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Painting --- painting [image-making] --- African American --- #breakthecanon --- Marshall, Kerry James --- Thomas, Mickalene --- Colescott, Robert
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Traylor, Bill --- Bearden, Romare --- Colescott, Robert --- Andrews, Benny --- Puryear, Martin --- Hammons, David --- Hunter, Nathaniel --- Allen, Jules --- U.S.A
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In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century—in all their complexity, humor, and provocation—Powell raises important questions about the social power of art.
African American art. --- African American artists. --- African Americans in art. --- Satire, American --- History and criticism. --- Harrington, Oliver W. --- Colescott, Robert, --- Art, American --- African American art --- African American artists --- African Americans in art --- History and criticism --- Identité culturelle --- Caricature --- Humour --- Racisme --- Walker, Kara --- Satire, American - History and criticism --- Harrington, Oliver W. - (Oliver Wendell), - 1912-1995 --- Colescott, Robert, 1925-2009 --- Colescott, Robert, - 1925-2009
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Iconography --- Art --- Painting --- Film --- installations [visual works] --- painting [image-making] --- video art --- culturele diversiteit (kunst) --- Puryear, Martin --- Aisawa, Bon --- Chagoya, Enrique --- Drew, Leonardo --- Kang, Ik-joong --- Ocampo, Manuel --- Osorio, Pepón --- Shimomura, Roger --- Watts, Ouattara --- Yonemoto, Bruce & Norman --- Kelley, Mike --- Durham, Jimmie --- Colescott, Robert --- Hung Liu --- Pittman, Lari --- Saar, Alison --- Jaar, Alfredo --- Piper, Adrian --- anno 1900-1999 --- United States of America
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Er zijn maar weinig woorden die de afgelopen periode zo vaak en zo verkeerd zijn gebruikt als postmodernisme. In dit boek wordt aan de hand van een levendige, uitvoerige en heldere beschrijving uitgelegd wat het postmodernisme precies voor de hedendaagse kunst heeft betekend. De postmodernisten verruilden het modernistische geloof in universaliteit, oorspronkelijkheid en artistieke vooruitgang door een ander wereldbeeld : kunstwerken veranderden in teksten, geschiedenis werd een mythe, de kunstenaar een fictief personage, en werkelijkheid was een gedateerd concept. In dit boek worden de belangrijkste ontwikkelingen in de postmoderne kunst besproken, zoals het neo-expressionisme, de anti-esthetische beweging, commodity critics, postmodern feminisme en postmodern multiculturalisme. En passant komen boeiende vragen aan de orde als : wat is kunst zonder de kunstenaar? Waarom is de fotografie hét postmoderne medium bij uitstek? Hoe kon een beweging die niet wilde dat kunst een handelsartikel zou worden zelf zo'n invloed op de dolgedraaide kunstmarkt hebben?
Postmodern --- Art --- Architecture --- anno 1900-1999 --- anno 2000-2099 --- 7.038 --- kunst 20e eeuw --- postmodernisme --- 705.8 --- Anti-estheten --- Artschwager, Richard --- Baldessari, John --- Baselitz, Georg --- Basquiat, Jean-Michel --- Bickerton, Ashley --- Burgin, Victor --- Campbell, Steven --- Charlesworth, Sarah --- Chia, Sandro --- Clemente, Francesco --- Colescott, Robert --- De Chirico, Giorgio --- Feminimse --- Fischl, Eric --- Gilbert and George --- Girls, Guerrilla --- Guangyi, Wang --- Haacke, Hans --- Halley, Peter --- Heap of birds, Edgar --- Holzer, Jenny --- Immendorff, Jörg --- Jaar, Alfredo --- Johnson, Philip --- Kelly, Mary --- Kiefer, Anselm --- Koons, Jeff --- Kosuth, Joseph --- Kruger, Barbara --- Lawler, Louise --- Le Brun, Christopher --- Levine, Sherrie --- Longo, Robert --- Mapplethorpe, Robert --- Mariani, Carlo Maria --- McCollum, Allan --- Morimura, Yasumasa --- Multiculturalisme --- Neo-expressionisme --- Piper, Adrian --- Polke, Sigmar --- Pope, Carl --- Postmodernisme --- Prince, Richard --- Richter, Gerhard --- Rosenquist, James --- Salle, David --- Schilderkunst --- Schnabel, Julian --- Sherman, Cindy --- Simmons, Laurie --- Simpson, Loma --- Steinbach, Haim --- Tansey, Mark --- Weiner, Lawrence --- Wilson, Fred --- Wodiczko, Krzysztof --- 20e eeuw --- kunstgeschiedenis --- neo-expressionisme --- kunstgeschiedenis - kunst na 1945 --- kunstgeschiedenis, 20e eeuw --- hedendaagse kunst --- postmodernisme (kunst) --- Contemporary [style of art] --- ruimtelijke kunst --- Art styles
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Art, Modern --- 7.01 --- Afrika --- Arthur C. Danto --- Berlinart --- Boccioni Umberto --- Boltanski Christian --- Braque Georges --- Carracci Agostino --- Carracci Annibale --- Carracci Lodovico --- Cartier-Bresson Henri --- China --- Colescott Robert --- Connor Russell --- Correggio --- Courbet Gustave --- Degas Edgar --- Demuth Charles --- Diebenkorn Richard --- Fischl Eric --- fotografie --- Fragonard Jean-Honoré --- Gauguin Paul --- Goya Francisco --- Grooms Red --- Haacke Hans --- Hockney David --- Hudson River School --- Jugendstil --- Katz Alex --- Kiefer Anselm --- Kimura Chuta --- Klee Paul --- Kokoschka Oskar --- kunst --- kunstfilosofie --- kunstkritiek --- kunsttheorie --- Mapplethorpe Robert --- Miro Joan --- musea --- Rafaël --- Salle David --- Sargent John Singer --- Sawin David --- schilderkunst --- Sherman Cindy --- Sienna --- Stella Frank --- Veronese Paolo --- Warhol Andy --- Wenen --- Whitney Biennial --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art --- anno 1900-1999
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Modern black humor represents a rich history of radical innovation stretching back to the antebellum period. 'Laughing Fit to Kill' reveals how black writers, artists, and comedians have used humor across two centuries as a uniquely powerful response to forced migration and enslavement.
American literature --- African American wit and humor --- Black humor. --- Slavery in literature. --- Comic, The, in literature. --- African Americans in literature. --- Afro-Americans in literature --- Negroes in literature --- Slavery and slaves in literature --- Slaves in literature --- Black comedy --- Black humor (Literature) --- Black humor in literature --- Dark humor --- Wit and humor --- Afro-American wit and humor --- Black humor (African American humor) --- Negro wit and humor --- Wit and humor, African American --- American wit and humor --- African American authors --- History and criticism. --- African American wit and humor. --- Afro-amerikaner i litteraturen. --- Amerikansk litteratur --- Literatur --- Literatur. --- Schwarzer Humor --- Schwarzer Humor. --- Sklaverei --- Slaveri i litteraturen. --- Svart humor. --- African American authors. --- Afro-amerikanska författare. --- Afroamerikanische Autoren --- Motiv --- Schwarze, ... --- University of South Alabama. --- Schwarze. --- USA. --- History and criticism --- Black humor --- Slavery in literature --- African Americans in literature --- Brown, William Wells --- Criticism and interpretation --- Chesnutt, Charles Waddell --- Reed, Ishmael --- Parks, Suzan-Lori --- Pryor, Richard --- Colescott, Robert --- Walker, Kara --- Enslaved persons in literature
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Africano, Nicholas ; Andre, Carl ; Aycock, Alice ; Bartlett, Jennifer ; Basquiat, Jean-Michel ; Benglis, Lynda ; Bickerton, Ashley ; Blake, Nayland ; Borofsky, Jonathan ; Burden, Chris ; Cain, Peter ; Chin, Mel ; Colescott, Robert ; Dunham, Carroll ; Durham, Jimmie ; Eisenman, Nicole ; Gallagher, Ellen ; Golub, Leon ; Graves, Nancy ; Halley, Peter ; Hammons, David ; Haring, Keith ; Kelley, Mike ; Komar & Melamid ; Koons, Jeff ; Kruger, Barbara ; Kubota, Shigeko ; LeWitt, Sol ; Levine, Sherrie ; Ligon, Glenn ; Lobe, Robert ; Martin, Agnes ; Mendieta, Ana ; Miller, John ; Morrisroe, Mark ; Murray, Elizabeth ; Opie, Catherine ; Oppenheim, Dennis ; Oursler, Tony ; Pierson, Jack ; Pittman, Larry ; Ray, Charles ; Rhoades, Jason ; Rosler, Martha ; Rothenberg, Susan ; Ruppersberg, Allen ; Saar, Alison ; Salle, David ; Schumann, Christian ; Shapiro, Joel ; Sherman, Cindy ; Thater, Diana ; Tomaselli, Fred ; Weiner, Lawrence ; Williams, Sue
Painting --- Art --- painting [image-making] --- Bickerton, Ashley --- Salle, David --- Graves, Nancy --- Ligon, Glenn --- Burden, Chris --- Murray, Elisabeth --- Andre, Carl --- Shapiro, Joel --- Kelley, Mike --- Blake, Nayland --- Durham, Jimmie --- Rosler, Martha --- Weiner, Lawrence --- Basquiat, Jean-Michel --- Kruger, Barbara --- Pierson, Jack --- Kubota, Shigeko --- Sherman, Cindy --- Miller, John --- Benglis, Lynda --- Jenney, Neil --- Williams, Sue --- Levine, Sherrie --- Ireland, David --- Chin, Mel --- Cain, Peter --- Rhoades, Jason --- Hammons, David --- Whitten, Jack --- Colescott, Robert --- Borofsky, Jonathan --- Opie, Catherine --- Morrisroe, Mark --- Lobe, Robert --- Rothenberg, Susan --- Halley, Peter --- Ray, Charles --- Komar, Vitaly --- Mendieta, Ana --- Gallagher, Ellen --- Dunham, Carroll --- Oppenheim, Dennis --- Golub, Leon Albert --- Martin, Agnes --- Pittman, Lari --- Oursler, Tony --- Aycock, Alice --- Saar, Alison --- Schumann, Christian --- Ruppersberg, Allen --- Thater, Diana --- Bartlett, Jennifer --- Africano, Nicholas --- Simmons, Gary --- Eisenman, Nicole --- LeWitt, Sol --- Tomaselli, Fred --- Winsor, Jackie --- Koons, Jeff --- Haring, Keith --- Whitney Museum of American Art [New York, N.Y.] --- anno 1900-1999 --- United States --- art history --- kunstgeschiedenis --- Eisenmann, Nicole --- Dunham, Caroll --- Murray, Elizabeth --- Bartlett, Jennifer Loach --- Melamid, Alexander --- Amerika --- New York --- Lobe, Bob --- United States of America
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Iconography --- Art --- Painting --- History --- assemblages [sculpture] --- installations [visual works] --- painting [image-making] --- art history --- scripts [writing] --- Komar, Vitaly --- Andre, Carl --- LeWitt, Sol --- Oppenheim, Dennis --- Shapiro, Joel --- Stella, Frank --- Bartlett, Jennifer --- Murray, Elizabeth --- Newman, Barnett --- Eisenman, Nicole --- Haring, Keith --- Weiner, Lawrence --- Lobe, Bob --- Koons, Jeff --- Kline, Franz --- Sherman, Cindy --- Ray, Charles --- Kelley, Mike --- Basquiat, Jean-Michel --- Durham, Jimmie --- Bickerton, Ashley --- Dunham, Carroll --- Halley, Peter --- Kelly, Ellsworth --- Levine, Sherrie --- Reinhardt, Ad --- Rhoades, Jason --- Thater, Diana --- Tomaselli, Fred --- Rosler, Martha --- Frankenthaler, Helen --- Africano, Nicholas --- Aycock, Alice --- Benglis, Lynda --- Borofsky, Jonathan --- Burden, Chris --- Cain, Peter --- Chin, Mel --- Colescott, Robert --- Gallagher, Ellen --- Golub, Leon Albert --- Graves, Nancy --- Hammons, David --- Ireland, David --- Jenney, Neil --- Ligon, Glenn --- Mendieta, Ana --- Miller, John --- Morrisroe, Mark --- Opie, Catherine --- Oursler, Tony --- Pierson, Jack --- Pittman, Lari --- Rothenberg, Susan --- Saar, Alison --- Salle, David --- Schumann, Christian --- Simmons, Gary --- Whitten, Jack --- Williams, Sue --- Martin, Agnes --- Ruppersberg, Allen --- Whitney Museum of American Art [New York, N.Y.] --- anno 1970-1979 --- anno 1980-1989 --- anno 1990-1999 --- anno 1900-1999 --- United States of America --- fine arts [discipline] --- beeldende kunst
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political art --- jazz --- civil rights --- Art --- African American --- Harlem Renaissance --- art [fine art] --- primitivism [artistic concept] --- migration [function] --- racial discrimination --- motion pictures [visual works] --- Hartt, David --- Chase-Riboud, Barbara --- Johnson, Malvin Gray --- Marshall, Kerry James --- Lewis, Edmonia --- Smith, Albert --- White, Charles --- Thrash, Dox --- Thompson, Bob --- Micheaux, Oscar --- Delaney, Beauford --- Thomas, Hank Willis --- Motley, Archibald J. --- Basquiat, Jean-Michel --- Bearden, Romare --- Lawrence, Jacob --- Saunders, Raymond --- Overstreet, Joe --- Duncanson, Robert Scott --- Tanner, Henry Ossawa --- Dial, Thornton --- Driskell, David C. --- Bey, Dawoud --- Lovell, Whitfield --- Gallagher, Ellen --- Pippin, Horace --- Lewis, Norman --- Ligon, Glenn --- Hammons, David --- Gammon, Reginald --- Thomas, Alma --- Alston, Charles H. --- Jones, Loïs Mailou --- Barthé, Richmond --- Catlett, Elizabeth --- Saar, Betye --- Amos, Emma --- Douglas, Aaron --- Andrews, Benny --- Drake, David --- Hayden, Palmer --- Wells, James Lesesne --- Douglas, Emory --- Colescott, Robert --- Savage, Augusta --- Thomas, Mickalene --- Ellison, Walter --- Clark, Claude --- Ringgold, Faith --- Harrington, Oliver Wendell --- Smith, Mary T. --- Crite, Allan Rohan --- Bois, du, W.E. Burghardt --- Johnson, William H. --- Jennings, Wilmer --- anno 2000-2099 --- anno 1900-1999 --- anno 1800-1899 --- United States --- Woodruff, Hale --- Williams, Bert --- Afro-Amerikaanse kunst --- discriminatie --- zwarten --- Wereldoorlog I --- Wereldoorlog II --- geschiedenis --- racisme --- burgerrechten --- primitivisme --- Wereldtentoonstelling 1900 (Parijs) --- Crow, Jim --- Du Bois, William Edward Burghardt --- Louis, Joe --- Gammon, Reginald A. (Jr.) --- 19de eeuw --- 20ste eeuw --- Amerika --- Parijs --- Frankrijk --- Bois, Du, W.E.B. --- African American art --- Afro-Amerikaanse kunst. --- discriminatie. --- zwarten. --- Wereldoorlog I. --- Wereldoorlog II. --- geschiedenis. --- racisme. --- burgerrechten. --- primitivisme. --- Wereldtentoonstelling 1900 (Parijs). --- Crow, Jim. --- Du Bois, William Edward Burghardt. --- Pippin, Horace. --- Louis, Joe. --- Bearden, Romare. --- Catlett, Elizabeth. --- Lewis, Norman. --- Gammon, Reginald A. (Jr.). --- Thomas, Alma. --- 19de eeuw. --- 20ste eeuw. --- Amerika. --- Parijs. --- Frankrijk. --- art [discipline] --- United States of America
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