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Browning, Robert, --- Criticism and interpretation. --- Brauning, Robert, --- Bŭrauning, --- Browning, Robert
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Poets, English --- English poets --- Biography --- Browning, Robert, --- Brauning, Robert, --- Bŭrauning, --- Browning (robert), 1812-1889
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Taking an original approach to Robert Browning's poetics, Martens analyses his work in relation to Romanticism and an evolving Victorian poetic culture. She goes beyond reductive interpretations of Browning as a self-effacing poet to reveal a highly self-conscious, self-dramatising and conflicted engagement with the Romantic tradition. Martens' Browning is a poet of complex contradictions and an illuminating case study in voice, authorial authority and self-reference.
Browning, Robert, --- Brauning, Robert, --- Bŭrauning, --- Criticism and interpretation. --- Geschichte 1790-1830. --- Englisch.
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This book explores the kinds and modes with which Browning worked and describes the nature of the experiments he made, concentrating on the earlier poetry and in particular on The Ring and the Book.
Literature, Experimental --- Literary form --- Poetics --- History and criticism. --- History --- Browning, Robert, --- Brauning, Robert, --- Bŭrauning, --- Technique.
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Browning's lyrics are favourite choices for anthologies but are rarely examined closely. This is the first full-length study of the lyrics, and includes detailed analyses of such well-known poems as Love Among the Ruins, Two in the Campagna, A Serenade at the Villa, A Toccata of Galuppi's, By the Fireside, and James Lee's Wife. Eleanor Cook explores Browning's use of repeated images and themes in the lyrics, examines these patterns in other poems and in his letters, and analyses their growth and change in all his work. She demonstrates how the lyrics may be linked with Browning's other work and shows something of his essential artistic unity. His imaginary is found to be more consistent and complex than is usually assumed. Students of Browning will find this work stimulating and instructive, while lovers of Browning will read it with pure pleasure. The reader will return to many of the poems with a rciher sense of their continuing vitality. In an earlier form this study was awarded the first A.S.P. Woodhouse Prize by the University of Toronto.
Dramatic monologues --- History and criticism. --- Browning, Robert, --- Brauning, Robert, --- Bŭrauning, --- Criticism and interpretation.
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Browning, Robert, --- Criticism and interpretation --- Browning, Robert --- -ロバート・ブラウニング --- Criticism and interpretation. --- -Criticism and interpretation --- Brauning, Robert, --- Bŭrauning,
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Poets, English --- Biography --- Browning, Robert, --- Biography. --- Brauning, Robert, --- Bŭrauning, --- Poets, English - 19th century - Biography --- Browning, Robert, - 1812-1889
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Browning, Robert, --- Influence --- Criticism and interpretation --- Browning, Robert --- -Browning, Robert --- -ロバート・ブラウニング --- -Influence --- Brauning, Robert, --- Bŭrauning, --- Criticism and interpretation. --- Influence.
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Browning, Robert, --- Criticism and interpretation --- Critique et interprétation --- Browning, Robert --- -ロバート・ブラウニング --- -Criticism and interpretation --- Critique et interprétation --- Brauning, Robert, --- Bŭrauning, --- Criticism and interpretation.
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"What are the influences that shaped the language used by one of the nineteenth century's greatest writers? How did his religious beliefs, the books he owned, the paintings and music he loved, affect almost sixty years' output of poems, plays, essays, and letters?" "This book attempts to define Browning's understanding of the nature and use of words and syntax by considering not only a full range of texts from the 1833 Pauline to the 1889 Asolando, but also the ideas important to Browning, the historical context in which he lived, and the other artistic passions that played a part in his life."--Jacket
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh. --- Browning, Robert, --- Brauning, Robert, --- Bŭrauning, --- Language. --- Criticism and interpretation. --- English language --- Syntax. --- Style. --- Germanic languages
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