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Au XIXe siècle, un important élan d'évangélisation a marqué le début de la christianisation du Congo. Le chant liturgique de cette Église missionnaire, fait de chant grégorien en latin et de cantiques traduits dans des langues locales, s'est peu à peu rapproché des formes musicales traditionnelles d'Afrique centrale. Quand, comment et pourquoi a-t-on voulu "africaniser" le chant liturgique ? On invoque habituellement toutes sortes de raisons historiques pour l'expliquer, toutes valables, mais l'ethnomusicologie ouvre également une piste très intéressante. En Afrique centrale, la musique est intimement liée au rite coutumier : elle est un fait social, communautaire, et cela se voit à même les structures d'organisation rythmique et vocale. Le chant des missionnaires européens n'était tout simplement pas compatible avec l'idée congolaise du religieux. Ce livre montre comment ont évolué les mentalités et pratiques liturgiques dans le bassin du Congo, au cours d'un siècle particulièrement mouvementé de son histoire. Il offre un bel exemple de dialogue et d'intrication progressive de deux traditions musicales. En outre, à l'heure où le centre de l'Église catholique se déplace vers le Sud, la question de l'inculturation apparaît comme le vrai défi du XXIe siècle.
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Church music --- Counter-Reformation --- Catholic Church --- Congresses --- 78.16 Cento --- 78.24 --- Church music - Catholic Church - 16th century - Congresses --- Church music - Catholic Church - 17th century - Congresses --- Church music - Italy - Congresses --- Counter-Reformation - Italy - Congresses
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Church music --- Catholic Church --- 246.8 <09> --- -Church music --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Religieuze muziek--Geschiedenis van ... --- -Catholic Church --- -History and criticism --- History and criticism --- Religious aspects --- Christianity --- -Religieuze muziek--Geschiedenis van ... --- -246.8 <09> --- 246.8 <09> Religieuze muziek--Geschiedenis van ... --- Religieuze muziek--Geschiedenis van .. --- Church music - Catholic Church - 19th century. --- Church music - Catholic Church - 20th century. --- Church music - Catholic Church - Sources. --- Religieuze muziek--Geschiedenis van
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Music --- Musical analysis --- Sacred vocal music --- Church music --- Semiotics --- Analysis, appreciation --- Catholic Church --- Liturgy --- Research --- Methodology --- Music - Semiotics --- Sacred vocal music - Analysis, appreciation --- Church music - Catholic Church
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The influence of Rome on medieval plainsong and liturgy explored in depth.
Liturgie --- Kirchenmusik --- Geschichte 500-1500 --- Europa --- Rom --- Italien --- Gregorian chants --- Church music --- History and criticism. --- Catholic Church --- Europa. --- Italien. --- Liturgics --- Kirchenmusik. --- Liturgie. --- Church music - Catholic Church --- Rom.
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Liturgy --- Gelineau, Joseph --- Music theorists --- Composers --- Church music --- Biography --- Catholic Church --- Music theorists - France - Biography. --- Composers - France - Biography --- Church music - Catholic Church - 20th century. --- Church music - France - 20th century.
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Music --- liturgische liederen --- muziekgeschiedenis --- religieuze muziek --- Balkan Peninsula --- Bosnia and Herzegovina --- Church music --- Hymns, Serbo-Croatian --- Catholic Church --- History and criticism --- Church music - Bosnia and Hercegovina --- Church music - Catholic Church --- Hymns, Serbo-Croatian - Bosnia and Hercegovina - History and criticism
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How did Catholicism sound in the early modern period? What kinds of sonic cultures developed within the diverse and dynamic matrix of Early Modern Catholicism? What do we learn about Early Modern Catholicism itself by attending to its sonic manifestations? Whether the focus is urban processional culture in Bavaria, Roman confraternities, or catechetical praxis in popular missions, these are some of the questions that this book, addressed to a wide and interdisciplinary audience, explores. The seemingly disparate topics gathered together by editors Daniele V. Filippi and Michael Noone share a common emphasis on the experience of sound and music on the many and varied modalities and meanings of sonic experience in Early Modern Catholic life.
Church music --- Catholic Church. --- Catholic Church --- History and criticism --- Katholizismus --- Geistliche Musik --- Kirchenmusik --- Geschichte 1500-1700 --- Music --- Christian church history --- anno 1600-1699 --- anno 1500-1599 --- Social aspects. --- Church music - Catholic Church
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246.82 --- Bulls, Papal --- Church music --- -Church music --- -#GROL:SEMI-246.82 --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music --- Music in churches --- Psalmody --- Papal bulls --- Popes --- Exequatur (Ecclesiastical law) --- Papal documents --- Rescripts, Papal --- 246.82 Officiële muziek van de Katholieke Kerk --- Officiële muziek van de Katholieke Kerk --- Catholic Church --- -Papal documents --- History and criticism --- Religious aspects --- Christianity --- Bulls --- #GROL:SEMI-246.82 --- Catholic Church&delete& --- Church music - Catholic Church - Papal documents --- Church music - Catholic Church
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Church music --- Music publishing --- Anti-clericalism --- Music --- Musique d'église --- Musique --- Anticléricalisme --- Catholic Church --- History --- Political aspects --- Eglise catholique --- Edition --- Histoire --- Aspect politique --- liturgische muziek --- katholicisme --- France --- Musique d'église --- Anticléricalisme --- 19th century --- 20th century --- Edition musicale --- Church music - France - 19th century --- Church music - Catholic Church - 19th century --- Church music - France - 20th century --- Church music - Catholic Church - 20th century --- Music publishing - France - History - 19th century --- Music publishing - France - History - 20th century --- Anti-clericalism - France - History - 20th century --- Music - Political aspects - France - History - 20th century
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