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526 --- Monografieën componisten en uitvoerders --- Chopin, Frédéric François --- Chopin, Fryderyk Franciszek
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Chopin, Frédéric --- 526 --- Monografieën componisten --- Chopin, Frederic --- Chopin, Frédéric, --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- Chopin, Frédéric François --- Chopin, Fryderyk Franciszek
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Chopin, Frédéric --- Composers --- Biography --- Chopin, Frédéric, --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- 960 --- levensbeschrijvingen --- biographies et mémoires
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The first study of this volume looks for reminiscences of Dies Irae in Chopin''s works. A great number of allusions and affinities are found in the preludes as well as in Chopin''s output. The study also yields insights into Chopin''s composition method. These intertextual findings are used in an attempt to establish the extra-musical content of the Second Ballade. Five preludes - A minor, E minor, B minor, A major and C minor - are closely examined, using diverse analytical approaches. A primary concern is to critically assess previous readings, and Schenkerian ones in particular. An analysis
Piano music --- Dies irae (Music) --- Piano, Musique de --- Dies irae (Musique) --- History and criticism --- Instrumental settings --- Histoire et critique --- Arrangements instrumentaux --- Chopin, Frédéric, --- preludes --- Chopin, Frédéric --- Chopin, Frédéric, --- Piano music (2 hands) --- Recorded accompaniments (Piano) --- Requiems --- Sequences (Music) --- Instrumental settings&delete& --- Analysis, appreciation --- Chopin, Fryderyk Franciszek, --- Analysis, appreciation. --- History and criticism.
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Chopin's four ballades are widely regarded as being amongst the most significant extended works for solo piano of the nineteenth century. In an illuminating discussion, Jim Samson combines history and analysis to provide the reader with a comprehensive picture of these popular piano works. He begins by investigating the social and musical background to Chopin's unique style. He describes the manuscript sources and evaluates the many subsequent printed editions, then considers the critical reception of the ballades and the differing interpretations of well-known nineteenth- and twentieth-century pianists. The final two chapters examine the music of all four works analytically. There is a clearly presented formal synopsis of each ballade in turn, followed by a discussion of the works collectively which explores Chopin's own conception of the title 'ballade' and how it may be understood as a musical genre.
513 --- Muziekanalyse - vormleer --- Ballades (Instrumental music) --- Piano music --- History and criticism. --- Instrumental music --- History and criticism --- Chopin, Frédéric, --- Chopin, Fryderyk Franciszek, --- Chopin, Frédéric --- 526.30 --- Genre- en werkbesprekingen --- Muziekanalyses --- Muziekgeschiedenis --- Sociologie --- Piano --- Ballades --- Chopin, Fryderyk (1810-1849) --- Polen --- 19e eeuw --- Frankrijk
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First appearing in 1903, this is perhaps the first truly well-balanced account of Chopin as a man and Chopin as a composer, in English. The author describes Chopin's life and activities from his early days in Warsaw to the days he spent in London, Paris, Vienna, and elsewhere. The author gives accounts of the enthusiasm Other which Chopin's works were received, early reviews, Chopin's own reactions to the places he visited and the people he saw, and much more. Also included are numerous lett...
Composers --- Chopin, Frédéric, --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- Chopin, Frederic,
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Chopin's oeuvre holds a secure place in the repertoire, beloved by audiences, performers, and aesthetes. In Harmony in Chopin, David Damschroder offers a new way to examine and understand Chopin's compositional style, integrating Schenkerian structural analyses with an innovative perspective on harmony and further developing ideas and methods put forward in his earlier books Thinking about Harmony, Harmony in Schubert, and Harmony in Haydn and Mozart. Reinvigorating and enhancing some of the central components of analytical practice, this study explores notions such as assertion, chordal evolution (surge), collision, dominant emulation, unfurling, and wobble through analyses of all forty-three Mazurkas Chopin published during his lifetime. Damschroder also integrates analyses of eight major works by Chopin with detailed commentary on the contrasting perspectives of other prominent Chopin analysts. This provocative and richly detailed book will help transform readers' own analytical approaches.
Harmony. --- Chopin, Frédéric, --- Criticism and interpretation. --- Music theory --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd.,
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Chopin, Frédéric --- Chopin, Frédéric, --- Thematic catalogs --- Catalogues thématiques --- Chopin, Frédéric, --- Thematic catalogs. --- Catalogues thématiques --- 923 --- Repertoria - catalogi (componist) --- Chopin, Frederic --- -Thematic catalogs --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- Thematische catalogi --- Polen --- 19e eeuw --- Frankrijk
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Chopin, Frederic --- -Criticism and interpretation --- Chopin, Frédéric, --- Hsiao-pang, --- Шопен, Ф. --- Shopen, F. --- Shūpān, --- Shūbān, Frīdirīk, --- Szopen, Fryderyk Franciszek, --- Shopan, --- Chopin, Fryderyk Franciszek, --- Syopʻang, --- Chopin, Federico, --- Шопен, Фредерик, --- Shopen, Frederik, --- Chopin, Fr., --- Shobēn, Frētērikʻ, --- Chopin, F., --- Шопен, Фридерик, --- Shopen, Friderik, --- Chopin, Frederick, --- Chopin, Federic, --- Chopin, Fréd., --- Criticism and interpretation. --- Chopin, Frédéric, 1810-1849 - Criticism and interpretation. --- 78.66 --- 78.21.1 Chopin --- 78.43.2
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