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The winning manuscript of the fourth annual Hollis Summers Poetry Prize is also the exciting American debut by a poet who has already established himself as an important international poetic voice. Midland, the seventh collection by Kwame Dawes, draws deeply on the poet's travels and experiences in Africa, the Caribbean, England, and the American South. Marked equally by a lushness of imagery, an urgency of tone, and a muscular rhythm, Midland, in the words of the final judge, Eavan Boland, is "a powerful testament of the complexity, pain, and enrichment of inheritance...It is a compelling me
Caribbean poetry (English) --- English poetry --- Caribbean literature (English)
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The latest release from Caribbean publisher Peekash Press celebrates some of the major new voices in Anglophone Caribbean literatureDifficult parents and lost children, unfaithful spouses and spectral lovers, mysterious ancestors and fierce bloodlines--the stories, poems, and memoirs in this new anthology tackle everything that's most complicated and thrilling about family and history in the Caribbean. Collecting new writing by finalists for the Hollick Arvon Caribbean Writers Prize, a groundbreaking award administered by the Bocas Lit Fest, Thicker Than Water shows us how a new generation of Caribbean authors address perennial questions of love, betrayal, and memory in small places where personal and collective histories are often troublingly intertwined.From the Introduction by Funso Aiyejina:"Thicker Than Water confirms that the Caribbean is blessed with quietly penetrating, effortlessly urbane, and socially committed prose writers; environmentally passionate and historically anchored creative nonfiction writers; and thematically courageous and stylistically daring poets who manipulate language to create poetry that is daring, engaging, fluent, and confident. These are writers who are emotionally complex and critically engaged. They are the heirs to a multistoried and multifaceted Caribbean literary tradition that is as multichromatic and multilayered as its complicated history. These writers boldly engage with a Caribbean that is not constrained by its clichéd images of sea, sun, and sand. They are products of their history but they are not hog-tied by it. Here are writers who see what many do not see and dare to speak what many fear to think."Featuring brand-new writing from: Lisa Allen-Agostini, Nicolette Bethel, Danielle Boodoo-Fortuné, Vashti Bowlah, Richard Georges, Zahra Gordon, Barbara Jenkins, Lelawatee Manoo-Rahming, Ira Mathur, Diana McCaulay, Sharon Millar, Monica Minott, Philip Nanton, Xavier Navarro Aquino, Shivanee Ramlochan, Judy Raymond, Hazel Simmons-McDonald, Lynn Sweeting, and Peta-Gaye V. Williams.
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Caribbean poetry (English) --- Ritual in literature. --- Black authors --- History and criticism. --- Caribbean Area --- In literature.
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This is the first book-length study of dub poetry, the musical talkover that has been an important part of the reggae scene in Canada, Britain and of course the Caribbean since the 1970's. Christian Habekost 's qualifications for writing such a book are beyond dispute. He is a German poet who has been involved with the dub movement since it began and knows most of its leading figures. As Ranting Chako, he is featured on the LP Dread Poets Society. The bibliography indicates that he has interviewed many of the 43 poet-performers mentioned, often on several occasions. Verbal Riddim , based on his doctoral dissertation at the University of Mannheim, is a successful blend of the performer and the researcher.
English literature --- Caribbean Area --- Africa --- Caribbean area --- Litterature antillaise --- Poesie antillaise --- Caribbean poetry (English) --- Jamaican poetry --- Black authors --- History and criticism
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Sociology of literature --- Drama --- Caribbean Area --- Caribbean poetry (English) --- Women and literature --- Postcolonialism --- Women authors --- History and criticism. --- History --- In literature. --- Caribbean area --- Caribbean poetry (English) - Women authors - History and criticism. --- Women and literature - Caribbean Area - History - 20th century. --- Postcolonialism - Caribbean Area. --- Caribbean Area - In literature. --- POESIE ANTILLAISE DE LANGUE ANGLAISE --- FEMMES ET LITTERATURE --- REGION CARAÏBE --- HISTOIRE ET CRITIQUE --- FEMMES ECRIVAINS --- CARAIBES --- DANS LA LITTERATURE
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Caribbean poetry (English) --- English language --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Germanic languages --- English poetry --- Caribbean literature (English) --- History and criticism --- Variation --- Style --- Caribbean Area --- In literature. --- POESIE ANTILLAISE DE LANGUE ANGLAISE --- ANGLAIS (LANGUE) --- MODERNISME (LITTERATURE) --- REGION CARAÏBE --- HISTOIRE ET CRITIQUE --- CARAIBES --- CARAÏBES --- DANS LA LITTERATURE
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Cuban poetry --- Caribbean poetry (English) --- Haitian literature --- National characteristics, Cuban, in literature. --- National characteristics, Caribbean, in literature. --- History and criticism. --- Carpentier, Alejo, --- Lezama Lima, José. --- Augier, Ángel, --- Piñera, Virgilio, --- Feijóo, Samuel, --- Criticism and interpretation. --- National characteristics, Cuban, in literature --- National characteristics, Caribbean, in literature --- History and criticism --- Lezama Lima, José. --- Augier, Ángel, --- Feijóo, Samuel, --- Criticism and interpretation --- Cuban poetry - 20th century - History and criticism --- Caribbean poetry (English) - 20th century - History and criticism --- Haitian literature - 20th century - History and criticism --- Carpentier, Alejo, - 1904-1980. - Écue-yamba-ó --- Lezama Lima, José. - Muerte de Narciso --- Augier, Ángel, - 1910-2010 - Criticism and interpretation --- Piñera, Virgilio, - 1912-1979 - Criticism and interpretation --- Feijóo, Samuel, - 1914-1992 - Criticism and interpretation --- Augier, Ángel, - 1910-2010 --- Piñera, Virgilio, - 1912-1979 --- Feijóo, Samuel, - 1914-1992
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Modernist poetry crosses racial and national boundaries. The emergence of poetic modernism in the Americas was profoundly shaped by transatlantic contexts of empire-building and migration. In this ambitious book, Anita Patterson examines cross-currents of influence among a range of American, African American and Caribbean authors. Works by Whitman, Poe, Eliot, Pound and their avant-garde contemporaries served as a heritage for black poets in the US and elsewhere in the New World. In tracing these connections, Patterson argues for a renewed focus on intercultural and transnational dialogue in modernist studies. This bold and imaginative work of transnational literary and historical criticism sets canonical American figures in fascinating contexts and opens up readings of Langston Hughes, Derek Walcott, and Aime Cesaire. This book will be of interest to scholars of American and African American literature, modernism, postcolonial studies, and Caribbean literature.
Caribbean poetry (English) --- Transnationalism in literature. --- American poetry --- Influence (Literary, artistic, etc.). --- Modernism (Literature) --- Postcolonialism in literature. --- African American authors --- History and criticism. --- Influence (Literary, artistic, etc.) --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Art --- Influence (Psychology) --- Literature --- Intermediality --- Intertextuality --- Originality in literature --- English poetry --- Caribbean literature (English) --- Arts and Humanities --- Poésie américaine --- Littérature américaine --- Transnationalisme --- 20e siècle --- Histoire et critique --- Auteurs noirs américains --- Dans la littérature
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