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A short book about different issues in optical technologies. The importance of optical technologies for artwork charaterization is well known, in this book we show some examples where different optical technologies are applied in real cultural heritage artworks.

digital archaeology --- image classification --- stratigraphy --- landscape archaeology --- sediment analysis --- spectroscopy --- proximal sensing --- porcelain --- enamels --- China --- 18th century --- Raman microspectroscopy --- pXRF --- pigments --- arsenic --- cobalt --- Naples yellow --- Dzi bead --- agate --- X-ray diffraction --- X-ray fluorescence --- X-ray absorption near edge structure --- X-ray imaging --- colour --- art --- visual --- accommodation --- binocular vision --- silver nanostars --- surface enhanced Raman spectroscopy --- cross-sections --- copper phthalocyanine --- blue pigment --- analytical diagnostics --- National Gallery of Parma --- Madonna della Misericordia --- pigment identification --- preliminary drawing --- gilding --- Byzantine --- projection mapping --- calibration --- lighting --- cultural heritage --- light damage --- colour difference --- ageing --- monitoring --- imaging spectroscopy --- spectral imaging --- exhibitions --- preventive --- quantitative --- books --- paper --- conservation --- archive --- library --- art conservation --- spectral optimization --- color quality --- LEDs --- light intensity --- illuminance --- exposure --- energy efficiency --- damage --- daguerreotype --- tarnish --- chemical cleaning --- electrocleaning --- synchrotron --- X-ray fluorescence imaging --- non-invasive investigations --- portable/reflectance spectroscopy --- portable Raman spectroscopy --- lead antimonate --- enamel blue --- caput mortuum --- hyperspectral imaging --- 18th century painting --- FORS --- XRF --- photogrammetry --- workflow --- Alhambra’s Tower of the Captive --- n/a --- Alhambra's Tower of the Captive

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A cultural history of the face in Western art, ranging from portraiture in painting and photography to film, theater, and mass mediaThis fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation.Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks—hollow signifiers of the humanity they're meant to embody.From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.

Facial expression in art. --- Facial expression. --- A Thousand Plateaus. --- Aby Warburg. --- Act of Violence. --- Alfred Stieglitz. --- Allegory. --- Ambiguity. --- Analogy. --- Andy Warhol. --- Anecdote. --- Anonymity. --- Anthropomorphism. --- Antonello da Messina. --- Arnulf Rainer. --- Bembo. --- Caput mortuum. --- Caravaggio. --- Cemetery. --- Christian Boltanski. --- Chuck Close. --- Cindy Sherman. --- Court painter. --- Creation myth. --- Cultural history. --- Death mask. --- Dictatorship. --- Distrust. --- Domenico Fetti. --- Edgar Allan Poe. --- Euripides. --- Facial expression. --- Facsimile. --- Family resemblance. --- Film theory. --- Fine art. --- Fine-art photography. --- First appearance. --- Francis Bacon (artist). --- Gertrude Stein. --- Giambattista della Porta. --- Giorgio Vasari. --- Good and evil. --- Hans Belting. --- Hans Memling. --- Homo duplex. --- Idealization. --- Illustration. --- In Death. --- Inception. --- Indication (medicine). --- Jacques Le Goff. --- Jan van Eyck. --- Judith Butler. --- Lucas Cranach the Elder. --- Ludwig Binswanger. --- Male privilege. --- Man Ray. --- Marcel Duchamp. --- Marilyn Monroe. --- Mask. --- Mathew Brady. --- Mirror writing. --- Modern sculpture. --- Modernity. --- Mummy. --- Museum. --- Obsolescence. --- Oil sketch. --- On the Eve. --- Oppression. --- Pablo Picasso. --- Paradigm shift. --- Paul Klee. --- Photography. --- Phrenology. --- Physiognomy. --- Plaster cast. --- Pop art. --- Primitivism. --- Printing. --- Psychoanalysis. --- Quintilian. --- Roland Barthes. --- Romanticism. --- Sebastiano del Piombo. --- Slavery. --- Sophistication. --- Stephen Greenblatt. --- Surrealism. --- Symbolic power. --- Tattoo. --- The Human Face. --- The Loved One. --- The Other Hand. --- The Philosopher. --- The Praise of Folly. --- Verism. --- Wallpaper. --- Walter Benjamin. --- William Hogarth. --- Yves Klein.