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Impressionist artists --- Artistic collaboration --- Impressionism (Art) --- Art, French --- Artistes impressionnistes --- Collaboration artistique --- Impressionnisme (Art) --- Art français --- Psychology --- Psychologie
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Architecture and Choreography: Collaborations in Dance, Space, and Time examines the field of archi-choreographic experiments-unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency. Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline's tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more-than-human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters. Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.
Artistic collaboration --- Arts --- Architects. --- Choreographers. --- Experimental methods --- Art and dance --- Collaboration artistique --- Art et danse --- Chorégraphes --- Méthodes expérimentales
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In 1977, photographers Larry Sultan and Mike Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Beverly Hills Police Department, the Jet Propulsion Laboratories, the U.S. Department of the Interior, Stanford Research Institute and a hundred other corporations, American government agencies, and educational, medical and technical institutions. They were looking for photographs that were made and used as transparent documents and purely objective instruments--as evidence, in short. Selecting 50 of the best, they printed these images with the care you would expect to find in a high-quality art photography book, publishing them in a simple, limited-edition volume titled Evidence. The concept for the book was clear: select photographs intended to be used as objective evidence and show that it is never that simple. Now an undisputed classic in the photo world, considered a seminal harbinger of conceptual photography, Evidence is nearly impossible to find. ttp://www.artbook.com/1891024620.html (1/12/10)
Artistic collaboration. --- Collaboration artistique --- Mandel, Mike --- Sultan, Larry --- Photography, Artistic --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Photographie d'art --- Photography, Artistic. --- Photographie artistique
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The Murder of Crows, the somber yet fascinating sound installation by the team of Canadian artists Janet Cardiff (born 1957) and George Bures Miller (born 1960) , evokes semiconscious dream visions, ancient myths, and last but not least Goya’s etching The Sleep of Reason Produces Monsters, which shows birds swarming around the head of a sleeping man dreaming. Besides this work, the volume presents selected older projects by the two artists as well as an enlightening text by Carolyn Christov-Bakargiev, artistic director of dOCUMENTA(13). Rounding out this elaborately designed artist’s book are an extensive interview with the artists, detailed information about the recording and playback techniques they employ, a DVD and 3D reproductions, and astonishing ornithological and literary texts referring to the title work that illustrate humankind’s special relationship with crows.
Artistic collaboration --- Collaboration artistique --- Corneilles dans l'art --- Crows in art --- Installations sonores (Art) --- Sound installations (Art) --- Sound installations (Art). --- Cardiff, Janet, --- Miller, George Bures, --- Installation-art
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Artistic collaboration --- Group work in art --- Artists --- Collaboration artistique --- Travail de groupe dans l'art --- Artistes --- History --- Biography. --- Histoire --- Biographies --- Alechinsky, Pierre, --- Friends and associates. --- Catalogs. --- Art [Modern ] --- 20th century
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Outsider art --- Artistic collaboration --- Art, Belgian --- Collaboration artistique --- Art belge --- Art, Belgian. --- Artistic collaboration. --- Outsider art. --- De Bruyne, Heide --- Heffinck, Hendrik --- Verschueren, Bob, --- Gaillard, Frédéric. --- Remacle, Christine --- Lippstreu, Alexis --- Delrue, Ronny, --- Charlier, Jacques,
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C’est au début des années 1980 que naît le singulier tandem Elizabeth Garouste/Mattia Bonetti. Ces nouveaux barbares du design français et international ont marqué de leur empreinte baroque et anticonformiste l’esthétique de la décoration intérieure et des objets de la vie quotidienne. Renouant avec le goût de l’ornementation, le sens des couleurs et l’alliance de matériaux inattendus, ils révèlent une richesse d’inspiration et une liberté de création qui balaient allègrement conventions et dogmatismes. Élus créateurs de l’année en 1991, ils sont présents dans les grandes collections muséales internationales et leurs noms sont associés à des Maisons prestigieuses telles que Daum, Christian Lacroix ou Nina Ricci et à des entreprises industrielles comme le tramway de Montpellier ou les produits Ricard.
Architecture d'intérieur --- Binnenhuisarchitectuur --- Bonetti, Mattia --- Catalogues d'expositions --- Garouste, Elizabeth --- Tentoonstellingscatalogi --- Artistic collaboration --- Design --- Mobilier --- History --- Bonetti, Mattia, --- industrial designers --- Artistic collaboration - France - Catalogs --- Design - France - History - 20th century - Catalogs --- Garouste, Elizabeth - Catalogs --- Bonetti, Mattia, - 1952- - Catalogs --- Bonetti, Mattia, - 1952 --- -industrial designers --- Collaboration artistique --- Histoire --- 1900-1999 --- France
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En ce début de XXI° siècle, nos sociétés sont entraînées dans un cycle de mutations sans précédent. Des exigences environnementales, économiques et sociales, de plus en plus vigoureusement soutenues par les instances nationales et internationales, imposent des démarches de production plus responsables. Face à ces enjeux majeurs, les processus de conception de notre cadre bâti doivent être profondément renouvelés. L'observation de ce recadrage dans d'autres domaines, notamment dans les milieux industriels et artistiques, montre que l'évolution des pratiques s'accompagne de l'adoption de méthodes collaboratives et plus interactives, et d'outils adaptés. Cet ouvrage met en évidence la nécessité d'innover en architecture. Il justifie de la nécessité d'adopter des démarches de conception répondant mieux à la complexité accrue des projets actuels, et décrit les systèmes méthodologiques et instrumentaux qui peuvent faciliter cette évolution. http://www.decitre.fr/livres/Conception-collaborative-pour-innover-en-architecture.aspx/9782296075344 (08/06/10)
Architecture, Modern --- Architecture --- Artistic collaboration. --- Group work in art. --- Collaboration artistique --- Travail de groupe dans l'art --- Technological innovations. --- Innovations --- Conception de projet --- Méthodologie du projet --- Processus de conception --- Group work in architecture --- Architecte - profession --- Architecte - rôle --- Architecte - sociologie de la profession --- Ecrit d'architecte --- Innovation --- Cooperation --- Group work in architecture. --- Cooperation. --- Architecture, Modern - 21st century
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La 4ème de couv. indique : "Cet ouvrage collectif, qui rassemble vingt et un textes de chercheurs confirmés et de doctorants prometteurs, explore une part trop fréquemment restée dans l'ombre de l'histoire de l'art : la responsabilité plurielle de l'aspect des œuvres d'art visuel ou d'arts décoratifs, ou " invention partagée ", du xiiie au xxie siècle. Davantage que création au sens de mise en œuvre matérielle d'un projet d'artiste, cette notion recouvre une dynamique de l'invention, suscitée collectivement et à laquelle participent artistes, ouvriers, commanditaires et directeurs artistiques, sans oublier le hasard, acteur inévitable dans cette chorégraphie. Cette notion, dont le fondement philosophique pré-socratique et thomiste fut éclipsé par la théorie platonicienne du génie véhiculée par Vasari, est illustrée ici dans les domaines les plus variés : gravure, vitrail, émail, sculpture, tapisserie, céramique, art des jardins et du paysage. A travers les réflexions proposées, se profile un monde visuel foisonnant ou` l'esprit et la main d'auteurs multiples concourent à l'avènement d'œuvres riches de sens et d'histoire."
Création (esthétique) --- Art --- Créativité --- Histoire --- Artistic collaboration. --- Group work in art. --- Creative ability. --- Création collective (art) --- Créativité. --- History. --- Histoire. --- Art. --- Imitation in art --- Group work in art --- Creation (Literary, artistic, etc.) --- Workshops --- Création (esthétique) --- Création collective (art) --- Créativité. --- Artistic collaboration --- Authorship --- Coauteurs --- Collaboration artistique --- Creation (Literary, artistic, etc.). --- Travail en équipe --- Collaboration --- Collaboration.
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The collaboration between Michelangelo Buonarroti (1475-1564) and Sebastiano del Piombo (1485-1547), is among the most extraordinary artistic partnerships of the early modern period. It produced works of startling originality, crucial to the development of the so-called High Renaissance in the first decades of the sixteenth century. It was arguably Michelangelos most creative collaboration, helping him refine motifs and narrative strategies, and it proved determining for Sebastianos development of a monumental, spiritually invested idiom whose influence became a touchstone for religious art deep into the following century, and for principles of painterly abstraction beyond. Inspired by the exhibition Michelangelo & Sebastiano, mounted at The National Gallery in London in 2017, this book unites a group of international scholars in reflection on the two artists, their collaboration and its wider significance.
Sebastiano del Piombo --- Michelangelo --- Art, Renaissance --- Artistic collaboration --- Art de la Renaissance --- Collaboration artistique --- Sebastiano, --- Michelangelo Buonarroti, --- Criticism and interpretation --- Painting, Renaissance --- Peinture de la Renaissance --- Buonarroti, Michelangelo --- Kunst, Renaissance --- Artistieke samenwerking --- Michelangelo Buonarroti --- Luciani, Sebastiano --- Italiaanse school --- samenwerking van meerdere kunstenaars --- Aesthetics of art --- Painting --- interpretation
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