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Byzantine Empire --- Europe --- Relations --- Civilization --- Byzantine Empire - Relations - Europe - Congresses --- Europe - Relations - Byzantine Empire - Congresses --- Byzantine Empire - Civilization - 1081-1453 - Congresses

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Hunger, Herbert, --- Byzantine Empire --- Empire byzantin --- Civilization --- Congresses --- History --- Civilisation --- Congrès --- Histoire --- -Byzantine Empire --- -Civilization --- -Congresses --- -Hunger, Herbert, --- Congrès --- Byzantium (Empire) --- Vizantii︠a︡ --- Bajo Imperio --- Bizancjum --- Byzantinē Autokratoria --- Vyzantinon Kratos --- Vyzantinē Autokratoria --- Impero bizantino --- Bizantia --- 1081-1448 --- 1259-1448 (Paleologen, dynastie) --- Congresses. --- Byzantine Empire - Civilization - 1081-1453 - Congresses --- Byzantine Empire - History - Palaeologi dynasty, 1259-1448 - Congresses --- Paleologue (famille) --- Byzance --- 14e-15e siecles

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Byzantine Empire --- Empire byzantin --- Civilization. --- Economic conditions. --- Social conditions. --- Civilisation --- Conditions économiques --- Conditions sociales --- Civilization --- Economic conditions --- Conditions économiques --- Mediaeval history - Byzantium. --- Byzantium (Empire) --- Vizantii︠a︡ --- Bajo Imperio --- Bizancjum --- Byzantinē Autokratoria --- Vyzantinon Kratos --- Vyzantinē Autokratoria --- Impero bizantino --- Bizantia --- Byzantine Empire - Civilization - 527-1081 --- Byzantine Empire - Civilization - 1081-1453 --- Byzantine Empire - Civilization - Economic conditions

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An exploration of traditional performances in the Eastern Mediterranean in the medieval and Early Modern periods. This book brings to life an impressively broad array of performances in the Eastern Mediterranean. It covers many traditional types of performance, including singers, dancers, storytellers, street performers, clowns, preachers, shadow-puppeteers, fireworks displays, and semi-theatrical performances in folk and other celebrations. It explores performance of the secular as well as of the sacred in its many forms, including Sunni, Shiite, Sufi, and Alevi Muslims; Sephardic Jews and those in the Holy Land; and Armenian, Greek, and European Catholic Christians. The book focuses on the Medieval and Early Modern periods, including the Early Ottoman. Some papers reach backward into Late Antiquity, while others demonstrate continuity with the modern Eastern Mediterranean world. The articles discuss evidence for performers and performance coming from archival sources, architectural and manuscript images, musical notation, historical and ethnographic accounts, literary works, and oral tradition. Across the broad range of issues, chronology, and geography, certain fundamental topics are central: concepts of drama and theatricality; varied definitions of ‘ performance’ and related terms; the sacred and the profane, and their frequent intersection; and complex relations between oral and written traditions.

Performing arts --- Storytelling --- Arts du spectacle --- Art de conter --- History --- Histoire --- Byzantine Empire --- Turkey --- Empire byzantin --- Turquie --- Civilization --- Civilisation --- Drama, Medieval --- History and criticism. --- Theatrical science --- performance art --- anno 500-1499 --- anno 1500-1799 --- Mediterranean countries --- Performing arts - Mediterranean Region - History - To 1500 --- Performing arts - Mediterranean Region - History - 16th century --- Performing arts - Mediterranean Region - History - 17th century --- Drama, Medieval - History and criticism. --- Byzantine Empire - Civilization - 1081-1453 --- Turkey - Civilization - 1288-1918