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Painting --- Painting --- Technique. --- Cennini, Cennino,
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This book, a new translation (with introduction and notes) of Il Libro dell'Arte, marks a great step forward in our understanding of Cennino Cennini – his life and times – and the materials and techniques employed by artists in fourteenth century Italy.Over eighty years ago, D. V. Thompson presented his translation entitled The Craftsman's Handbook as a workshop manual aimed at readers who wished to produce a work of art by following Cennino’s instructions.The present volume not only establishes more precisely what Cennino actually wrote, by correcting more than 400 errors in Thompson's text, but also includes the transcribed Italian text and very extensive notes on both the language and the technical descriptions. In addition, the author's most informative introduction places Cennino in context and accounts for the genesis of the libro dell’arte by reference to the society in which it was produced. This volume is a landmark text for students and professionals in the field of art history.
art history --- Art --- painting techniques --- Cennini, Cennino
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Art --- History --- painting techniques --- art theory --- Cennini, Cennino
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Sculpture --- Painting --- Ghiberti, Lorenzo --- Leonardo da Vinci --- Vasari, Giorgio --- Alberti, Leon Battista --- Donatello --- Cennini, Cennino --- Buonarroti, Michelangelo --- Italy
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Painting --- Monaco, Lorenzo --- Gaddi, Taddeo di Gaddo --- Gaddi, Angelo di Taddeo --- Cennini, Cennino --- Giotto --- anno 1400-1499 --- anno 1300-1399 --- Tuscany
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Architecture --- Applied arts --- Arts (Applied) --- Arts [Decorative ] --- Arts décoratifs --- Decoratieve kunsten --- Decorative arts --- Minor arts --- toegepaste kunsten --- Arts and Crafts Movement --- briefwisseling --- Renoir, Auguste --- Ruskin, John --- Morris, William --- Cennini, Cennino --- Mottez, Henry --- Written works --- Knowledge --- Arts and Crafts Movement. --- briefwisseling. --- Renoir, Pierre-Auguste. --- Ruskin, John. --- Morris, William. --- Cennini, Cennino. --- Mottez, Henry. --- Renoir, Pierre-Auguste
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Kunstwerken zijn in de eerste plaats objecten die door mensenhanden zijn gemaakt. Om de geschiedenis van de kunst goed te begrijpen, moeten we dus ook de geschiedenis van materiaaltoepassingen en maakprocessen kennen. Kunsttechnieken in historisch perspectief wil feitelijke kennis bijbrengen over veelvuldig gebruikte materialen en bewerkingsmethoden, maar ook de vraag beantwoorden waarom een bepaalde techniek favoriet werd en daarna door een een andere verdrongen. Het boek wil eveneens aanzetten tot het nadenken over de implicaties van het maakproces voor andere aspecten van de kunstgeschiedenis. Kunsttechnieken in historisch perspectief bestaat uit twintig hoofdstukken die kunsttechnieken uit zowel de oude beeldende kunst als moderne en hedendaagse kunst betreffen: schilderkunstige technieken, beeldhouwtechnieken, tekentechnieken, grafische technieken, fotografie, video, digitale kunst en installatiekunst. Tot slot komen technisch onderzoek, conservering en restauratie aan bod.
sculpting --- video art --- drawing techniques --- restorative processes and techniques --- photography and photographic processes and techniques --- painting techniques --- Art --- restauratie --- techniek --- materiaal --- tempera --- olieverf --- geschiedenis --- miniaturen --- grafiek --- tekeningen --- videokunst --- digitale kunst --- conservatie --- beeldhouwkunst --- frescoschilderen --- Cennini, Cennino --- Eyck, Jan van --- Van Mander, Carel --- Kunsttechnieken ; geschiedenis --- MAD-faculty 13 --- schildertechnieken --- Sculpture --- sculpture techniques --- techniques [processes] --- restauratie. --- techniek. --- materiaal. --- tempera. --- olieverf. --- geschiedenis. --- miniaturen. --- tekeningen. --- videokunst. --- digitale kunst. --- conservatie. --- sculptuur. --- frescoschilderen. --- Cennini, Cennino. --- van Eyck, Jan. --- van Mander, Karel I. --- installatiekunst --- grafische technieken --- sculptuur --- van Eyck, Jan --- van Mander, Karel I
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75 --- Max Doerner ; naar de veertiende Duitse uitgave in de bewerking van Hans Gert Müller --- kunst --- twintigste eeuw --- schilderkunst --- techniek --- schildertechniek --- pigmenten --- glazuur --- kleurstoffen --- emulsies --- kunststofdispersies --- bindmiddelen --- oplosmiddelen --- schilderondergronden --- olieverf --- tempera --- pastel --- aquarellen --- acrylverf --- muurschilderingen --- Cennini Cennino --- van Eyck Jan --- Titiaan --- Rubens Peter Paul --- Rembrandt --- 75.02 --- Schilderkunst --- 75 Schilderkunst --- 75 Painting --- Painting
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"Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
Painting --- painting [image-making] --- Early Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Painting, Early Renaissance --- Historiography --- Early works to 1800 --- Historiography. --- Peinture de la Renaissance --- Peinture --- Giotto --- Cennini, Cennino --- Sacchetti, Franco --- Savonarola, Giovanni Michele --- Alberti, Leon Battista --- Critique et interprétation. --- Painting [Renaissance ]
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