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Bunka. --- Shintaizo. --- Taishu bunka --- Taishu bunka --- Rekishi --- Rekishi

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Im Januar 1989 wird in Tokio ein siebenjähriges Mädchen entführt. Fünf lange Tage versuchen die verzweifelten Eltern alles, um die Forderungen des Entführers zu erfüllen. Doch alle Bemühungen sind vergebens. Der Entführer entkommt unerkannt mit dem Lösegeld, kurz darauf wird die Leiche des Mädchens gefunden. Die Ermittlungen der Polizei laufen ins Leere. Der Fall geht unter dem Aktenzeichen 64 als ungelöstes Drama in die Kriminalgeschichte Japans ein. Vierzehn Jahre später verschwindet die Tochter von Yoshinobu Mikami, dem Pressesprecher eines kleinen Polizeireviers. Mikami, selbst Gefangener eines übermächtigen Verwaltungsapparats, stö�t kurz darauf auf ein geheimes Memo zu Fall 64. Getrieben von einer dunklen Ahnung beginnt er, auf eigene Faust zu ermitteln - und öffnet eine Tür, die besser für immer verschlossen geblieben wäre. (Quelle: buchhandel.de).

Thriller. --- Chōsen Kōgei Kenkyūkai. --- Chūkintō-Bunka-Sentā.

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Yuri manga are focused on the representation of sentimental relations between girls. Despite still being a niche within the manga landscape, the popularity of this genre in terms of number of productions and fans is increasing, and in the last few years its fame has been expanding outside Japan as well. As a manga genre, yuri developed since the mid-2000s. Notwithstanding being a novel genre, yuri narratives are deeply embedded into the heritage of the late Meiji-early Shōwa shōjo bunka (girls’ culture), and especially into the so-called “esu kankei” relationships, girl/girl bonds developing in girls’ schools at the time. The aim of this article is double-folded: from one hand, I will highlight and discuss the birth of yuri manga, analysing the re-elaboration of the heritage of shōjo bunka and its cultural productions - such as Yoshiya Nobuko’s Hana Monogatari - into the first examples of yuri manga, to demonstrate the intermediality and intertextuality of these media. On the other hand, I will map the development of yuri manga through the 2000s, stressing onto the increasing relevance given by these narratives to LGBTQ+ related themes, along with the detachment from the influence of shōjo bunka.

manga --- yuri --- lesbian --- female homosexuality --- shōjo bunka

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"The Kyoto Costume Institute recognizes the importance of understanding clothes from sociological, historical, and artistic perspectives. With one of the world's most extensive clothing collections, the KCI has amassed a wide range of historical garments, underwear, shoes, and fashion accessories dating from the 18th century to the present day. Showcasing the Institute's vast collection, Fashion is a fascinating excursion through the last three centuries of clothing trends. Featuring impeccable photography of clothing expertly displayed and arranged on custom-made mannequins, it is a testimony to attire as 'an essential manifestation of our very being' and to the Institute's passion for fashion as a complex and intricate art form."--Provided by publisher.

Costume --- Fashion --- Costume. --- Fashion. --- History --- Kyōto Fukushoku Bunka Kenkyū Zaidan --- Kyōto Fukushoku Bunka Kenkyū Zaidan.

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College presidents --- Biography --- Nishimura, Isaku, --- Bunka Gakuin --- Presidents --- Biography.