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"Rainer Werner Fassbinder's fourteen-part Berlin Alexanderplatz, broadcast on German television in 1980, is a pivotal work in the artist's oeuvre. In this work, along with others from the same period, Fassbinder established a Jewish-German mirror rotating on the axis of the Holocaust. In Hystericizing Germany, Manfred Hermes provides an excursive analysis of the potential of narration within the paradoxes of cinematic representation, with Fassbinder's miniseries forming both beginning and end point."--Publisher's website, http://www.sternberg-press.com.
Fassbinder, Rainer Werner, --- Télévision --- Narration --- Analyse de l'image --- Cinéma --- Cinéma et idéologie --- Fassbinder, Rainer Werner --- Berlin Alexanderplatz (Television program)
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Cinéma et idéologie --- Cinéma muet --- Illustration, film --- Illustration, presse --- Illustration, publicité --- Arts, Modern --- Caricature --- Cinéma --- Cubisme --- Expressionnisme --- Fauvisme --- Futurisme --- Humour --- Illustration film --- Illustration, livre --- Impressionnisme --- Littérature --- Arts, Modern - 20th century.
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Parce que le cinéma comme l'architecture participent d'une expérience esthétique collective, l’École nationale supérieure d'architecture Paris-Malaquais revient sur quelques unes des correspondances qui peuvent rapprocher ces deux arts. Films de la Nouvelles Vague, cinéma asiatique, films d'avant-garde et expérimentaux, fictions hollywoodiennes et de science-fiction, documentaires : autant d’œuvres cinématographiques que l'on interrogera pour leurs visions de métropoles génériques, leurs capacités d'observation de la vie quotidienne, leurs critiques du réel, leurs dimensions fictionnelles et oniriques.
Motion pictures and architecture --- Cinéma et architecture --- Architecture --- Cinéma --- Architecture et cinéma --- Villes --- Au cinéma --- Cinema experimental --- Cinema graphique --- Cinema fantastique --- Cinéma et idéologie --- Cinéma et architecture --- Cinéma expérimental --- Cinéma --- Architecture et cinéma. --- Au cinéma. --- Architecture et cinéma
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"Creator of the "structural" film, The Flicker, collaborator on Jack Smith's Flaming Creatures and Normal Love, follower of Henry Flynt's radical anti-art, member of the Theatre of Eternal Music and the first incarnation of The Velvet Underground, and early associate of Mike Kelley, Tony Oursler, and Cindy Sherman, Tony Conrad has significantly impacted cultural developments from minimalism and underground film to "concept art," postmodern appropriation, and the most sophisticated rock and roll. Yet Beyond the Dream Syndicate does not claim Conrad as a major but underrecognized figure. Rather, by drawing on Deleuzian notions of the "minor" and the Foucauldian problematization of authorship found in Conrad's own artistic/musical project, Early Minimalism, it disperses into an "author function." Neither monograph nor social history, this "minor history" takes Conrad's collaborative interactions as a guiding thread by which to investigate the contiguous networks and discursive interconnections amongst the arts of time."--BOOK JACKET.
kunstgeschiedenis --- kunst --- Conrad, Tony --- Cage, John --- Avant-garde (esthétique) --- Vingtième siècle. --- Conrad, Tony, --- Minimalisme --- Film --- Film underground --- Cinéma --- Cinéma et idéologie --- Postmodernisme --- Analyse de l'art --- Analyse de l'image --- Culture --- Musique expérimentale --- Avant-garde --- Années 1960 --- Etats-Unis --- Avant-garde (Music) --- Avant-garde (Aesthetics) --- Postmodernism --- History --- Criticism and interpretation. --- Critique et interprétation.
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Police films --- Detective and mystery films --- Gangster films --- Cinéma et idéologie --- Films de gangsters --- Films policiers --- Films noirs --- Crimes et délits politiques --- Cinéma --- Histoire --- History and criticism --- History and criticism. --- Histoire et critique --- Thèmes, motifs --- Au cinéma --- Thèmes, motifs. --- Histoire et critique. --- Au cinéma. --- Police films - United States - History and criticism --- Detective and mystery films - United States - History and criticism --- Gangster films - United States - History and criticism
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