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Cinema canadien --- 20e siecle --- Cinema canadien --- 20e siecle
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Litterature quebecoise --- Cinema canadien --- 20e siecle --- 20e siecle --- Litterature quebecoise --- Cinema canadien --- 20e siecle --- 20e siecle
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Longtemps connue en France par le biais de cinéastes québécois tels que Claude Jutra, Gilles Carle, ou Pierre Perrault, l'industrie cinématographique du Canada a dû se développer dans l'ombre d'Hollywood. Elle s'est forgée une réputation internationale d'excellence dans les domaines qui ne concurrençaient pas les studios américains : le documentaire, le court-métrage, et les films d'animation. Nous sommes en présence d'un cinéma fortement subventionné (et même d'un cinéma d'État) qui repose sur des cinéastes fonctionnaires ayant pour mission de défendre la création nationale de l'invasion de la culture américaine de masse, et de promouvoir de nouvelles approches. L'industrie prospère, grâce en partie aux coproductions, mais aussi grâce à une nouvelle génération de cinéastes de talent, tels que Denys Arcand, David Cronenberg, et Atom Egoyan. Cet ouvrage propose une vision panoramique du cinéma canadien (ou plutôt des cinémas) placé sous le double signe de la francophonie et de l'anglophonie, mais composé également d'une grande diversité de parcours historiques, de genres et d'approches, ainsi que de divergences régionales. Le recueil contient des essais de spécialistes venus d'horizons divers, tels que l'écrivain Dominique Noguez, le scénariste et réalisateur Pascal Vimenet, et le critique Sylvain Garel. Il contient également le texte original d'une rencontre-débat entre cinéastes et autres professionnels de l'industrie cinématographique.
Motion pictures --- Cinéma --- History --- Histoire --- Music, Dance, Drama & Film --- Film --- Cinéma --- History. --- cinéma canadien --- cinéma
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Motion pictures --- Motion pictures, Canadian --- Cinéma --- Cinéma canadien --- History --- Histoire --- History. --- Cinéma --- Cinéma canadien
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Expo 67, in its utopian aspirations, invited artists to create the world anew. What distinguished Montreal's exhibition from previous world fairs were its dramatic displays of film and media, transformed into urban and futuristic architectures. Reimagining Cinema explores the innovations that film and media artists offered Expo audiences and presents extensive visual material to reconstruct the viewer's experience. At the pinnacle of a new global humanism, cinema was expanded beyond the frame into total environments, multi-screens, multi-image and 360-degree immersion - experiments often seen as a harbinger of the digital age. Taking this expanded cinema as a starting point, the contributors focus on eight screen experiments, and employ innovative methodologies to reveal the intricacies and processes of production, while including factual descriptions, interpretive essays, interviews, and image dossiers. The book reflects how the Expo 67 film-events were encountered as creative experimentations that resonated with broader 1960s arts and culture, and as institutional collaborations with artists. More displays of photographic, cinematic, and telematic technology were experienced at Expo 67 than in any other previous world exposition. Reimagining Cinema captures the complexity and imaginative fervour of this exciting period in film history. Contributors include Seth Feldman (York University), Monika Kin Gagnon, (Concordia University), Anthony Kinik, (Concordia University), Janine Marchessault, (York University), Gary Mediema, Chief Historian and Associate Director, Heritage Toronto (Ontario), Aimee Mitchell, Canadian Filmmaker's Distribution Centre (Ontario), Johanne Sloan, (Concordia University), Donald Theall (Trent University).--Provided by publisher.
Cinéma canadien --- Cinéma --- Film. --- Filmhistoria, Canada. --- Filmindustrin, Canada. --- Motion picture industry --- Motion pictures --- Motion pictures, Canadian --- Motion pictures, Canadian. --- Motion pictures. --- Technologie et arts. --- Technology and the arts. --- Histoire et critique. --- Histoire. --- Industrie --- Innovations. --- Technological innovations. --- History. --- History and criticism. --- Expo (Bureau international des expositions) --- Expo (International Exhibitions Bureau) --- Expo (International Exhibitions Bureau). --- Kanada. --- Technology and the arts --- Arts and technology --- Film industry (Motion pictures) --- Moving-picture industry --- Canadian motion pictures --- Moving-pictures, Canadian --- History and criticism --- History --- Technological innovations --- Expo 67 --- Exposition canadienne universelle et internationale --- Festival Mondial --- Universal and International Exhibition of 1967 --- World Festival --- Arts --- Cultural industries --- Foreign films
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