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eebo-0062

Choruses, Secular (Mixed voices) with string orchestra. --- Saint Cecelia's Day

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"How did an unmusical saint come to be portrayed as a musician and become the patron saint of musicians and music? Until the beginning of the fifteenth century, Saint Cecilia was perceived as one of many virgin martyrs, with no obvious musical skills or interests. During the next two centuries, however, she inspired many musical works written in her honor and a vast number of paintings that depicted her singing or playing an instrument. Why did so many composers start writing music that honored her as their patron saint? In this book, John A. Rice argues that Cecilia's association with music came about in several stages, involving Christian liturgy, visual arts, and music, and fostered by interactions between artists, musicians, and their patrons and the transfer of visual and musical traditions from northern Europe to Italy. The initial chapters explore the cult of the saint in Medieval times and through the sixteenth century, when, starting in 1502, the first guilds in the Low Countries and France chose Cecilia as their patron. The book then turns to the music and the explosion of polyphonic vocal works written in Cecilia's honor between 1530 and 1620 by the most celebrated composers in Europe, as well as a group of about fifty Cecilian Renaissance motets, mostly by Northern European composers, which are brought together here for the first time. The book also explores the wealth of visual representations of Saint Cecilia especially during the Italian Renaissance, among which Raphael's 1515 painting, "The Ecstasy of Saint Cecilia," is but the most famous example, and concludes with the development of the cult of Cecilia in England. Thoroughly researched and beautifully illustrated, Saint Cecilia in the Renaissance is the definitive portrait of Saint Cecilia as a figure of musical inspiration"--

Music --- Motets --- Church music --- Christian saints in art --- Art, Renaissance --- History and criticism --- Cecilia, --- Songs and music --- History and criticism. --- In art. --- Cult. --- Renaissance art --- Pastoral music (Sacred) --- Religious music --- Sacred vocal music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Motet --- Religious aspects --- Christianity --- Cäcilia, --- Caecilia, --- Cecelia, --- Cécile, --- Cecily, --- Cecylia, --- Iconography --- music [performing arts] --- patron saints --- Renaissance --- Cecilia [s.] --- anno 1400-1499 --- anno 1500-1599 --- Europe --- kunst en godsdienst --- music [performing arts genre]

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In 1683 English court musicians and the Musical Society of London joined forces to celebrate St Cecilia's Day (22 November) with a feast and the performance of specially composed music. The most prominent composers and poets of the age wrote for these occasions, including Henry Purcell, John Blow, John Dryden and William Congreve.

Music --- Saint Cecilia's Day --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- St. Cecilia's Day --- Holidays --- History and criticism. --- Songs and music. --- History --- Musical Society of London --- History. --- Cecilia, --- Cäcilia --- Händel, Georg Friedrich --- Purcell, Henry --- Songs and music --- 1600-1799 --- England --- Purcell, ... --- Purcel, ... --- Purcel, Henry --- Purcell, H. --- Purcell, Henri --- Purcel, Henri --- Komponist --- Organist --- London --- Purcell, Daniel --- 1659-1695 --- XX.XX.1659-21.11.1695 --- Händel, Georg-Friedrich --- Händel, Georg Friederich --- Händel, Georg Fr. --- Händel, Georg F. --- Händel, George Friedrich --- Händel, George Frideric --- Händel, George F. --- Händel, G. Friedrich --- Händel, G. Fr. --- Händel, G. F. --- Händel, G.F. --- Hændel, G.-F. --- Händel --- Händel, C. F. --- Händel, C.F. --- Händel, Friedrich G. --- Händel, F. G. --- Händel, F.G. --- Händel, H. --- Händl, F. G. --- Händl, F.G. --- Händl, Georg Friedrich --- Haendel, Georg Friedrich --- Haendel, Georg-Friedrich --- Haendel --- Händle, Georg Friedrich --- Handel, Georg Friedrich --- Handel, Georg Frederic --- Handel, Georg Frideric --- Handel, Georg F. --- Handel, George Friedrich --- Handel, George Friderick --- Handel, George Frideric --- Handel, George Fridric --- Handel, George Frederick --- Handel, George Frederic --- Handel, George F. --- Handel, Georgio Fredrico --- Handel, Georgio F. --- Handel, Giorgio Federico --- Handel, Goerg Friedrich --- Handel, G. F. --- Handel, G.F. --- Handel --- Handell --- Hendel, Georg Friedrich --- Hendel, George Friederich --- Hendel, Giorgio-Federico --- Hendel --- Hendeli, Georg Pʹridrix --- Häddelischen --- Halle (Saale) --- Hamburg --- Händel, Georg --- Händel, Dorothea --- Rotth, Christian August --- Flörcke, Johanna Friederike <> --- 1685-1759 --- 23.02.1685-14.04.1759 --- Cäcilia --- Cecilia --- Heilige --- Rom --- 200-230 --- Cäcilia, --- Caecilia, --- Cecelia, --- Cécile, --- Cecily, --- Cecylia, --- Angleterre --- Kingdom of England --- Engeland --- Inghilterra --- Inglaterra --- Engländer --- Großbritannien --- -1707 --- Cecelia --- Caecilia --- British music. --- Composers. --- Cultural celebration. --- Handel. --- Historical records. --- Music. --- Musical compositions. --- Musical diversity. --- Musical history. --- Musical influence. --- Musical performances. --- Purcell. --- St Cecilia's Day.