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Bringing together leading international scholars of contemporary fiction and modern women writers, this book provides authoritative new critical readings of Angela Carter's work from a variety of innovative theoretical and disciplinary approaches. Angela Carter: New Critical Readings both evaluates Carter's legacy as feminist provocateur and postmodern stylist, and broaches new ground in considering Carter as, variously, a poet and a 'naturalist'. Including coverage of Carter's earliest writings and her journalism as well as her more widely studied novels, short stories and dramatic works, the book covers such topics as rescripting the canon, surrealism, and Carter's poetics
Carter, Angela, --- Carter, Angela --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- Criticism and interpretation. --- American literature --- History and criticism.
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Carter, Angela, --- Criticism and interpretation --- Critique et interpretation --- Women and literature --- -Literature --- History --- -Carter, Angela --- -Criticism and interpretation --- -History --- Stalker, Angela Olive, --- Carter, Angela Olive, --- Carter, Angela Olive Stalker, --- Criticism and interpretation. --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- Carter, Angela --- Carter (angela), 1940-1992
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Angela Carter's life was an eventful and vagrant one, including travels to Japan, Russia, America and Australia, and early success in the sixties that did not last into the seventies. But by the time of her tragically early death in 1992, Carter had become recognised as one of the most successful and original British literary figures of the twentieth century and she has subsequently become one of the most studied authors in British universities. This book disentangles the cult of Angela Carter as 'the fairy godmother of magical realism' from her own claims to be a materialist and 'demythologiser' by placing her within the social, political and cultural context within which she worked. Drawing on Carter's own autobiographical articles, as well as her fiction, journalism, radio plays and TV programmes, this study examines Carter's engagement with national (particularly English) identity, class, politics and feminism, assessing the relationship between her life, her times and her art.
820 "19" --- 820 "19" Engelse literatuur--20e eeuw. Periode 1900-1999 --- Engelse literatuur--20e eeuw. Periode 1900-1999 --- Carter, Angela --- -Criticism and interpretation --- Authors, English --- Carter, Angela, --- Stalker, Angela Olive, --- Carter, Angela Olive, --- Carter, Angela Olive Stalker, --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- Carter, Angela (1940-1992) --- Ecrivains anglais --- Biographies --- 20e siècle --- Biographie --- 20e siècle
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“I would regard myself as a feminist writer, because I’m a feminist in everything else and one can’t compartmentalise these things in one’s life.” (Angela Carter) “When I became a feminist in 1968, I felt that I’d come home: the first home I ever had that was feminine. And it was very wild and theatrical and erotic, the early feminism.” (Michèle Roberts) Angela Carter and Michèle Roberts share a keen interest in gender and sexual identity, but many of their topics seem to mark them as opposites: Roberts’s fascination with the impact of religion, motherhood and autobiography on female identity covers areas that Carter shuns in her writings. In reading these two authors parallel and in contrast to each other, this monograph follows a triple objective: it provides a comprehensive critical introduction to the works of Roberts, explores aspects of Carter’s work that have not yet been analyzed sufficiently (religion, motherhood, and masculinity), and uses both authors to explore motifs and strategies of feminist writing. The analyses of both authors’ works are supplemented by close readings of a wide range of theoretical perspectives (especially French feminism and psychoanalysis) and concise theoretical outlines of the topics covered (radical feminism, religion, motherhood and fatherhood, masculinity, fairy tales, romances and chick lit, and history and auto/biography).
Women and literature --- Feminism in literature. --- Women and literature. --- Feminist theory in literature --- Literature --- History --- Roberts, Michèle --- Carter, Angela, --- Roberts, Michèle. --- Carter, Angela --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- Carter, Angela Olive, --- Carter, Angela Olive Stalker, --- Stalker, Angela Olive, --- Criticism and interpretation. --- 1900-1999 --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Roberts, Michele
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Reader-response criticism. --- 159.9 --- 72 --- Psychologie: zie ook: Psychiatrie: n-{616.89-008} en n-{615.851} --- Architectuur. Bouwkunst --- 72 Architectuur. Bouwkunst --- 159.9 Psychologie --- 159.9 Psychologie: zie ook: Psychiatrie: n-{616.89-008} en n-{615.851} --- Psychologie --- 72 Architecture --- Architecture --- Reader-response criticism --- Reader-oriented criticism --- Reception aesthetics --- Criticism --- Reading --- Barthes, Roland. --- Carter, Angela, --- Stalker, Angela Olive, --- Carter, Angela Olive, --- Carter, Angela Olive Stalker, --- Barthes, Roland --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- Carter, Angela --- 159.9 Psychology --- Psychology --- Barthes, R. --- Барт, Ролан --- Bart, Rolan --- Baruto, Roran --- בארת, רולאן --- بارت، رولان --- ロラン・バルト --- Luolan Bate --- 羅蘭・巴特
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This book unearths Carter’s deconstruction of the male-dominated discipline of Western thought. Revealing the extensive philosophical research that underpins Carter’s intertextual work, this book offers new readings of her fiction in relation to a range of philosophical texts and ideas. By re-examining Carter’s writing with reference to the archived collection of her notes that has recently become available at the British Library, Angela Carter and Western Philosophy puts forward new interpretations of Carter’s writing practices. With chapters examining her allusions to Plato, Hobbes and Rousseau, Descartes, Locke and Hume, Wittgenstein and Ryle, as well as Kant and Sade, this book illuminates Carter’s engagement with different areas of Western thought, and discusses how this shapes her portrayal of reality, identity, civilisation, and morality. Angela Carter and Western Philosophy will be of interest to researchers, lecturers, and students working on contemporary women’s writing, philosophy and literature, and intertextual literary practices. .
Literature. --- Literature --- Literature, Modern --- Fiction. --- British literature. --- Philosophy. --- British and Irish Literature. --- Twentieth-Century Literature. --- History of Philosophy. --- Literary Theory. --- 20th century. --- Carter, Angela, --- Mental philosophy --- Fiction --- Metafiction --- Novellas (Short novels) --- Novels --- Stories --- Literature and philosophy --- Philosophy and literature --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philosophy --- Theory --- Stalker, Angela Olive, --- Carter, Angela Olive, --- Carter, Angela Olive Stalker, --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- Literature, Modern-20th century. --- Philosophy (General). --- Literature-Philosophy. --- Novelists --- Literature, Modern—20th century. --- Literature—Philosophy. --- Humanities --- Criticism and interpretation.
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Robinson sets up a dialogue between feminist critical theory and contemporary women's fiction in order to argue for a new way of reading the specificity of women's writing. Through theoretically informed readings of novels by Doris Lessing, Angela Carter, and Gayl Jones, the author argues that female subjectivity is engendered in discourse through the woman writer's strategic engagement in representational systems that rely on a singular figure of Woman for coherence. Through this engagement, women's self-representation emerges as a process through which women take up multiple and contradictory positions in relation to different hegemonic discursive systems, and through which they engender themselves as subjects. Finally, Engendering the Subject suggests how women's fiction can provide a model for a feminist practice of reading that would simultaneously work against the historical containment of Woman, and for the empowerment of women as subjects of cultural practices.
Fiction --- Sociology of literature --- Thematology --- Lessing, Doris --- Carter, Angela --- Jones, Gayl --- English fiction --- Feminism and literature --- Feminist fiction, English --- Gender identity in literature. --- Psychological fiction, English --- Self in literature. --- Sex role in literature. --- Women and literature --- Women authors --- History and criticism. --- History --- Gender identity in literature --- Sex role in literature --- Self in literature --- History and criticism --- Lessing, Doris May, --- Carter, Angela, --- Criticism and interpretation --- Criticism and interpretation. --- English literature --- Women authors&delete& --- Lessing, Doris, --- Lesing, Dorisŭ, --- Лессинг, Дорис, --- לסינג, דוריס, --- Tayler, Doris May, --- Somers, Jane, --- Stalker, Angela Olive, --- Carter, Angela Olive, --- Carter, Angela Olive Stalker, --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- English fiction - Women authors - History and criticism --- Psychological fiction, English - History and criticism --- Feminist fiction, English - History and criticism --- Feminism and literature - History - 20th century --- Women and literature - History - 20th century --- Lessing, Doris, - 1919-2013 - Criticism and interpretation --- Carter, Angela, - 1940- - Criticism and interpretation. --- Jones, Gayl - Criticism and interpretation --- Lessing, Doris, - 1919-2013 --- Carter, Angela, - 1940 --- -Jones, Gayl
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English fiction --- Feminism and literature --- Women and literature --- Sex role in literature. --- Self in literature. --- Psychological fiction, English --- Feminist fiction, English --- Gender identity in literature --- Sex role in literature --- Self in literature --- English --- Languages & Literatures --- English Literature --- Literature --- English psychological fiction --- English literature --- Women authors --- History and criticism. --- History --- History and criticism --- Lessing, Doris, --- Carter, Angela, --- Jones, Gayl --- Carter, Angela --- Stalker, Angela Olive --- Carter, Angela Olive --- Carter, Angela Olive Stalker --- Lessing, Doris May, --- Lesing, Dorisŭ, --- Лессинг, Дорис, --- לסינג, דוריס, --- Tayler, Doris May, --- Somers, Jane, --- Criticism and interpretation. --- Lessing, Doris --- Literature and feminism --- Gender identity in literature. --- History.
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