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Clement Greenberg Edited by John O'Brian --- Greenberg Clement --- kunsttheorie --- kunstkritiek --- twintigste eeuw --- 7.01 --- 7.072 --- Aesthetics of art --- Art criticism --- Kunsttheorie ; kunstkritiek en essays ; Clement Greenberg --- Greenberg, Clement --- Kunst ; theorie, filosofie, esthetica --- Clement Greenberg ; Edited by John O'Brian --- Art criticism - United States - 20th century.

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This book explores how theories of embodiment, the gesture, hysteria and subjectivity can deepen our understanding of New York abstract painting. Providing readings of paintings by Krasner and examining images of Pollock and Frankenthaler at work, it builds a bridge between the New York artist-women and their other, Marilyn Monroe.

Sex role in art. --- Women artists --- Abstract expressionism --- Krasner, Lee, --- Clement Greenberg. --- Helen Frankenthaler. --- Jackson Pollock. --- Lee Krasner. --- Marilyn Monroe. --- New York. --- abstract expressionism. --- action painting. --- modernist art. --- women artists. --- New York (State)

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In the first comprehensive study of Jewish identity and its meaning for the history of art, eleven influential scholars illuminate the formative role of Jews as subjects of art historical discourse. At the same time, these essays introduce to art history an understanding of the place of cultural identity in the production of scholarship. Contributors explore the meaning of Jewishness to writers and artists alike through such topics as exile, iconoclasm, and anti-Semitism. Included are essays on Anselm Kiefer and Theodor Adorno; the effects of the Enlightenment; the rise of the nation-state; Nazi policies on art history; the criticism of Meyer Schapiro, Clement Greenberg, and Aby Warburg; the art of Judy Chicago, Eleanor Antin, and Morris Gottlieb; and Jewish patronage of German Expressionist art. Offering a new approach to the history of art in which the cultural identities of the makers and interpreters play a constitutive role, this collection begins an important and overdue dialogue that will have a significant impact on the fields of art history, Jewish studies, and cultural studies.

Arts, Modern --- Jewish arts. --- Jews in art. --- Jews --- HISTORY / Medieval. --- Identity, Jewish --- Jewish identity --- Jewishness --- Jewish law --- Jewish nationalism --- Jewish way of life in art --- Arts, Jewish --- Arts --- 20th century. --- Identity. --- Ethnic identity --- Race identity --- Legal status, laws, etc. --- abstract art. --- aby warburg. --- aesthetic. --- aniconism. --- anselm kiefer. --- anti semitism. --- art history. --- art. --- assimilation. --- berlin. --- clement greenberg. --- cultural identity. --- cultural studies. --- eleanor antin. --- enlightenment. --- exile. --- german expressionism. --- german expressionist art. --- iconoclasm. --- jewish art. --- jewish identity. --- jewish patronage. --- jewish studies. --- jewishness. --- judaism. --- judy chicago. --- meyer schapiro. --- modern art. --- morris gottlieb. --- nazi germany. --- nazis. --- religion. --- theodor adorno.

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During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer's seminal contributions to film studies and shows how, in turn, Kracauer's American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer's work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer's own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema.

Motion pictures --- Film critics --- Motion picture critics --- Moving-picture critics --- Critics --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History. --- Political aspects. --- History and criticism --- Kracauer, Siegfried, --- Ginster, --- Kracauer, S. --- Krakauėr, Z. --- Krakauėr, Zigfrid --- Criticism and interpretation. --- Critiques de cinéma --- Cinéma et politique. --- Cinéma --- Histoire et critique. --- Political aspects --- History --- 1940s. --- 20th century. --- academic. --- american history. --- authoritarian. --- caligari. --- clement greenberg. --- contemporary philosopher. --- contemporary thinker. --- culture. --- film making. --- film studies. --- film theory. --- great thinkers. --- hannah arendt. --- hitler. --- immigrant. --- immigration. --- intellectual. --- manhattan. --- modern thinker. --- modern world. --- modernity. --- new york. --- philosopher. --- philosophy. --- refugee. --- research. --- robert warshow. --- siegfried kracauer. --- theodor adorno. --- theorist. --- theory of film. --- theory. --- totalitarianism. --- transatlantic. --- united states. --- weimar republic. --- world history.

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Art as we know it is dramatically changing, but popular and critical responses lag behind. In this trenchant illustrated essay, David Joselit describes how art and architecture are being transformed in the age of Google. Under the dual pressures of digital technology, which allows images to be reformatted and disseminated effortlessly, and the exponential acceleration of cultural exchange enabled by globalization, artists and architects are emphasizing networks as never before. Some of the most interesting contemporary work in both fields is now based on visualizing patterns of dissemination after objects and structures are produced, and after they enter into, and even establish, diverse networks. Behaving like human search engines, artists and architects sort, capture, and reformat existing content. Works of art crystallize out of populations of images, and buildings emerge out of the dynamics of the circulation patterns they will house. Examining the work of architectural firms such as OMA, Reiser + Umemoto, and Foreign Office, as well as the art of Matthew Barney, Ai Weiwei, Sherrie Levine, and many others, After Art provides a compelling and original theory of art and architecture in the age of global networks.

Art and society. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Psychology. --- Social aspects --- Acropolis Museum. --- Ai Weiwei. --- Alejandro Zaera-Polo. --- Alexander Nemerov. --- Andy Warhol. --- Antonio Negri. --- Art Basel. --- Art history. --- Art museum. --- Art world. --- Arthur Danto. --- Bernard Tschumi. --- Bill Ayers. --- Boris Groys. --- Bruno Latour. --- Calculation. --- Capitalism. --- Clement Greenberg. --- Commodity. --- Conceptual art. --- Contemporary art. --- Creative Commons. --- Cultural Property (Japan). --- Cultural capital. --- Curator. --- Customer. --- Damien Hirst. --- De Stijl. --- Decolonization. --- Diagram. --- Digital photography. --- Dissemination. --- Electronic Disturbance Theater. --- Emblem. --- Epistemology. --- Financial capital. --- Frank Gehry. --- Globalization. --- Guggenheim Museum Bilbao. --- Hannah Arendt. --- Hans Belting. --- High culture. --- Iconology. --- Ideology. --- Illegal immigration. --- Income. --- Infrastructure. --- Instance (computer science). --- Institution. --- Institutional Critique. --- Kunsthalle Wien. --- Lawrence Lessig. --- Le Corbusier. --- MIT Press. --- Manifesto. --- Market economy. --- Matthew Barney. --- Michael Hardt. --- Michel Foucault. --- Modern architecture. --- Modernism. --- Museum. --- Narrative. --- Neoliberalism. --- Newspaper. --- Overproduction. --- Ownership. --- Oxford University Press. --- Parametricism. --- Photography. --- Postcard. --- Public sphere. --- Publication. --- Rachel Harrison. --- Rem Koolhaas. --- Repatriation (humans). --- Rhetoric. --- Richard Meier. --- Rirkrit Tiravanija. --- Rosalind E. Krauss. --- Roselee Goldberg. --- Saskia Sassen. --- Scalability. --- Sherrie Levine. --- Social space. --- Subodh Gupta. --- Surrealism. --- T. J. Clark (art historian). --- Tactical media. --- Tania Bruguera. --- The Society of the Spectacle. --- Tourism. --- Understanding. --- Venice Biennale. --- Visual culture. --- Walker Evans. --- Walter Benjamin. --- Wealth. --- Website. --- Work of art.