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What makes Italian Brutalist buildings different to their counterparts in other countries? Containing over 140 exclusive photographs--ranging from private homes to churches and cemeteries via football stadiums--across every region of the country, Brutalist Italy is the first publication to focus entirely on this subject. Architectural photographers Roberto Conte and Stefano Perego (authors of Soviet Asia) have spent the past five years traveling over 12,000 miles documenting the monumental concrete structures of their native country. Brutalism--with its minimalist aesthetic, favoring raw materials and structural elements over decorative design--has a complex relationship with Italian history. After World War II, Italian architects were keen to distance themselves from fascism, without rejecting the architectural modernism that had flourished during that era. They developed a form of contemporary architecture that engaged with traditional methods and materials, drawing on uncontaminated historical references. This plurality of pasts assimilated into new constructions is a recurring feature of the country’s Brutalist buildings, imparting to them a unique identity. From the imposing social housing of Le Vele di Scampia to the celestial Our Lady of Tears Sanctuary, Syracuse, Brutalist Italy collects the most compelling examples of this extraordinary architecture for the first time in a single volume.
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Emerging in the devastating aftermath of World War II, Brutalist architecture in Japan is characterized by its geometric shapes, functionality, and unconventional use of concrete—which is often left unfinished to showcase the material’s inherent textures and imperfections. Japanese Brutalism represented a radical departure from traditional Japanese architecture, drawing inspiration from the global Brutalist movement but incorporating unique elements that reflect Japan’s culture and history. A leading expert on Japanese Brutalism, Paul Tulett has traveled throughout the country to photograph extraordinary examples of this aesthetic. In over 200 dynamic and impeccable photographs he captures the elements and paradoxes inherent in the buildings themselves: the rawness of concrete juxtaposed with elegant design; a harmonious integration into urban landscapes; and a global, modernist approach that maintains traditional Japanese elements. Highlighting the work of architects such as Kenzo Tange, Tadao Ando, and Kazuo Shinohara, this unique volume shows how a blend of global influences and Japanese sensibilities has left an indelible mark on the architectural landscape of Japan, making Japanese Brutalism an intensely captivating and enduring style.
Brutalism (Architecture) --- Historic buildings --- Brutalism (Architecture) --- Japan --- Buildings, structures, etc.
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Architecture, Postmodern --- Brutalism (Architecture) --- Bibliography
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An unprecedented survey of more than 250 architects who continue to define one of the most polarizing yet celebrated of styles Brutalist architecture inspires a passionate response, be it adulation or contempt. There is no disputing, however, that the style produces some of the world?s most breathtaking buildings. This landmark volume documents the movement as never before, by profiling the architects behind the style. Featuring more than 250 historic and contemporary architects (organised alphabetically) along with specially selected examples of their work, this book includes international icons alongside those who are less well known or who have for too long been neglected, providing a unique record of this influential global architecture movement. The book includes 350 stunning images of more than 200 iconic Brutalist buildings, alongside fresh and surprising masterworks from 1936 to the present day, creating the ultimate companion to the Brutalist masters. Featured architects include: John Andrews; João Batista Vilanova Artigas; Lina Bo Bardi; Bogdan Bogdanovi?; Marcel Breuer; Douglas Cardinal; André-Jacques Dunoyer de Segonzac; Bertrand Goldberg; Ern? Goldfinger; Jadwiga Grabowska-Hawrylak; Agustín Hernández Navarro; John M. Johansen; Louis I. Kahn; Denys Lasdun; Le Corbusier; João da Gama Filgueiras Lima; Alberto Linner Díaz; Owen Luder; Paulo Mendes da Rocha; Oscar Niemeyer; William L. Pereira; Affonso Eduardo Reidy; Paul Rudolph; Moshe Safdie; Alison Smithson; Clorindo Testa; Decio Tozzi; and John Carl Warnecke
Brutalism (Architecture) --- Architects --- Brutalist architecture --- Neo-brutalism (Architecture) --- New brutalism (Architecture) --- Architecture, Modern --- Brutalisme --- Diepdruk --- Monument --- Gotiek --- Architectuur --- Druktechniek
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Brutalist architecture is more popular now than ever. This beautifully photographed book looks at Britain’s finest brutalist buildings from the 1950s to the 1970s, featuring imposing and dramatic public buildings—like London’s National Theatre and Liverpool’s Metropolitan Cathedral—along with lesser-known buildings such as Arlington House on Margate’s seafront, as well as houses and flats, shops, markets, town centers, and more. This book provides a fascinating overview of a postwar urban landscape, while an introduction places British brutalism within the context of global events and contemporary world architecture.
Brutalism (Architecture) --- Brutalisme (Architecture) --- History --- Historie
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Brutalism (Architecture). --- Architecture --- Composition, proportion, etc.
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Brutalism (Architecture). --- Functionalism (Architecture). --- Architecture, Italian
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Architecture --- Brutalism (Architecture). --- Concrete construction --- History
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