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Music --- Musical analysis. --- Classicism in music. --- Sémiotique et musique --- Analyse musicale --- Classicisme dans la musique --- Semiotics.
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Sonata --- Classicism in music --- Music --- Composers --- Classicisme dans la musique --- Musique --- Compositeurs --- History and criticism --- Histoire et critique
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Music --- Classicism in music. --- Musique --- Classicisme dans la musique --- History and criticism. --- Histoire et critique --- Classicism in music --- History and criticism --- Style, Musical
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Dans ce livre, devenu un classique, Charles Rosen, pianiste américain de renommée internationale et de culture européenne, s'est proposé de repenser entièrement la notion controversée de style musical classique, qui naît avec Haydn et Mozart vers 1775 et s'achève pour lui avec Beethoven ; et il en analyse toutes les caractéristiques musicales et culturelles. A partir d'un examen détaillé des symphonies et quatuors à cordes de Haydn, des concertos, quintettes et opéras de Mozart, enfin des sonates pour piano de Beethoven, il montre qu'une même tension dramatique est au cœur de toutes ces œuvres et en vient à définir le style classique comme "la résolution symétrique de forces opposées". Une grande sensibilité aux hommes double l'analyse formelle. En Haydn se mêlent l'innocence pastorale, l'humour, la lucidité et une joyeuse énergie ; tandis que Mozart nous apparaît dans cette séduction qui relie subversivement la pensée révolutionnaire et l'érotisme. Cette réédition comporte une préface nouvelle et un chapitre sur Beethoven et la tradition jusqu'alors inédits en français.
Style, Musical --- Music --- Style musical --- Musique --- History and criticism --- Histoire et critique --- Classicisme dans la musique --- Musique - 18e siecle - Histoire et critique --- Criticism and interpretation
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Une histoire de la naissance du concept de musique classique, qui montre l'apparition d'un style et de son esthétique. Elle est retracée à partir du premier romantisme allemand, qui bouscule la notion de classique établie au milieu du XVIIIe siècle par Winckelmann en redéfinissant le drame, en opposition à la binarité instrumental-vocal. ©Electre 2016
Music --- Classicism in music --- Musique --- Classicisme dans la musique --- Philosophy and aesthetics --- Philosophie et esthétique --- Aesthetics --- Classical influences --- Philosophy --- Philosophie et esthétique --- Music - Classical influences --- Aesthetics - Philosophy --- Music - Philosophy and aesthetics --- 573 --- Muziekesthetica
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Building upon the foundations of his critically acclaimed Classical Form, William E. Caplin’s Analyzing Classical Form presents the most up-to-date version of his "theory of formal functions" in an approach especially suited to the classroom. Students on both undergraduate and graduate levels will learn to construct complete harmonic and formal analyses of music drawn from the instrumental works of Haydn, Mozart, and Beethoven. Part 1 introduces the principal theme-types of classical instrumental music; part 2 provides a methodology for analyzing sonata form, the most important formal type in this style period; and part 3 considers other full-movement forms found in this repertory (such as minuet, rondo, and concerto). The book is amply illustrated with annotated musical examples for each topic covered, as well as many unannotated examples that can be used for in-class discussion and for out-of-class analytical exercises. A complete glossary of terms and chapter-by-chapter review questions will help students assimilate the many theoretical concepts employed in the book. A companion website provides audio and musical scores for all of the examples in the book as well as additional examples for the analysis of the simple theme-types presented in part 1.
Musical form --- Sonata form. --- Musical analysis. --- Classicism in music. --- Formes musicales --- Forme sonate --- Analyse musicale --- Classicisme dans la musique --- Classicism in music --- Musical analysis --- Sonata form --- Style, Musical --- Form, Musical --- Music --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- Sonata-allegro form --- Analysis, appreciation --- Analytical guides --- Instruction and study
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Music and literature --- Classicism in music --- Neoclassicism (Literature) --- Musique et littérature --- Classicisme dans la musique --- Néoclassicisme (Littérature) --- Austen, Jane, --- Mozart, Wolfgang Amadeus, --- Criticism and interpretation --- Women and literature --- Love stories, English --- History --- History and criticism --- Austen, Jane --- Musique et littérature --- Néoclassicisme (Littérature) --- Criticism and interpretation. --- Women and literature - England - History - 19th century --- Neoclassicism (Literature) - England --- Love stories, English - History and criticism --- Mozart, Wolfgang Amadeus, - 1756-1791 --- Austen, Jane, - 1775-1817 - Criticism and interpretation --- Austen, Jane, - 1775-1817
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Classicism in music --- Music --- Popular music --- Motion picture music --- Classicisme dans la musique --- Musique --- Musique populaire --- Film, Musique de --- History and criticism --- History and criticism. --- Histoire et critique --- 82:791.43 --- Literatuur en film --- Popular music and art music. --- 82:791.43 Literatuur en film --- Popular music and art music --- Art music and popular music --- Classical music and popular music --- Popular music and classical music --- Popular music and serious music --- Serious music and popular music --- Philosophy and aesthetics
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Analyse musicale --- Classicism in music --- Classicisme en musique --- Classicisme in muziek --- Form [Musical ] --- Forme musicale --- Musical analysis --- Musical form --- Muzikale analyse --- Muzikale vorm --- Instrumental music --- -Instrumental music --- -Musical analysis --- Music theory --- -Music theory --- -Form, Musical --- Music --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music appreciation --- Style, Musical --- Musical theory --- Theory of music --- Music, Instrumental --- Analysis, appreciation --- History --- -History --- -Analysis, appreciation --- Analytical guides --- Instruction and study --- Theory --- Haydn, Joseph --- -Mozart, Wolfgang Amadeus --- -Beethoven, Ludwig van --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Haydn, Franz Joseph --- Criticism and interpretation --- Musical form. --- Musical analysis. --- Classicism in music. --- Formes musicales --- Classicisme dans la musique --- Théorie musicale --- Histoire --- Haydn, Joseph, --- Mozart, Wolfgang Amadeus, --- Beethoven, Ludwig van, --- Criticism and interpretation. --- Form, Musical --- Mozart, Wolfgang Amadeus --- van Beethoven, Louis --- von Beethoven, Ludwig --- Beethoven, Ludwig --- Beethoven, Ludwig van --- Gaĭdn, Ĭ., --- Gaĭdn, Ĭosif, --- Gaĭdn, Ĭozef, --- Haiden, Josip, --- Haidnas, J., --- Haidun, --- Hayden, Joseph, --- Haydn, --- Haydn, F. J. --- Haydn, Franz Josef, --- Haydn, Franz Joseph, --- Haydn, Giuseppe, --- Haydn, Ios. --- Haydn, J. --- Haydn, Jos. --- Haydn, Josef, --- Heyden, Joseph, --- Khaĭdn, Ĭozef, --- היידן, י., --- van Beethoven, Ludwig --- 20th century --- 18th century --- 19th century --- Bītʹhūfin, --- Beethoven, L. van --- Beethoven, Louis van, --- Beethoven, Ludvig van, --- Bethovenas, L., --- Betkhoven, Li︠u︡dvig van, --- Beṭhoṿn, Ludṿig ṿan, --- Beethoven, Ludwik van, --- Betkhoven, L. van --- Bētōven, Rūtovihhi van, --- בטהובן --- בעטהאָוון, לודוויג וואן --- ベートベン, ルートビッヒ, --- 贝多芬, --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz
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