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This volume brings together articles on the cultural, religious, social and commercial interactions among Jews, Christians and Muslims in the medieval and early modern periods. Written by leading scholars in Jewish studies, Islamic studies, medieval history and social and economic history, the contributions to this volume reflect the profound influence on these fields of the volume’s honoree, Professor Mark R. Cohen.

Religions --- Abrahamic religions --- Religions abrahamiques --- History. --- History --- Relations. --- Relations --- Histoire --- Cohen, Mark R., --- Judaïsme --- Christianisme --- Islam --- Cohen, Mark --- 297.116*1 --- 297.116*2 --- Relatie Islam tot Christendom --- Relatie Islam tot Jodendom --- Festschrift - Libri Amicorum --- 297.116*2 Relatie Islam tot Jodendom --- 297.116*1 Relatie Islam tot Christendom --- Cohen, Mark R. --- Interreligious relations --- Relations among religions --- Judaïsme --- Histoire.

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Ed. by Robert Doty ; Introd. by Minor White --- fotografie --- Verenigde Staten --- negentiende eeuw --- twintigste eeuw --- Southworth Albert Sands --- Hawes Josiah Johnson --- Brady Mathew B. --- Wood & Gibson --- Barnard George N. --- O'Sullivan Timothy H. --- Jackson William Henry --- Watkins Carleton --- Peck Henry S. --- Muybridge Eadweard --- Eakins Thomas --- Vroman Adam Clark --- Matthews Kate --- Currier Charles H. --- Genthe Arnold --- Riis Jacob --- Hine Lewis W. --- Stieglitz Alfred --- Käsebier Gertrude --- Keiley Joseph T. --- Day F.Holland --- White Clarence --- Steichen Edward --- Coburn Alvin Langdon --- Weston Edward --- Strand Paul --- Sheeler Charles --- Bruguiere Francis --- Ray Man --- Steiner Ralph --- Cunningham Imogen --- Adams Ansel --- Evans Walker --- Shahn Ben --- Lee Russell --- Morris Wright --- Lange Dorothea --- Morgan Barbara --- Siegel Arthur --- Weegee --- Eisenstaedt Alfred --- Smith W. Eugene --- Newman Arnold --- DeCarava Roy --- White Minor --- Bullock Wynn --- Sommer Frederick --- Callahan Harry --- Caponigro Paul --- Siskind Aaron --- Chappell Walter --- Labrot Syl --- Brown Dean --- Porter Eliot --- Stock Dennis --- Samaras Lucas --- Heinecken Robert --- Frank Robert --- Avedon Richard --- Davidson Bruce --- Riger Robert --- Uelsmann Jerry --- Meatyard Ralph Eugene --- Krause george --- Heath David --- Tice George --- Roodman Carl --- Kalisher Simpson --- Harbutt Charles --- Lyons Nathan --- Weston Brett --- Lyon Danny --- Hartmann Erich --- Rice Leland --- Michals Duane --- Arbus diane --- Welpott Jack --- Dater Judy --- Cohen mark --- Gowin Emmet --- Hall Douglas Kent --- Krims Leslie R. --- Worth Don --- Walker Todd --- 77.03 --- Photography --- History --- Brady Mathew B --- Barnard George N --- O'Sullivan Timothy H --- Peck Henry S --- Currier Charles H --- Hine Lewis W --- Keiley Joseph T --- Krims Leslie R

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"In the mid-1960s, The Minneapolis Institute of Arts was in the vanguard of museums that recognized the importance of photography as a fine art--an art that demanded to be collected and exhibited for a wider audience. While major institutions, such as The Museum of Modern Art and the Art Institute of Chicago, had created formidable photography collections and exhibition programs, few other, smaller institutions had followed their lead. The Minneapolis Institute of Arts was an exception. Its decisive turn, in 1964, toward establishing a permanent place for photography was a major shift that reflected the changing position that photography held in the inner sanctum of museum art. For a relatively young medium with no real history, beginning a collection was, in part, contributing to its evolving history. Entrusted to the supervision of a young, then untried curator, Carroll T. Hartwell, the museum began to acquire photographs that, in the aggregate, would reflect both photography's greatest traditions, as embodied in the pioneering works of Frederick H. Evans, Hill and Adamson, and Julia Margaret Cameron; its modern giants of this century, including Walker Evans, Robert Frank, and Lee Friedlander; and its boldest forays, as revealed in the works of the contemporary photographers Reed Estabrook, Frank Gohlke, Marsha Burns, Nicholas Nixon, William Eggleston, and many others. Minneapolis's attention to current photographers is dramatically reflected in this volume. While the significance of the medium's traditions has always been a recurrent thread through the collection, its broader character reflects a modern sensibility that refers to the distinct aesthetic character and value of picture making, the camera, and camera vision. The Making of a Collection documents the creation of a truly remarkable collection of photographs and the simultaneous development of the curatorial mind and eye."--Amazon.com.

Minneapolis Institute of Arts --- fotografie --- museumcollecties --- 19de eeuw --- 20ste eeuw --- Photography, Artistic --- 760.5 --- fotogeschiedenis --- Verenigde Staten --- Europa --- Fox Talbot, William Henry --- Frith, Francis --- Hill, David Octavius --- Adamson, Robert --- Thomson, John --- Evans, Frederick H --- Cameron, Julia Margaret --- Pirou, Eugène --- Tourtin, Emile --- Muybridge, Eadweard --- Gurney, Jeremiah --- Atget, Eugene --- Sommer, Giorgio --- Curtis, Edward S --- Russell, Andrew Joseph --- Jackson, William Henry --- Watkins, Carleton E --- Eakins, Thomas --- Coburn, Alvin Langdon --- Bellocq, E. J --- Hine, Lewis --- Van DerZee, James --- Stieglitz, Alfred --- Newman, Arnold --- Cunningham, Imogen --- Strand, Paul --- Brandt, Bill --- Sander, August --- Telberg, Vel --- Alvarez Bravo, Manuel --- Brassaï --- Lartigue, Jacques-Henri --- Steichen, Edward --- Abbott, Berenice --- Kertész, André --- Steiner, Ralph --- Renger-Patzsch, Albert --- Evans, Walker --- Bros, Clarence K --- Adams, Ansel --- Chiarenza, Carl --- Weston, Brett --- Weston, Edward --- Bullock, Wynn --- Siskind, Aaron --- White, Minor --- Callahan, Harry --- Faurer, Louis --- Liebling, Jerome --- Palfi, Marion --- Frank, Robert --- Welpott, Jack --- Meatyard, Ralph Eugene --- Wilcox, Robert Gene --- Uelsmann, Jerry N --- Davidson, Bruce --- Wessel Jr., Henry --- Krims, Leslie --- Cohen, Mark --- Mertin, Roger --- Swedlund, Charles --- Gowin, Emmet --- Crane, Arnold --- Weegee --- Klein, William --- Arbus, Diane --- Avedon, Richard --- Dovydenas, Jonas --- Selkirk, Neil --- Snyder, Joel --- Mayes, Elaine --- Nixon, Nicolas --- Olsenius, Richard --- Burns, Marsha --- Goin, Peter --- Moss, Joan --- Muxter, Ramon J --- Dickey, Michael --- Fink, Larry --- Coplans, John --- Holmgren, Robert --- Arndt, Thomas F --- Lanzano, Louis --- DeLory, Peter --- Donneman, Eve --- Lang, Gerald --- Jensen, Mark E --- Tice, George A --- Jachna, Joseph D --- Levinson, Joel D --- Friedlander, Lee --- Simon, Michael --- Myers, Joan --- McFarland, Lawrence --- Deal, Joe --- Agar, Will --- Barrow, Thomas F --- Swerdlove, Allen --- Gohlke, Frank W --- Smith, Michael A --- MacWeeney, Alen --- Tuckerman, Jane --- Winogrand, Garry --- Papageorge, Tod --- Meyerowitz, Joel --- Lyons, Joan --- Eggleston, William --- Callis, Jo Ann --- Neimanas, Joyce --- Golden, Judith --- James, Christopher P --- Estabrook, Reed --- Henkel, James --- Merill, Lawrence J --- Albert, Brian --- Christenberry, William --- Jenshel, Len --- Klipper, Stuart D --- fotografie, verzamelen - musea - tentoonstellingen --- Minneapolis. --- Minneapolis Society of Fine Arts. --- Minneapolis Institute of Fine Arts --- Minneapolis Institute of Art (1915-2015) --- MIA (Minneapolis Institute of Arts) --- Minneapolis Institute of Art --- Photograph collections. --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Minneapolis Institute of Arts. --- museumcollecties. --- 19de eeuw. --- 20ste eeuw. --- Samuel H Kress Foundation (New York). --- evangelies. --- religieuze kunst. --- bijbelse verhalen. --- apostel Johannes. --- apostel Marcus. --- apostel Lucas. --- apostel Matheus.