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This paper focuses on the family patterns presented in Caryl Phillips' “The Lost Child”. Various psychoanalytical theories are used to analyse six processes occurring in the novel and a final chapter focuses on the family metaphor, literary parentage, intertextuality and identity.
Caryl Phillips --- The Lost Child --- Families --- Literary parentage --- Intertextuality --- Psychoanalysis --- Arts & sciences humaines > Littérature
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This dissertation explores the notions of filiation and affiliation and aims to analyse the filial and affiliative relationships of the three main characters of Caryl Phillips's novel In the Falling Snow: Earl, his son Keith, and his grandson Laurie. Earl is a first-generation immigrant from the Caribbean who came to England as a member of the Windrush Generation. His immigration ruptured his filial relationship with his family as well as with the West Indies and forced him to find his place in the racist British culture of the 1960s. Furthermore, his silence about his origins and his life ruptured his bond with his son, Keith, who repeated this pattern with his own son Laurie. This dissertation intends to explain why In the Falling Snow can be seen as a postcolonial Bildungsroman which disrupts the preponderant Eurocentric notions of filiation and affiliation.
Filiation --- Affiliation --- Caryl Phillips --- In the Falling Snow --- Postcolonial Bildungsroman --- Classical Bildungsroman --- Arts & sciences humaines > Littérature
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In 'Runaway Genres', Yogita Goyal tracks the emergence of slavery as the defining template through which current forms of human rights abuses are understood. The post-black satire of Paul Beatty and Mat Johnson, modern slave narratives from Sudan to Sierra Leone, and the new Afropolitan diaspora of writers like Teju Cole and Chimamanda Ngozi Adichie all are woven into Goyal's argument for the slave narrative as a new world literary genre, exploring the full complexity of this new ethical globalism. From the humanitarian spectacles of Kony 2012 and #BringBackOurGirls through gothic literature, 'Runaway Genres' unravels, for instance, how and why the African child soldier has now appeared as the afterlife of the Atlantic slave.0Goyal argues that in order to fathom forms of freedom and bondage today-from unlawful detention to sex trafficking to the refugee crisis to genocide-we must turn to contemporary literature, which reveals how the literary forms used to tell these stories derive from the antebellum genre of the slave narrative. Exploring the ethics and aesthetics of globalism, the book presents alternative conceptions of human rights, showing that the revival and proliferation of slave narratives offers not just an occasion to revisit the Atlantic past, but also for re-narrating the global present. In reassessing these legacies and their ongoing relation to race and the human, 'Runaway Genres' creates a new map with which to navigate contemporary black diaspora literature.
African American. --- African. --- Afropolitan. --- Ahmadou Kourouma. --- Atlantic. --- Caryl Phillips. --- Chimamanda Adichie. --- Chris Abani. --- Colson Whitehead. --- Dave Eggers. --- Dinaw Mengestu. --- Francis Bok. --- Frederick Douglass. --- Global South. --- Ishmael Beah. --- Mat Johnson. --- NoViolet Bulawayo. --- Othello. --- Paul Beatty. --- Susan Minot. --- Teju Cole. --- Toni Morrison. --- Underground Railroad. --- abolition. --- absurd. --- affect. --- analogy. --- black Atlantic. --- blackness. --- child soldier. --- diaspora. --- fiction and slavery. --- gothic. --- human rights. --- human trafficking. --- humanitarianism. --- immigrant. --- intertextuality. --- memoir. --- modern slavery. --- neo-slave narrative. --- neoliberal. --- post-blackness. --- postcolonial. --- refugees. --- satire. --- sentimentalism. --- slave narrative. --- trauma. --- ventriloquism. --- war.
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Slavery is a recurring subject in works by the contemporary British writers Caryl Phillips, David Dabydeen and Fred D’Aguiar, yet their return to this past arises from an urgent need to understand the racial anxieties of twentieth- and twenty-first-century Britain. This book examines the ways in which their literary explorations of slavery may shed light on current issues in Britain today, or what might be thought of as the continuing legacies of the UK’s largely forgotten slave past. In this highly original study, Abigail Ward looks at a range of novels, poetry and non-fictional works by Phillips, Dabydeen and D’Aguiar in order to consider their creative responses to slavery. This is the first study to focus exclusively on contemporary British literary representations of slavery, and thoughtfully engages with such notions as the history, memory and trauma of slavery and the ethics of writing about this past. Written for students, academics and the general reader interested in contemporary British or Caribbean writing, this authoritative work offers a clear, accessible and interesting guide to the ways in which the transatlantic slave trade is represented in recent postcolonial literature.
Phillips, Caryl --- Dabydeen, David --- D'Aguiar, Fred, --- Aguiar, Fred d', --- Criticism and interpretation. --- Caribbean literature (English) --- Slavery in literature. --- Black authors --- History and criticism. --- Slavery and slaves in literature --- Slaves in literature --- English literature --- Caribbean literature --- Enslaved persons in literature --- Literature --- Literary Studies: Post-Colonial Literature --- LITERARY CRITICISM / European / English, Irish, Scottish, Welsh --- Ireland --- Phillips, Caryl (1958-....) --- Dabydeen, David (1955-....) --- D'Aguiar, Fred (1960-....) --- Esclavage --- Littérature anglaise --- Critique et interprétation --- Dans la littérature --- 20e siècle --- Histoire et critique --- Britain. --- Caryl Phillips. --- David Dabydeen. --- Fred D'Aguiar. --- ethics of writing. --- memory. --- postcolonial literature. --- slavery. --- transatlantic slave trade. --- trauma.
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In a postcolonial world, where structures of power, hierarchy, and domination operate on a global scale, writers face an ethical and aesthetic dilemma: How to write without contributing to the inscription of inequality? How to process the colonial past without reverting to a pathology of self-disgust? Can literature ever be free of the shame of the postcolonial epoch--ever be truly postcolonial? As disparities of power seem only to be increasing, such questions are more urgent than ever. In this book, Timothy Bewes argues that shame is a dominant temperament in twentieth-century literature, and the key to understanding the ethics and aesthetics of the contemporary world. Drawing on thinkers such as Jean-Paul Sartre, Frantz Fanon, Theodor Adorno, and Gilles Deleuze, Bewes argues that in literature there is an "event" of shame that brings together these ethical and aesthetic tensions. Reading works by J. M. Coetzee, Joseph Conrad, Nadine Gordimer, V. S. Naipaul, Caryl Phillips, Ngugi wa Thiong'o, and Zoë Wicomb, Bewes presents a startling theory: the practices of postcolonial literature depend upon and repeat the same structures of thought and perception that made colonialism possible in the first place. As long as those structures remain in place, literature and critical thinking will remain steeped in shame. Offering a new mode of postcolonial reading, The Event of Postcolonial Shame demands a literature and a criticism that acknowledge their own ethical deficiency without seeking absolution from it.
Postcolonialism in literature. --- Commonwealth literature (English) --- History and criticism. --- Commonwealth literature (English) - History and criticism --- Postcolonialism in literature --- Act of Violence. --- Alain Badiou. --- Alterity. --- Antithesis. --- Autobiography. --- Being and Nothingness. --- Caryl Phillips. --- Colonialism. --- Conceptualization (information science). --- Conscience. --- Consciousness. --- Criticism. --- Critique. --- Culture and Imperialism. --- Cynicism (contemporary). --- Decolonization. --- Dialectic. --- Diegesis. --- Disenchantment. --- Disgrace. --- Disgust. --- Dusklands. --- Edward Said. --- Emblem. --- Essay. --- Ethics. --- Exclusion. --- Explanation. --- Fiction. --- Frantz Fanon. --- Franz Kafka. --- G. (novel). --- Gilles Deleuze. --- Giorgio Agamben. --- Henri Bergson. --- Humiliation. --- Ideology. --- Impossibility. --- In the Heart of the Country. --- Inseparability. --- Irony. --- J. M. Coetzee. --- Jean-Paul Sartre. --- Joseph Conrad. --- Kurtz (Heart of Darkness). --- Lag. --- Literature. --- Lord Jim. --- Michel Leiris. --- Minima Moralia. --- Modernity. --- Mrs. --- Nadine Gordimer. --- Narration. --- Narrative. --- Novelist. --- Objectivity (philosophy). --- Ontology. --- Pathos. --- Pessimism. --- Peter Hallward. --- Phenomenon. --- Philosopher. --- Philosophy. --- Pier Paolo Pasolini. --- Poetry. --- Politics. --- Positivism. --- Postmodernism. --- Potentiality and actuality. --- Primo Levi. --- Principle. --- Publication. --- Racism. --- Result. --- Rhetoric. --- Samuel Beckett. --- Self-hatred. --- Seven Pillars of Wisdom. --- Shame. --- Slavery. --- Slow Man. --- Subaltern (postcolonialism). --- Subjectivity. --- Suggestion. --- Superiority (short story). --- Symptom. --- T. E. Lawrence. --- Temporality. --- The Other Hand. --- The Philosopher. --- The Wretched of the Earth. --- Theodor W. Adorno. --- Theory of Forms. --- Theory. --- Thought. --- V. S. Naipaul. --- Vocation (poem). --- Writer. --- Writing.
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