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écorchés [models] --- collaboration --- Bologna, da, Giovanni --- Cigoli
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Painting --- History --- Rubens, Peter Paul --- Cigoli --- anno 1600-1699 --- Flanders
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drawing [image-making] --- Art --- Cigoli --- Uffizi Gallery [Florence] --- Cigoli, Lodovico --- Exhibitions --- Gabinetto disegni e stampe degli Uffizi
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Euridice was one of several music-theatrical works commissioned to celebrate the wedding of Maria de' Medici and King Henri IV of France in Florence in October 1600. As the first 'opera' to survive complete, it has been viewed as a landmark work, but its libretto by Ottavio Rinuccini and music by Jacopo Peri and Giulio Caccini have tended to be studied in the abstract rather than as something to be performed in a specific time and place. Staging "Euridice" explores how newly-discovered documents can be used to precisely reconstruct every aspect of its original stage and sets in the room for which it was intended in the Palazzo Pitti. By also taking into account what the singers and instrumentalists did, what the audience saw and heard, and how things changed from creation through rehearsals to performance, this book brings new aspects of Euridice to light in startling ways.
Opera --- Stage setting and scenery --- History --- Peri, Jacopo, --- Medici, House of. --- Chiabrera, Gabriello, --- Caccini, Giulio, --- Cigoli, Ludovico Cardi da, --- Rinuccini, Ottavio, --- Comic opera --- Lyric drama --- Opera, Comic --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- Cardi da Cigoli, Ludovico, --- Da Cigoli, Ludovico Cardi, --- Cigoli, Lodovico Cardi da, --- Cardi, Lodovico, --- Cardi-Cigoli, Lodovico,
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Florence --- Maniérisme (art) --- Mannerism (Art) --- Mannerism (Art). --- Painting, Baroque --- Painting, Baroque. --- Peinture baroque --- Expositions --- Catalogues d'exposition --- Catalogues d'exposition --- Cigoli, Ludovico Cardi da, --- Cigoli, Ludovico Cardi da, --- Cigoli, Ludovico Cardi da, --- Catalogues d'exposition. --- Italy.
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art criticism --- History --- Aesthetics of art --- Counter-Reformation --- Cigoli --- Italy --- Art and society --- Counter-Reformation and art --- Historand y --- Cigoli, Ludovico Cardi da, --- Criticism and interpretation --- Art and society - Italy - Historand y - 16th century --- Art and society - Italy - History - 17th century --- Counter-Reformation and art - Italy --- Cigoli, Ludovico Cardi da, - 1559-1613 - Criticism and interpretation --- Cigoli, Ludovico Cardi da, - 1559-1613
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Contemporary biographies of Galilei emphasize, in several places, that he was a masterful draughtsman. In fact, Galilei studied at the art academy, which is where his friendship with Ludovico Cigoli developed, who later became the official court artist. The book focuses on this formative effect - it tracks Galilei's trust in the epistemological strength of drawings. It also looks at Galilei's activities in the world of art and his reflections on art theory, ending with an appreciation of his fame; after all, he was revered as a rebirth of Michelangelo. For the first time, this publication collects all aspects of the appreciation of Galilei as an artist, contemplating his art not only as another facet of his activities, but as an essential element of his research.
Kunsttheorie. --- Ludovico Cigoli. --- Zeichnung. --- art theory. --- drawing. --- ART / General. --- Galilei, Galileo, --- Galileo Galilei --- Galilée
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