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Artists: Francis Alys, Eleanor Antin, Janine Antoni, Mowry Baden, Jim Campbell, Janet Cardiff, Hamish Fulton, Sharon Harper, Martin Kersels, Tom Marioni, Matthew McCaslin, George Bures Miller, Curtis Mitchell, Francois Morelli, Paul Ramirez-Jonas, Douglas Ross, Nancy Spero, Rudolf Stingel, Richard Wentworth.

Art --- Art, Modern --- Art, Modern. --- Gehen --- Kunst. --- Marche dans l'art --- Walking in art --- Walking in art. --- Alÿs, Francis, --- Alÿs, Francis, --- Antin, Eleanor, --- Antin, Eleanor. --- Antoni, Janine, --- Antoni, Janine. --- Baden, Mowry, --- Baden, Mowry. --- Campbell, Jim, --- Campbell, Jim, --- Cardiff, Janet, --- Cardiff, Janet, --- Fulton, Hamish, --- Fulton, Hamish. --- Harper, Sharon, --- Harper, Sharon. --- Kersels, Martin, --- Kersels, Martin, --- Marioni, Tom, --- Marioni, Tom, --- McCaslin, Matthew, --- McCaslin, Matthew, --- Miller, George Bures, --- Miller, George Bures, --- Mitchell, Curtis, --- Morelli, François, --- Morelli, François, --- Ramírez Jonas, Paul, --- Ramírez Jonas, Paul, --- Ross, Douglas, --- Spero, Nancy, --- Spero, Nancy, --- Stingel, Rudolf, --- Stingel, Rudolf. --- Wentworth, Richard, --- Wentworth, Richard, --- 1900-1999.

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Art --- installations [visual works] --- light art --- sculpting --- Batchelor, David --- Shawcross, Conrad --- Holt, Nancy --- Kowanz, Brigitte --- Parreno, Philippe --- Janssens, Ann Veronica --- McCall, Anthony --- Navarro, Iván --- Villareal, Leo --- Wheeler, Douglas --- Paterson, Katie --- Cruz-Diez, Carlos --- Morellet, François --- Holzer, Jenny --- Eliasson, Olafur --- Turrell, James --- Fischli, Peter --- Flavin, Dan --- Weiss, David --- Campbell, Jim --- Culbert, Bill --- Floyer, Ceal --- Evans, Cerith Wyn

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“Machine art” is neither a movement nor a genre but encompasses diverse ways in which artists engage with technical systems. In this book, Andreas Broeckmann examines a variety of twentieth- and early twenty-first-century artworks that articulate people's relationships with machines. In the course of his investigation, Broeckmann traces historical lineages that connect art of different periods, looking for continuities that link works from the end of the twentieth century to developments in the 1950s and 1960s and to works by avant-garde artists in the 1910s and 1920s. An art historical perspective, he argues, might change our views of recent works that seem to be driven by new media technologies but that in fact continue a century-old artistic exploration.

Broeckmann investigates critical aspects of machine aesthetics that characterized machine art until the 1960s and then turns to specific domains of artistic engagement with technology: algorithms and machine autonomy, looking in particular at the work of the Canadian artist David Rokeby; vision and image, in light of the advent of technical imaging; and the human body, using the work of the Australian artist Stelarc as an entry point to art that couples the machine to the body, mechanically or cybernetically. Finally, Broeckmann argues that systems thinking and ecology have brought about a fundamental shift in the meaning of technology, which has brought with it a rethinking of human subjectivity. He examines a range of artworks, including those by the Japanese artist Seiko Mikami, whose work exemplifies the shift.

machines [general equipment] --- algorithmic art --- sculpture [visual works] --- installations [visual works] --- robots --- art [fine art] --- ecology --- body arts [discipline] --- Art --- Art and technology. --- Art, Modern --- Themes, motives --- Themes, motives. --- 1900-1999. --- Machine (thème) --- Image --- Technique --- Dadaïsme --- Installation-art --- Cybernétique --- Art vidéo --- Moholy-Nagy, László, --- Albers, Josef --- Tatline, Vladimir Evgrafovitch --- Rokeby, David --- Munari, Bruno --- Duchamp, Marcel --- Tinguely, Jean --- Schöffer, Nicolas, --- Dean, Max --- Farocki, Harun --- Mikami, Seiko --- Campbell, Jim --- Weiser, Herwig --- Moholy-Nagy, László, 1895-1946 --- Schöffer, Nicolas, 1912-1992 --- art [discipline]

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Art --- Sculpture --- art [discipline] --- art theory --- sculpting --- hedendaagse kunst --- beeldhouwkunst --- Wallinger, Mark --- Landy, Michael --- Turk, Gavin --- Oldenburg, Claes --- McQueen, Steve --- Barbieri, Olivo --- Kuśmirowski, Robert --- Levinthal, David --- Simmons, Laurie --- Suh, Do Ho --- Koons, Jeff --- Wright, Elizabeth --- Takada, Akiko --- Hatoum, Mona --- Ray, Charles --- Friedman, Tom --- Cattelan, Maurizio --- Hanson, Duane --- Bochner, Mel --- Chapman, Jake --- Demand, Thomas --- Hirst, Damien --- Lawler, Louise --- Sugimoto, Hiroshi --- Bulloch, Angela --- Mueck, Ron --- Bruggen, van, Coosje --- Campbell, Jim --- Filliou, Robert --- Quinn, Marc --- Ruff, Thomas --- Sander, Karin --- Ondàk, Roman

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Art --- audiovisual materials --- video recordings [physical artifacts] --- multimedia works --- community art --- computer art [visual works] --- new media art --- kunst en technologie --- Davies, Char --- Horn, Rebecca --- Paterson, Nancy --- Ascott, Roy --- Boyle, Mark --- Oppenheim, Dennis --- Paik, Nam June --- Gabo, Naum --- Hiller, Susan --- Flanagan, Mary --- Takis --- Adrian X --- Allen, Rebecca --- Back, Douglas --- Batchen, Geoffrey --- Béar, Liza --- Benayoun, Maurice --- Haacke, Hans --- Bookchin, Natalie --- Braey, Shawn --- Bunting, Heath --- Burnham, Jack --- Chu-Yin Chen --- Claus, Jürgen --- Munari, Bruno --- Fontana, Lucio --- Couchot, Edmond --- Courchesne, Luc --- Cox, Donna --- Crandall, Jordan --- Csuri, Charles --- Agostino, d', Peter --- Davis, Douglas --- Dean, Max --- Deck, Andy --- Demarins, Paul --- Dietz, Steve --- Dove, Toni --- Dunning, Alan --- Dupuy, Jean --- Edmondson, Bill --- Fleischmann, Monika --- Franke, Herbert W. --- Fujihata, Masaki --- Gabriel, Ulrike --- Gees, Johannes --- Gillette, Frank --- Granular=Synthesis --- Grey, Michael Joaquin --- Hansen, Mark --- Harmon, Leon D. --- Harris, Jonathan --- Hills, Joan --- Ikeda, Ryoji --- Lucier, Mary --- Miller, Paul D. --- Woodrow, Paul --- Cage, John --- Artaud, Antonin --- Brecht, Bertolt --- Merz, Mario --- Viola, Bill --- Rauschenberg, Robert --- Pevsner, Antoine --- Piene, Otto --- Sonnier, Keith --- Schöffer, Nicolas --- Cohen, Harold --- Graham, Dan --- Holzer, Jenny --- Eliasson, Olafur --- Turrell, James --- Flavin, Dan --- Mori, Mariko --- Mullican, Matt --- Nauman, Bruce --- Huyghe, Pierre --- Burden, Chris --- Burson, Nancy --- Campbell, Jim --- Levine, Les --- Oursler, Tony --- Gordon, Douglas --- Vostell, Wolf --- Weibel, Peter --- Stelarc --- Anderson, Laurie --- Campus, Peter --- ART+COM --- c a l c --- Groupe de recherche d'art visuel [Paris] --- Architecture Machine Group --- Arterial Group --- Asociacion Arte Concreto Invención --- Barbie Liberation Organization --- Blast Theory [Brighton] --- Chaos Computer Club --- Critical Art Ensemble --- Diller Scofidio + Renfro [New York, N.Y.] --- Dumb Type [Kyoto] --- EAT --- Chen, Chu-Yin