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In the structuralist understanding as proposed by John G. Cawelti, a classical detective novel is defined as a formula which contains prescribed elements and develops in a predefined, ritualistic manner. When described in this way, the crime fiction formula very closely resembles a recipe: when one cooks, they also add prescribed ingredients in a predefined way in order to produce the final dish.This surprising parallel serves as the starting point for this book's analysis of classical detective novels by Agatha Christie. Here, a structuralist approach to Golden Age crime fiction is complement
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French literature (outside France) --- Christie, Agatha, --- Academic collection --- 843 --- Literature French fiction --- Christie, Agatha Miller, --- Christie, Agatha Mary Clarissa Miller, --- Kri-xti, A-ga-ta, --- Christie, Agata, --- Kristi, Agata, --- Kristi, A. --- Kir̲isṭi, Akatā, --- Кристи, Агата, --- כריסטי, אגתה, --- アガサ・クリスティ, --- Mallowan, Agatha Christie, --- Westmacott, Mary, --- Criticism and interpretation. --- Miller, Agatha Mary Clarissa --- Christie Mallowan, Agatha --- Christie, Agatha, - 1890-1976
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‘Mark Aldridge's book uncovers many hitherto unknown facts about screen adaptations of Agatha Christie. It is an important addition to Christie scholarship and required reading for all admirers of the Queen of Crime.’ - Dr. John Curran, author of Agatha Christie's Secret Notebooks ‘The book is a mine of information. As well as a fascinating insight into the history of Agatha Christie adaptations, the book also throws much light on the whole area of adaptation and its participants on every side of the fence.’ - Mathew Prichard, grandson of Agatha Christie Agatha Christie on Screen is a comprehensive exploration of 90 years of film and television adaptations of the world’s best-selling novelist’s work. Drawing on extensive archival material, it offers new information regarding both the well-known and forgotten screen adaptations of Agatha Christie’s stories, including unmade and rare adaptations, some of which have been unseen for more than half a century. This history offers intriguing insights into the discussions and debates that surrounded many of these screen projects – something that is brought to life through previously unpublished correspondence from Christie herself and a new wide-ranging interview with her grandson, Mathew Prichard. Agatha Christie on Screen takes the reader on a journey from little known silent film adaptations, through to famous screen productions including 1974’s Murder on the Orient Express, as well as the television series of the Poirot and Miss Marple stories and, most recently, the BBC’s acclaimed version of And Then There Were None. .
Literature. --- Motion pictures --- Comparative literature. --- Literature, Modern --- Fiction. --- Technology in literature. --- Twentieth-Century Literature. --- Literature and Technology/Media. --- Comparative Literature. --- Film History. --- History. --- 20th century. --- Literature --- Comparative literature --- Literature, Comparative --- History and criticism --- Philology --- Literature, Modern-20th century. --- Motion pictures-History. --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Novelists --- Philosophy --- Literature, Modern—20th century. --- Motion pictures—History. --- Christie, Agatha, --- Film adaptations. --- Television adaptations. --- Miller, Agatha Mary Clarissa --- Christie Mallowan, Agatha
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Agatha Christie is one of the most popular and most translated authors of all time. Yet there is little academic work on her writing. This book sets out to rectify this. No matter where in the world you are, Hercule Poirot is a name that conjures up certain associations. The detailed analysis of the original text, three German and two Dutch translations of The Mysterious Affair at Styles however shows that his depiction differs immensely between the individual texts. In the course of this book, reasons for these differences are found via the analysis of the shifts of status of Agatha Christie as an author, of detective fiction and of translations from English in Germany and the Netherlands. During this exploration the discovery will be made that, when translated, escapist literature such as Christie’s detective fiction actually becomes a highly political affair.
Roman policier anglais --- Traductions allemandes --- Histoire et critique --- Traductions néerlandaises --- Christie, Agatha, --- #KVHA:Vertaalwetenschap; Engels --- #KVHA:Literaire vertaling; Engels --- Detective and mystery stories, English --- Detectiveverhalen --- English language --- Translations into Dutch --- History and criticism. --- vertalen --- Translations into German --- Translating into Dutch. --- Translating into German. --- Vertalingen in het Duits --- Geschiedenis en kritiek --- Vertalingen in het Nederlands --- Theory of literary translation --- English literature --- Christie, Agatha --- vertalen. --- Geschiedenis en kritiek. --- Histoire et critique. --- Germanic languages --- English detective stories --- English mystery stories --- English fiction --- Miller, Agatha Mary Clarissa --- Christie Mallowan, Agatha
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This book is the first fully theorized queer reading of a Golden Age British crime writer. Agatha Christie was the most commercially successful novelist of the twentieth century, and her fiction remains popular. She created such memorable characters as Hercule Poirot and Jane Marple, and has become synonymous with a nostalgic, conservative tradition of crime fiction. J.C. Bernthal reads Christie through the lens of queer theory, uncovering a playful, alert, and subversive social commentary. After considering Christie’s emergence in a commercial market hostile to her sex, in Queering Agatha Christie Bernthal explores homophobic stereotypes, gender performativity, queer children, and masquerade in key texts published between 1920 and 1952. Christie engaged with debates around human identity in a unique historical period affected by two world wars. The final chapter considers twenty-first century Poirot and Marple adaptations, with visible LGBT characters, and poses the question: might the books be queerer?
Literature. --- Ethnology --- Literature, Modern --- Fiction. --- British literature. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Twentieth-Century Literature. --- British and Irish Literature. --- British Culture. --- Gender Studies. --- Europe. --- 20th century. --- Homosexuality --- Lesbianism --- Gays --- Lesbians --- Queer theory. --- Philosophy. --- Identity. --- Christie, Agatha, --- Criticism and interpretation. --- Female homosexuality --- Lesbian love --- Sapphism --- Christie, Agatha Miller, --- Christie, Agatha Mary Clarissa Miller, --- Kri-xti, A-ga-ta, --- Christie, Agata, --- Kristi, Agata, --- Kristi, A. --- Kir̲isṭi, Akatā, --- Кристи, Агата, --- כריסטי, אגתה, --- アガサ・クリスティ, --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature --- Novelists --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Psychological aspects --- Philosophy --- Gender identity --- Women --- Sexual behavior --- Mallowan, Agatha Christie, --- Westmacott, Mary, --- Miller, Agatha Mary Clarissa --- Christie Mallowan, Agatha --- Literature, Modern-20th century. --- Ethnology-Europe. --- Developmental psychology. --- Development (Psychology) --- Developmental psychobiology --- Psychology --- Life cycle, Human --- Literature, Modern—20th century. --- Ethnology—Europe.
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