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Harnessing the technicolor rainbow: color design in the 1930s
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ISBN: 9780292716278 0292716273 9780292716285 0292716281 0292794908 Year: 2007 Publisher: Austin, Tex. University of Texas Press

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Color, the film reader
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ISBN: 9780415324427 0415324432 0415324424 9780415324434 0203357086 9780203357088 Year: 2006 Publisher: New York : Routledge,

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The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others.


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Color in motion : experimental technologies and cinema
Authors: --- --- --- --- --- et al.
ISBN: 9781636811307 Year: 2024 Publisher: New York : DelMonico Books D.A.P.,

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"The art of producing color in movies is a fascinating process with a long history. Many people don't realize that, as early as the 1890s, much of silent cinema was in color. They also may not know that women were the main workforce behind the techniques that first produced these effects, a tradition that continued as the practice evolved. Breakthroughs in color technology have created ongoing opportunities for filmmakers to experiment with new forms of narrative and emotional storytelling. Spectacular, psychological, and sensory, color has become an integral part of the cinematic experience. From the earliest hand-painted films to Technicolor and today's digital cinema, Color in Motion takes readers on a journey through the evolution and significance of color in film. Presenting insightful analysis, engaging case studies, and inspiring conversations with scholars and experts in the field, with topics ranging from animation to the intersections of color and race in cinema, it traces the historical development of color technologies and their impact onscreen. Incorporating vivid images of color films throughout history-Serpentine Dance, The Cabinet of Dr. Caligari, Fantasia, The Red Shoes, Vertigo, West Side Story, 2001: A Space Odyssey, Moonlight, and more, as well as new multispectral scans of rare silent-era film prints-this essential volume celebrates color's enduring influence on the medium of film"--


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Introduction à la couleur : des discours aux images
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ISBN: 2200214731 9782200214739 Year: 1994 Publisher: Paris : Armand Colin,

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La couleur au cinéma
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ISBN: 9782271074515 2271074517 Year: 2012 Publisher: Paris: CNRS,

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Entre les deux, réalisateurs et directeurs de la photo se sont posé la question : "Que faire de la couleur ?". Les grands cinéastes en ont tiré profit, en l'opposant de manière significative au noir et blanc, en la raréfiant pour la faire oublier, en en faisant un système de signification propre, en l'intensifiant. "Opposer", "raréfier", "systématiser", "intensifier", quatre réponses possibles qui constituent le coeur de cet ouvrage. En s'appuyant sur des films majeurs de l'histoire du cinéma (Providence, Stalker, Trois couleurs, Bleu, blanc, rouge, Vertigo, Pas de printemps pour Marnie, Le Bonheur, Les Chaussons rouges, Juliette des esprits, New York, New York, Coup de coeur, Pierrot le fou, Eyes Wide Shut, Le Désert rouge, Blow-up), sur des genres cinématographiques (comédie musicale, science-fiction, fantastique, féérique) ou des écoles (seconde comédie américaine, Nouvelle Vague, esthétique publicitaire), l'auteur explore l'aventure de la couleur au cinéma.


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Color and the moving image : history, theory, aesthetics, archive
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ISBN: 9780415892636 9780415892643 9780203118122 9781136307898 9781136307843 9781136307881 Year: 2013 Publisher: New York, N.Y. Routledge

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"This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color such as Hitchcock, Jarman and Sirk as well as others whose use of color has not yet been explored in such detail including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large"


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Chromatic Modernity : Color, Cinema, and Media of the 1920s
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ISBN: 0231542283 9780231542289 9780231179829 0231179820 9780231179836 0231179839 Year: 2019 Publisher: New York, NY : Columbia University Press,

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The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor-despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture.Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color's artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L'Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.


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L'image par le film ou et pourtant elle tourne...
Authors: ---
ISBN: 2841340805 Year: 1997 Publisher: Paris : Diderot,

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