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Ce parcours à travers quelques-uns des moments de l'histoire du cinéma expérimental lie l'histoire particulière de ce cinéma aux autres pratiques artistiques.
Cinéma --- Critique cinématographique --- Esthétique --- Philosophie --- Cinéma - Esthétique --- Cinéma - Philosophie
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Cinéma --- Cinema --- Histoire --- Philosophie --- Motion pictures --- CDL --- 791.43 --- History --- History and criticism --- Cinéma - Histoire --- Cinema - Philosophie
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Cinema - Etude et enseignement - France --- Cinema en education - France --- Cinema - Philosophie --- Cinema - France --- Cinema --- Cinema en education
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Motion pictures --- Cinéma --- Aesthetics --- Esthétique --- #SBIB:309H1320 --- #SBIB:309H520 --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: algemene werken --- Cinéma --- Philosophie --- Histoire --- History --- Cinéma - Philosophie - Histoire
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#KVHA:Film stromingen --- #KVHA:Film --- Genres cinematographiques --- Cinema --- Motion pictures --- Film genres --- Cinematography --- Histoire --- Philosophie --- Encyclopedias --- Plots, themes, etc. --- #KVHA:Film; stromingen --- Cinema - Guides, manuels, etc. --- Cinema - Histoire --- Genres cinematographiques - Guides, manuels, etc --- Cinema - Philosophie - Guides, manuels, etc. --- Motion pictures - Encyclopedias --- Motion pictures - Plots, themes, etc. - Encyclopedias --- Film genres - Encyclopedias --- Cinematography - Encyclopedias --- Film --- film movements
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Motion pictures --- Television broadcasting --- Television --- Auditory perception --- Cinéma --- Télévision --- Sémiotique et télévision --- Perception auditive --- Sound effects --- Semiotics --- Son --- Effets sonores --- Sémiotique --- Sémiotique et cinéma. --- Perception auditive. --- Audiovisuel. --- Son. --- Bandes magnétiques. --- Films sonores --- Télévision. --- Perception visuelle. --- Semiotique et télévision --- Technique --- Aspect psychologique --- Effets sonores. --- Philosophie --- Cinéma --- Télévision --- Sémiotique et télévision --- Sémiotique --- Films sonores - Technique --- Son - Aspect psychologique --- Cinéma - Effets sonores --- Télévision - Effets sonores. --- Cinéma - Philosophie --- Cinéma - Son
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It has been said that all cinema is a special effect. In this examination of time in film Sean Cubitt tries to get at the root of the uncanny effect produced by images and sounds that don't quite align with reality. What is it that cinema does? Cubitt proposes a history of images in motion from a digital perspective, for a digital audience." "Students of film will find Cubitt's analysis of noncanonical films like Sam Peckinpah's Pat Garrett and Billy the Kid as enlightening as his fresh takes on such classics as Renoir's Rules of the Game.
Film --- Sean Cubitt --- vroege film --- fantastische film --- decor --- Renoir Jean --- film --- filmtheorie --- filmgeschiedenis --- receptie-esthetica --- twintigste eeuw --- speciale effecten --- tijd --- ruimte --- beweging --- stille film --- digitale film --- geluid --- filmmuziek --- animatie --- Eisenstein Sergei --- Hollywood --- 791.41 --- 791.43 --- Cinematography --- Motion pictures --- Cinéma --- Cinéma, histoire --- Philosophie --- Special effects --- Philosophy --- Effets spéciaux --- Special effects (Cinematography) --- Trick cinematography --- Special effects. --- Philosophy. --- Cinematography - Special effects --- Motion pictures - Philosophy --- Cinéma - Effets spéciaux --- Cinéma - Philosophie
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