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This book addresses the poetics of space and place in Scottish literature. Focusing chiefly on twentieth- and twenty-first century texts, with acknowledgement of historical and philosophical contexts, the essays address representation, narrative form, the work of the poetic, perception and experience. Major genres and forms are discussed, and authors as diverse as George Mackay Brown, Kathleen Jamie, Ken McLeod and Kei Miller are presented through theoretically informed, historically contextualized close readings. Additionally considering the role of dialect and region in the poetry and fiction of modern Scotland, the volume argues for an appreciation of the cultural diversity of Scottish writers while highlighting the overarching presence of a connection between self and world, subject and place within Scottish literature.
Poetry --- English literature --- Literature --- literatuur --- poëzie --- Engelse literatuur --- Brown, George Mackay --- Miller, Kei --- Burnside, John --- Jamie, Kathleen --- MacLeod, Ken --- Schueler, Jon --- Robertson, Robin --- Leonard, Tom --- Thomson, Derick --- Stevenson, Robert L. --- Doyle, Arthur Conan --- anno 1900-1999 --- Great Britain --- Ireland
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This innovative volume establishes autofiction as a new and dynamic area of theoretical research in English. Since the term was coined by Serge Doubrovsky, autofiction has become established as a recognizable genre within the French literary pantheon. Yet unlike other areas of French theory, English-language discussion of autofiction has been relatively limited - until now. Starting out by exploring the characteristic features and definitions of autofiction from a conceptual standpoint, the collection identifies a number of cultural, historical and theoretical contexts in which the emergence of autofiction in English can be understood. In the process, it identifies what is new and distinctive about Anglophone forms of autofiction when compared to its French equivalents. These include a preoccupation with the conditions of authorship; writing after trauma; and a heightened degree of authorial self-reflexivity beyond that typically associated with postmodernism. By concluding that there is such a field as autofiction in English, it provides for the first time detailed analysis of the major works in that field and a concise historical overview of its emergence. It thus opens up new avenues in life writing and authorship research.
Philosophy --- Linguistics --- Literature --- geletterdheid --- filosofie --- literatuur --- Brooke-Rose, Christine --- Kay, Jackie --- Barry, Lynda --- Gloeckner, Phoebe --- Burnside, John --- Williams, Charlotte --- Eggers, Dave --- Kosinski, Jerzy --- O'Brien, Tim --- anno 1900-1999
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This book addresses the poetics of space and place in Scottish literature. Focusing chiefly on twentieth- and twenty-first century texts, with acknowledgement of historical and philosophical contexts, the essays address representation, narrative form, the work of the poetic, perception and experience. Major genres and forms are discussed, and authors as diverse as George Mackay Brown, Kathleen Jamie, Ken McLeod and Kei Miller are presented through theoretically informed, historically contextualized close readings. Additionally considering the role of dialect and region in the poetry and fiction of modern Scotland, the volume argues for an appreciation of the cultural diversity of Scottish writers while highlighting the overarching presence of a connection between self and world, subject and place within Scottish literature.
Poetry --- English literature --- Literature --- literatuur --- poëzie --- Engelse literatuur --- Brown, George Mackay --- Miller, Kei --- Burnside, John --- Jamie, Kathleen --- MacLeod, Ken --- Schueler, Jon --- Robertson, Robin --- Leonard, Tom --- Thomson, Derick --- Stevenson, Robert L. --- Doyle, Arthur Conan --- anno 1900-1999 --- Great Britain --- Ireland --- Literature, Modern --- Poetry. --- European literature. --- Contemporary Literature. --- Poetry and Poetics. --- European Literature.
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