --- History --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Dealers (Retail trade) --- Marketing --- Collectors and collecting --- Forchondt, Guilliam, --- Forchondt, Gilliam, --- Forchondt, Guillam, --- Forchoudt, Guillermo, --- Forchoudt, Willem, --- Art dealers - Belgium - Antwerp - History - 17th century. --- Painting - Marketing - History - 17th century. --- Painting - Collectors and collecting - History - 17th century. --- Forchondt, Guilliam, - 1608-1678. --- collecting, Low countries --- kunsthandel. --- kunstverzamelaar. --- Forchondt, Guilliam. --- 17de eeuw. --- Antwerpen.

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Drawing on case studies from the thirteenth to the twentieth centuries, covering Europe and beyond, Collectors’ Knowledge: What is Kept, What is Discarded investigates how knowledge was acquired, organized and sometimes lost. It examines collections of texts and objects—libraries, textbooks, miscellanies, commonplace books, data collections pertaining to historical events, encyclopedias, royal and ducal treasures, curiosity cabinets, galleries and museums—to uncover the processes of accumulation, organization, selection and rejection that have shaped learning. The essays emphasize the complex relationship between the intentions of collectors and the limitations they encountered—issues of format, presentation, display and storage—as well as outside forces that disrupted their aims, including pillage and natural disasters. Contributors include: Stephen Bann, Laurence Brockliss, François de Capitani, Livia Cárdenas, Steven Conn, Anja-Silvia Goeing, Anthony T. Grafton, Janet Grau, Jürgen Leonhardt, Ulrich Marzolph, Paul Michel, Jürgen Oelkers, Wilhelm Schmidt-Biggemann, Nicola Schneider, Gerald Schwedler, Iolanda Ventura, Monika Wicki, and Marc Winter. Achtzehn europäische und aussereuropäische Fallstudien vom dreizehnten bis zwanzigsten Jahrhundert fragen in “Collectors’ Knowledge: What Is Kept, What Is Discarded – Aufbewahren oder wegwerfen – wie Sammler entscheiden”, wie Wissen erworben und organisiert wurde und weshalb es verloren ging. Die Autoren untersuchen Sammlungen von Texten und Objekten – Bibliotheken, Lehrbücher, Sammelbände, Datensammlungen im Zusammenhang mit historischen Ereignissen, Enzyklopädien, herrschaftliche Schätze, Wunderkammern und Museen. Ihr Ziel ist es, Prozesse der Akkumulation, Organisation, Auswahl und Ablehnung aufzudecken, die unser Wissen über die Epochen geprägt haben. Die Aufsätze unterstreichen die komplexen Beziehungen zwischen den Absichten der Sammler und den Zwängen, mit denen sie konfrontiert waren – in Fragen des Formates, der Präsentation oder Speicherung –, sowie den Kräften, die Verluste bewirkten, beispielsweise Plünderung oder ideengeschichtliche Umwälzungen.

Art: persons --- Collectors and collecting --- Learning and scholarship --- Popular culture --- Art --- Collectionneurs et collections --- Savoir et érudition --- Culture populaire --- Philosophy --- Congresses --- History --- Methodology --- Congresses. --- Philosophie --- Congrès --- Histoire --- Méthodologie --- Collectors and collecting -- History -- Congresses. --- Collectors and collecting -- Philosophy -- Congresses. --- Learning and scholarship -- Methodology -- Congresses. --- Information Science --- Communication --- Archives --- Humanities --- Museums --- Knowledge --- Diffusion of Innovation --- Book Collecting --- General --- Museum Publications --- Savoir et érudition --- Congrès --- Méthodologie --- Collectibles --- Collecting --- Collection and preservation --- Hobbyists --- Erudition --- Scholarship --- Civilization --- Intellectual life --- Education --- Research --- Scholars --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics