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book (6)


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Book
Myths and magic on fire, gold and art : Art Criticism Briefs
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Year: 1979 Publisher: Buenos Aires : AICA,

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Keywords

CAYC Group


Book
Towards the end of the second Middle Ages - XV Bienal de São Paulo : grupo CAYC : Bedel - Benedit - Glusberg - Gonzalez Mir - Grippo - Maler - Marotta - Pazos - Portillos - Testa.
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Year: 1979 Publisher: Buenos Aires : CAYC - Centro de Arte Y Comunicacion,

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Bedel, Jacques ; Benedit, Luis ; Glusberg, Jorge ; González Mir, Jorge ; Grippo, victor ; Maler, Leopoldo ; Marotta, Vicente ; Pazos, Luis ; Portillos, Alfredo ; Testa, Clorindo

Keywords

CAYC Group


Book
Early video art and experimental films networks / : French speaking Switzerland in 1974: a case for minor history
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ISBN: 9782970115700 2970115700 Year: 2017 Publisher: Dijon : Presses du réel,

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Early Video Art and Experimental Films Networks traces the diffuse international networks through which video art and experimental films circulated during the late sixties and early seventies. It explores forgotten exhibitions both in Switzerland and France, the activities of public television channels and alternative art spaces in the US, a production art center dedicated to video in Italy and an Argentinian collective of conceptual artists, aiming to shed new light on the production and diffusion of moving images.


Book
Cayc Group : Twentieth anniversary 1971-1991.
Authors: ---
Year: 1991 Publisher: Buenos Aires : CAYC (Centro de Arte y Comunicación) Buenos Aires,

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Book
Cayc Group.
Year: 1978 Publisher: Buenos Aires : CAYC (Centro de Arte y Comunicación) Buenos Aires,

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Book
Dematerialization and the Social Materiality of Art : Experimental forms in Argentina, 1955-1968
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ISBN: 9789004457881 9789004457737 Year: 2021 Publisher: Leiden; Boston : Brill | Rodopi,

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"Dematerialization and the Social Materiality of Art reconceptualizes mid-twentieth-century avant-garde practices in Argentina with a focus on the changing material status of the art object in relation to the country's intense period of modernization. Elize Mazadiego presents Oscar Masotta's notion of dematerialization as a concept for interpreting experimental art practices that negated the object's primacy, while identifying their promise within the sociopolitical transformations of the 1950s and 1960s. She argues that, in abandoning the traditional art object, the avant-garde developed new materialities rooted in Buenos Aires' changing social life. A critical examination of art's materiality and its social role within Argentina, this important study paves the way for broader investigations of postwar Latin American art"--

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