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Legacies of modernism reappraised and reconstructed in an epic project by Renée Green American artist Renée Green (born 1959) spent two years engaged with the Carpenter Center for the Visual Arts at Harvard University, during which she presented a series of interlinked public programs and exhibitions, culminated with her major exhibition Within Living Memory (2018). Green’s Carpenter project, Pacing, is a meditation spurred by inhabiting an architectural icon―Le Corbusier’s Carpenter Center―while exploring the historical and institutional legacies of modernism’s other forms, including cinema, visual art, poetry, music and literature. This handsome publication illuminates Green’s unfolding process, with a sequence of exhibitions that took place from 2015 and culminating in Pacing: Facing in Toronto; Tracing in Como, Italy; Placing in Berlin; Spacing in Lisbon; and Begin Again, Begin Again in Los Angeles. The result is a meditation on creative processes across histories and media, partially inspired by two architectural icons: Rudolf M. Schindler and Le Corbusier. Despite grand ambitions, Le Corbusier was only able to realize two buildings in the Americas, the Carpenter Center in Cambridge, Massachusetts, and Casa Curuchet, in La Plata, Argentina. In Pacing, dreams, projections and geographically distant buildings are put into dialogue through time, weaving a layered constellation of unexpected relations. Lavishly illustrated, Renée Green: Pacing features new texts by Gloria Sutton and Fred Moten, and brings together a series of previously unpublished conversations between the artist and Yvonne Rainer, Nora M. Alter and Mason Leaver-Yap. Additional contributions are provided by Nicholas Korody, William S. Smith and Carpenter Center director Dan Byers.
Art --- Green, Renée --- Installations (Art) --- Installations (Art). --- Green, Renée. --- Exhibitions. --- Carpenter Center for the Visual Arts --- Carpenter Center for the Visual Arts. --- Massachusetts
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New Institutionalism, a mode of curating that originated in Europe in the 1990s, evolved from the legacy of international curator Harald Szeemann, the relational art advanced by French critic and theorist Nicolas Bourriaud, and other influential factors of the time. New Institutionalism's dispersed and varied approaches to curating sought to reconfigure the art institution from within, reshaping it into an active, democratic, open, and egalitarian public sphere. These approaches posed other possibilities and futures for institutions and exhibitions, challenging the consensual conception, production, and distribution of art. Practitioners engaged the art institution with renewed confidence by imbuing it with the potential for new aesthetic experiences and different relationships among artists, institutions, and spectators beyond engrained modernist ideologies. Working in these new modes, the art institution could become a site of fluidity, unpredictability, and risk. What Ever Happened to New Institutionalism? reflects upon the aspirations of these curatorial strategies and assesses their critical efficacy today within the landscape of contemporary art and globalized culture. The first in a series of readers examining changing characteristics of art institutions, this publication thinks through New Institutionalism by bringing together facsimiles of seminal texts, new critical essays, a history of trends and practices, and commissioned artist projects and contributions. These are complemented by documentation from the inaugural year of programming at the Carpenter Center for the Visual Arts at Harvard University focused on reimagining CCVA as a twenty-first-century institution.
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Architecture --- Architecture --- History --- Histoire --- Le Corbusier, --- Carpenter Center for the Visual Arts. --- Ahmadābād (India) --- Ahmadābād (Inde)
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Le Corbusier --- Carpenter Center for Visual Arts --- Le Corbusier, --- Carpenter Center for the Visual Arts. --- Jeanneret, Charles-Edouard --- Le Corbusier-Saugnier --- Jeanneret-Gris, Charles Edouard, --- Gris, Charles Edouard Jeanneret-, --- Jeanneret, Charles Edouard, --- Corbusier, Edouard le, --- Le Corbusier, Eduard, --- Le Corbusier-Saugnier, --- Corbusier, --- Kebiyi, --- Korubyujie, --- Le Korbi︠u︡zʹe, --- Le Kebuxiye, --- Lu Kūrbūziyah, --- Ru Korubyujie, --- Rangnalei, Chaersi Aidehua, --- 勒・柯布西耶, --- 让纳雷, 查尔斯・爱德华, --- Carpenter Center for Visual Arts. --- Ле Корбюзьє,
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