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Christian poetry, Spanish --- History and criticism --- Montemayor, Jorge de, --- Poetic works --- -Spanish Christian poetry --- Spanish poetry --- Montemayor, Jorge de --- -Poetic works --- -History and criticism --- Spanish Christian poetry --- Montemajor, George de, --- Montemor, Jorge de, --- Monte-Major, H. J. de, --- De Montemayor, Jorge, --- Montemayor, --- Poetic works. --- Christian poetry, Spanish - History and criticism --- Montemayor, Jorge de, - 1520?-1561 - Poetic works --- Montemayor, Jorge de, - 1520?-1561
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Spanish poetry --- Epic poetry, Spanish --- Narrative poetry, Spanish --- Christian poetry, Spanish --- Civilization, Medieval, in literature. --- History and criticism. --- Spanish poetry - To 1500 - History and criticism. --- Epic poetry, Spanish - History and criticism. --- Narrative poetry, Spanish - History and criticism. --- Christian poetry, Spanish - History and criticism. --- Poesie epique espagnole
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Poetry --- Spanish literature --- John of the Cross [s.] --- Christian poetry, Spanish --- Christian poetry, Spanish. --- History and criticism. --- 248 JOANNES A CRUCE --- Spiritualiteit. Ascese. Mystiek. Vroomheid--JOANNES A CRUCE --- Spanish Christian poetry --- Spanish poetry --- History and criticism --- John of the Cross, --- Alvarez, Juan de Yepes y, --- Giovanni della Croce, --- Ioann Kresta, --- Jan od Krzyża, --- Jean de la Croix, --- Joan, --- Joannes a Cruse, --- Joannes van het Kruis, --- João da Cruz, --- Johannes av Korset, --- Johannes vom Kreuz, --- John, --- Juan de la Cruz, --- Juan, --- Juan de Santo Matía, --- Św. Jan od Krzyża, --- Yepes, Juan de, --- Yepes y Alvarez, Juan de, --- Criticism and interpretation. --- Ĭoan vid Khresta, --- Йоан від Хреста, --- Christian poetry, Spanish - History and criticism
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The Serpent and the Rose examines the theological and liturgical context for the doctrine of the Immaculate Conception in the Middle Ages, from primary sources in Iberian archives. Its main focus is a study of Marian poetry from Alfonso the Wise and Gonzalo de Berceo through to the poetry collections of the late fifteenth century, showing how poets took themes from the Bible and apocryphal literature, combining them to defend and praise Mary’s conception without sin. Individual chapters assess how they depicted Mary’s prefiguration in the Old Testament by the Woman who defeated the serpent, the young bride of the Song of Songs , or the semi-deity, Wisdom, how they portray her as the mystic rose and as the new Eve.
Lyrik.
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Schlangen
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