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Painting, Chinese --- Peinture chinoise --- S17/2145 --- S17/0623 --- S17/0624 --- China: Art and archaeology--Musea and exhibitions: Australia and New Zealand --- China: Art and archaeology--Painting: Ming --- China: Art and archaeology--Painting: Qing --- Exhibitions

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S17/0623 --- S17/0626 --- S17/0624 --- Painting, Chinese --- -Painting, Chinese --- -#SML: Joseph Spae --- Chinese painting --- Paintings, Chinese --- China: Art and archaeology--Painting: Ming --- China: Art and archaeology--Landscapes --- China: Art and archaeology--Painting: Qing --- Foreign influences --- Foreign influences. --- #SML: Joseph Spae --- Eight Eccentrics of Yangzhou (Group of painters)

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Dimensions of Originality investigates the issue of conceptual originality in seventeenth-century art criticism, a period in which China dynamically reinvented itself. The term which was called upon to indicate conceptual originality more than any other was qi, literally, "different"; but secondarily, "odd," like a number and, by extension, "the novel" and "extraordinary." Burnett speculates on why many have dismissed originality as a "traditional Chinese" value, and the ramifications this has had on understanding. She further demonstrates that a study of key terms can reveal social and cultural values, and provides a linear history of the increase in use of qi as "originality" through the seventeenth centuries.

Art, Chinese --- Art criticism --- Art --- Arts --- Criticism --- History --- Analysis, interpretation, appreciation --- S17/0623 --- S17/0624 --- China: Art and archaeology--Calligraphy and painting: esthetical aspects (texts and translations) --- China: Art and archaeology--Painting: Ming --- China: Art and archaeology--Painting: Qing --- S17/0602

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Art, Chinese --- Art patronage --- Aristocracy (Social class) --- History. --- China --- History --- Kings and rulers --- Art patronage. --- S11/0708 --- S04/0670 --- S17/0400 --- S17/0623 --- Arts patronage --- Business patronage of the arts --- Corporations --- Maecenatism --- Patronage of art --- Art and industry --- Aristocracy --- Aristocrats --- Upper class --- Nobility --- China: Social sciences--Elite --- China: History--Ming: 1368 - 1644 --- China: Art and archaeology--Chinese art: general and history --- China: Art and archaeology--Painting: Ming

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S17/0400 --- S35/1100 --- S17/0600 --- S17/0622 --- S17/0623 --- China: Art and archaeology--Chinese art: general and history --- Japan--Art and archaeology (incl. prehistory) --- China: Art and archaeology--Calligraphy and painting: general (incl. technic. and esthetic aspects) --- China: Art and archaeology--Painting: Song - Yuan --- China: Art and archaeology--Painting: Ming --- Art and literature --- Painting, Chinese --- Painting, Japanese --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Japanese painting --- Nihonga --- Chinese painting --- Paintings, Chinese --- Painting [Chinese ] --- China --- Japan --- Art and literature - China. --- Art and literature - Japan.