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Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.

Chicano movement. --- Utopias --- Utopias in mass media.

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Chicano's --- Chicanos --- Mexican Americans --- Southwest [New ] --- History

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Bringing to life the stories of political teatristas, feminists, gunrunners, labor organizers, poets, journalists, ex-prisoners, and other revolutionaries, The Revolutionary Imaginations of Greater Mexico examines the inspiration Chicanas/os found in social movements in Mexico and Latin America from 1971 to 1979. Drawing on fifteen years of interviews and archival research, including examinations of declassified government documents from Mexico, this study uncovers encounters between activists and artists across borders while sharing a socialist-oriented, anticapitalist vision. In discussions ranging from the Nuevo Teatro Popular movement across Latin America to the Revolutionary Proletariat Party of America in Mexico and the Peronista Youth organizers in Argentina, Alan Eladio Gómez brings to light the transnational nature of leftist organizing by people of Mexican descent in the United States, tracing an array of festivals, assemblies, labor strikes, clandestine organizations, and public protests linked to an international movement of solidarity against imperialism. Taking its title from the “greater Mexico” designation used by Américo Paredes to describe the present and historical movement of Mexicans, Mexican Americans, and Chicanas/os back and forth across the US-Mexico border, this book analyzes the radical creativity and global justice that animated “Greater Mexico” leftists during a pivotal decade. While not all the participants were of one mind politically or personally, they nonetheless shared an international solidarity that was enacted in local arenas, giving voice to a political and cultural imaginary that circulated throughout a broad geographic terrain while forging multifaceted identities. The epilogue considers the politics of going beyond solidarity.

Chicano movement. --- Social movements --- Solidarity --- Radicalism --- Mexican Americans --- Political aspects --- Politics and government --- History --- Latin America --- Chicanos --- Hispanos --- Ethnology --- Extremism, Political --- Ideological extremism --- Political extremism --- Political science --- Cooperation --- Brown power movement (Chicano civil rights movement) --- Chicano civil rights movement --- Chicano movement --- El Movimiento (Chicano civil rights movement) --- Mexican-American civil rights movement --- Movimiento, El (Chicano civil rights movement) --- Civil rights movements

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"In Cartographic Memory, Juan Herrera maps 1960s Chicano Movement activism in the Latinx neighborhood of Fruitvale in Oakland, California, showing how activists there constructed a politics forged through productions of space. From Chicano-inspired street murals to the architecture of restaurants and shops, Herrera shows how Fruitvale's communities and spaces serve as a palpable, living record of movement politics and achievements. Drawing on oral histories with Chicano activists, ethnography, and archival research, Herrera analyzes how activism shapes Fruitvale. Herrera examines the ongoing nature of activism through nonprofit organizations and urban redevelopment projects like the Fruitvale Transit Village that root movements in place. Showing how the social justice activism in Fruitvale fights for a space which does not yet exist, Herrera brings to life contentious politics about the nature of Chicanismo, Latinidad, and belonging while foregrounding the lasting social and material legacies of movements so often relegated to the past."--

USA --- Human geography --- social movements --- activism --- place --- race --- Chicano movement --- place-making --- Oakland --- geography --- ethnic studies --- Mexican Americans --- History --- Political activity --- Social conditions --- Chicanos --- Hispanos --- Ethnology --- Brown power movement (Chicano civil rights movement) --- Chicano civil rights movement --- El Movimiento (Chicano civil rights movement) --- Mexican-American civil rights movement --- Movimiento, El (Chicano civil rights movement) --- Civil rights movements

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Reexamining the Chicano civil rights movement of the 1960s and 1970s, In the Spirit of a New People brings to light new insights about social activism in the twentieth-century and new lessons for progressive politics in the twenty-first. Randy J. Ontiveros explores the ways in which Chicano/a artists and activists used fiction, poetry, visual arts, theater, and other expressive forms to forge a common purpose and to challenge inequality in America.Focusing on cultural politics, Ontiveros reveals neglected stories about the Chicano movement and its impact: how writers used the street press to push back against the network news; how visual artists such as Santa Barraza used painting, installations, and mixed media to challenge racism in mainstream environmentalism; how El Teatro Campesino’s innovative “actos,” or short skits,sought to embody new, more inclusive forms of citizenship; and how Sandra Cisneros and other Chicana novelists broadened the narrative of the Chicano movement. In the Spirit of a New People articulates a fresh understanding of how the Chicano movement contributed to the social and political currents of postwar America, and how the movement remains meaningful today.

SOCIAL SCIENCE / Discrimination & Race Relations. --- SOCIAL SCIENCE / General. --- SOCIAL SCIENCE / Anthropology / Cultural. --- Social movements in art. --- Mexican American art. --- Mexican Americans --- Chicano movement. --- Art, Mexican American --- Ethnic art --- Brown power movement (Chicano civil rights movement) --- Chicano civil rights movement --- Chicano movement --- El Movimiento (Chicano civil rights movement) --- Mexican-American civil rights movement --- Movimiento, El (Chicano civil rights movement) --- Civil rights movements --- Politics and government. --- Social conditions. --- United States --- Social conditions