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Women in motion pictures. --- Cinéma et femmes. --- Motion pictures for women.
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"Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging"--
Homosexuality and motion pictures. --- Lesbianism --- Motion pictures and women. --- Fans (Persons) --- Young women --- Femmes --- Cinéma et femmes. --- Fans --- Homosexualité et cinéma --- Au cinéma.
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Femininity --- Women in mass media --- Motion pictures and women --- Féminité --- Femmes dans les médias --- Cinéma et femmes --- Social aspects --- Aspect social --- Sociology of work --- Sociology of the family. Sociology of sexuality --- Mass communications --- Asia --- Gender --- Media --- Sex industry --- Images of women --- Book
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"This field-defining collection establishes unfinished film projects--abandoned, interrupted, lost, or open-ended--as rich and underappreciated resources for feminist film and media studies. In a series of deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. Incomplete recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always-unfinished project of film history, film spectatorship, and film studies"--
Motion pictures and women. --- Cinéma et femmes. --- Unfinished films --- Films inachevés --- History and criticism. --- Critique et interprétation. --- Motion pictures and women --- film --- filmgeschiedenis --- filmtheorie --- feminisme --- gender studies --- filmproductie --- 791.41 --- Unfinished motion pictures --- Motion pictures --- Women and motion pictures --- Women --- History and criticism --- Cinéma et femmes. --- Films inachevés --- Critique et interprétation. --- Cinéma-Art --- Féminisme
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Offers intersectional, intergenerational, and international perspectives on nonfiction film- and video-making by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term “feminism”; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. --From publisher description.
Nonfiction films --- Feminist films --- kunst --- film --- feminisme --- film en feminisme --- kunst en feminisme --- documentaire --- vrouwen --- activisme --- Ahwesh Peggy --- Akerman Chantal --- 791.43 --- Feminist cinema --- Feminist motion pictures --- Women's liberation films --- Motion pictures --- Nonstory films --- History and criticism --- Films documentaires --- Cinéma et femmes. --- Femmes vidéastes. --- Réalisatrices de cinéma. --- History and criticism. --- Documentary films --- Women motion picture producers and directors --- Féminisme et cinéma --- Femmes vidéastes --- Catalogues d'exposition --- Féminisme --- Cinéma --- Philosophy and psychology of culture --- Film --- feminism --- documentary films --- documentary filmmakers --- cultuurkritiek --- documentary film --- Movies --- Art history --- Film directors --- Book --- Decolonization --- Documentaries --- Intersectionality --- Feminism and motion pictures. --- Feminist films. --- Femmes au cinéma. --- Femmes dans l'industrie cinématographique. --- Films autres que de fiction --- Films féministes --- Féminisme et cinéma. --- Nonfiction films. --- Productrices et réalisatrices de cinéma. --- SOCIAL SCIENCE / Feminism & Feminist Theory. --- Women in motion pictures. --- Women in the motion picture industry. --- Women motion picture producers and directors. --- filmmakers. --- Histoire et critique.
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