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This book traces the deployment of intermedial aesthetics in the works of early twentieth-century female performers. By destabilizing medial and genre boundaries, these women created compelling and meaningful performances that negotiated turn-of-the-century American social and cultural issues.

Intermediality --- Revues --- Women dancers --- 7.036.1 --- Clayton Bessie --- dans --- Duncan Isadora --- Fuller Loïe --- gender studies --- Genée Adeline --- kunst --- lichamelijkheid --- Mackaye Hazel --- muziek --- opera --- Pavlova Anna --- performances --- Sacchetto Rita --- St. Denis Ruth --- theater --- The Passing Show --- The Ziegfeld follies --- twintigste eeuw --- Verenigde Staten --- Semiotics --- Influence (Literary, artistic, etc.) --- Dancers --- Musical revues --- Musical revues, comedies, etc. --- Musical shows --- Revues (Musical) --- Shows, Musical --- Table entertainments --- Variety shows --- Vaudeville shows --- Dramatic music --- Minstrel music --- History and criticism --- History --- Revues (music-hall) --- Danseuses --- Intermédialité. --- Intermediality. --- Histoire et critique. --- Histoire --- History and criticism.