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Cancionero de la Sablonara (ca 1625)

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Wortschatz. --- Baena, Juan Alfonso de, --- Baena, Juan Alfonso de (1406-1454). --- Langue --- Glossaires, vocabulaires, etc. --- Cancionero de Baena (Baena, Juan Alfonso de). --- Cancionero de Baena.

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Anthologie. --- Cancionero. --- Lyrik. --- Poesía española --- Portuguese poetry --- Spanish poetry --- Geschichte 1450-1610. --- Geschichte 1500-1610. --- Altportugiesisch. --- Altspanisch. --- Spanisch.

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The Segovia Manuscript (Cathedral of Segovia, Archivo Capitular) has puzzled musicologists ever since its rediscovery at the beginning of the twentieth century. It is unique: no other manuscript of the period transmits a comparable blend of late fifteenth-century music, consisting of 204 sacred works and vernacular pieces in Flemish, French, Italian, and Spanish. An important group of pedagogical pieces by French and Flemish composers may preserve transcriptions of instrumental improvisation. This summary might suggest a messy collection, but on the contrary the manuscript is arranged with care, copied by one proficient scribe (except perhaps for the Spanish texts), who obviously followed a predetermined master plan. But which plan, who designed it, and why was the person responsible so interested in this combination? The essays here aim to treat every dimension of this fascinating source. New discoveries help date the manuscript and explain how it came to Segovia; particular attention is paid to the main scribe, now determined to be Flemish, and his relation with northern composers and repertory, above all that of Jacob Obrecht, Alexander Agricola, and Henricus Isaac; and the vexed question of the conflicting attributions is considered afresh and found to affect only a few of the fascicles. The contributors also look at questions of ownership and function.

Music --- History and criticism --- Manuscripts --- History. --- History and criticism. --- Cancionero musical de la Catedral de Segovia. --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Cancionero musical de Segovia --- Cancionero de la Catedral de Segovia --- Cultural Heritage. --- European Heritage. --- European Musical Repertory. --- Historical Records. --- Medieval Manuscripts. --- Music History. --- Music Manuscripts. --- Music Performance. --- Musical Traditions. --- Musicological Research. --- Musicology. --- Segovia Manuscript. --- Spanish Music.

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La autora se propone analizar, en la literatura medieval castellana, la evolución del motivo de la profecía, concebida como un paradójico “conocimiento de lo incognoscible”. El estudio de las dos grandes tradiciones proféticas que se suceden en la Península, de ascendencia bíblica la una, merliniana la otra, permite deslindar un recorrido a la vez diacrónico y sincrónico, que indaga en una multiplicidad de textos las ramificaciones tanto cronológicas como genéricas del motivo profético.

Arts & Humanities --- Literature, Romance --- Profecía --- Biblia --- Merlín --- épica --- Libro de caballerías --- Poema de mio Cid --- Mocedades de Rodrigo --- Poema de Fernán González --- Crónica de Castilla --- Alfonso X --- Libro del caballero Zifar --- Poema de Alfonso XI --- Rodrigo Yáñez --- Gran Crónica de Alfonso XI --- Crónica del rey don Pedro --- Pero López de Ayala --- Cancionero de Baena --- Baladro del Sabio Merlín --- Bible --- Merlin --- épopée --- estoria de España --- littérature arthurienne --- Alphonse X --- prophétie --- Arthurian Literature --- Chivalric Romance --- epic poetry --- hagiography --- historiography