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Burnett, Charles

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Burnett, Charles --- Verenigde Staten

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Christian religion --- Islam --- Esoteric sciences --- anno 500-1499 --- Magic --- Magic, Islamic --- Divination --- Civilization, Medieval. --- History. --- 09 <081 BURNETT, CHARLES> --- 091:133 --- 091 =927 --- Civilization, Medieval --- -Divination --- -Magic --- -Magic, Islamic --- -133.43094 --- 133.430902 --- Muslim magic --- Magick --- Necromancy --- Sorcery --- Spells --- Occultism --- Augury --- Soothsaying --- Worship --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- Handschriften. Oude en merkwaardige drukken. Curiosa--Verzameld werk van individuele auteurs--BURNETT, CHARLES --- Handschriften i.v.m. occulte wetenschap --- Handschriftenkunde. Handschriftencatalogi--Arabisch --- History --- Philosophy & psychology Magic and witchcraft Europe --- Philosophy & psychology Magic and witchcraft (500 - 1500) --- 091 =927 Handschriftenkunde. Handschriftencatalogi--Arabisch --- 091:133 Handschriften i.v.m. occulte wetenschap --- 09 <081 BURNETT, CHARLES> Handschriften. Oude en merkwaardige drukken. Curiosa--Verzameld werk van individuele auteurs--BURNETT, CHARLES --- Islamic magic --- 133.43094 --- Europe --- Magic [Islamic ] --- Islamic Empire --- Magic, Islamic - History. --- Divination - Europe - History. --- Divination - Islamic Empire - History. --- Adivinación --- Aufsatzsammlung. --- Christendom. --- Christentum. --- Divination. --- Islam. --- Islamic magic. --- Magia musulmana --- Magia --- Magic. --- Magie. --- Waarzeggerij. --- Geschichte 700-1500. --- Europe. --- Islamic Empire. --- Magic - Europe - History.

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A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.

film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Vogel Amos --- Greaves William --- Belson Jordan --- Peleshian Arthur --- Burnett Charles --- Kazuo Hara --- Watkins Peter --- Jacobs Ken --- Deocampo Nick --- Kaul Mani --- Baldwin Craig --- Nelson Gunvor --- Choy Christine --- Lowder Rose --- Hutton Peter --- Export Valie --- Bokanowski Patrick --- Gianikian Yervant --- Ricci Lucchi Angela --- Merhige Elias --- Mare Aline --- Smith Cauleen --- Porter John --- Montañez Ortiz Raphael --- Arnold Martin --- Potter Sally --- Jacobs Flo --- 791.43 --- Filmologie. Filmtheorie. Esthetica van de film --- Experimental films --- History and criticism.

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Que pense le cinéma contemporain d'un monde où la fiction semble parfois dépasser la réalité, et où la (prétendue) vérité par l'image fait l'objet des manipulations les plus grossières ? À l'occasion du 40e anniversaire du festival Cinéma du réal, plus de quarante cinéastes et critiques apportent leur réponse à cette question : "Qu'est-ce que le réel ?

Réalité --- Cinéma --- Philosophie et cinéma. --- Au cinéma --- Esthétique --- film --- eenentwintigste eeuww --- Williams Eduardo --- Weerasethakul Apichatpong --- Vaz Ana --- Trinh T. Minh-ha --- Stratman Deborah --- Simon Claire --- Russell BEn --- Rosi Gianfranco --- Ricci-Lucchi Angela --- Rey Nicolas --- Pereda Nicolás --- Perceval Elisabeth --- Paravel Véréna --- Neyrat Cyril --- Moullet Luc --- Minervini Roberto --- Massadian Valérie --- Martin Raya --- Mari Narimane --- Marcello Pietro --- Maddin Guy --- Klotz Nicolas --- Klein William --- Khoshnoudi Bani --- 791.41 --- 791.471 AAAA --- Kerrigan Lodge --- Joreige Khalil --- Hadjithomas Joana --- Green Eugène --- Grandrieux Philippe --- Gianvito John --- Gianikian Yervant --- Frodon Jean-Michel --- Everson Kevin Jerome --- Dumont Bruno --- Creton Pierre --- Chiha Patric --- Chessel Luc --- Castaing-Taylor Lucien --- Burnett Charles --- Brenez Nicole --- Beckermann Ruth --- Benning James --- Béghin Cyril --- Baudelaire Éric --- Atherton Claire --- realisme --- subjectiviteit --- objectiviteit --- filmtheorie --- Cinéma du réel --- Au cinéma. --- Esthétique. --- Film