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"This volume addresses the prominent, and in many ways highly similar, role that historical fiction has played in the formation of the two neighbouring ‘young nations’, Finland and Estonia. It gives a multi-sided overview of the function of the historical novel during different periods of Finnish and Estonian history from the 1800s until the present day, and it provides detailed close-readings of selected authors and literary trends in their social, political and cultural contexts. This book addresses nineteenth-century ‘fictional foundations’, historical fiction of the new nation states in the interwar period as well as post-Second World War Soviet Estonian novels and modern historiographic metafiction. The overall focus is on traditions of writing rather than on isolated highpoints, on chains of transnational influences and on narrative elements that recur both synchronically and diachronically. The volume shows historical fiction prefigured many narratives, tropes, heroes and events that academic history writing later adopted. The comparison of the two literary traditions also opens up a much broader view of how historical novels narrate the nation. While existing explorations of historical fiction have mostly been written from the perspective of the old and great nations, this book shows that the traditions of the young nations ‘without history’ often challenge many mainstream views on the genre."
Finland --- Estonia --- Modern & contemporary fiction (post c 1945) --- Classic fiction (pre c 1945)
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Esta obra sirve como obra de referencia al fenomeno literario debido al desconocimiento que existe en América Latina sobre el Japón de posguerra
Abe, Kōbō, --- Criticism and interpretation. --- War poetry, Japanese. --- Japanese war poetry --- Japanese poetry --- Abe, Kimifusa --- 安部公房 --- Classic fiction (pre c 1945) --- Biographical fiction
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"Friedrich Hölderlin’s only novel, Hyperion (1797–99), is a fictional epistolary autobiography that juxtaposes narration with critical reflection. Returning to Greece after German exile, following his part in the abortive uprising against the occupying Turks (1770), and his failure as both a lover and a revolutionary, Hyperion assumes a hermitic existence, during which he writes his letters. Confronting and commenting on his own past, with all its joy and grief, the narrator undergoes a transformation that culminates in the realisation of his true vocation.Though Hölderlin is now established as a great lyric poet, recognition of his novel as a supreme achievement of European Romanticism has been belated in the Anglophone world. Incorporating the aesthetic evangelism that is a characteristic feature of the age, Hyperion preaches a message of redemption through beauty. The resolution of the contradictions and antinomies raised in the novel is found in the act of articulation itself. To a degree remarkable in a prose work of any length, what it means is inseparable from how it means. In this skilful translation, Gaskill conveys the beautiful music and rhythms of Hölderlin’s language to an English-speaking reader."
Hölderlin, Friedrich, --- Literature & literary studies --- Classic fiction (pre c 1945) --- Myth & legend told as fiction --- Friedrich Hölderlin --- novel --- Hyperion --- fictional epistolary autobiography --- European Romanticism --- Greece
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