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Bruegel, Pieter [Younger] --- Brueghel, Pieter (de Jonge) --- Brueghel, Pieter II --- Brueghel, Pieter II.
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Brueghel, Jan, --- Brueghel, Pieter (de Jonge), --- Brueghel, Pieter (de Oude), --- Bruegel family --- Exhibitions. --- Europalia 1980.
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Een Vlaamse schildersfamilie rond 1600 - Italië - Paradijslandschappen - Helle- en onderwereldfiguren - Zeestukken - Dorps- , rivier- en uitgestrekte landschappen - Albrecht en Isabella - Bloemen, kransen en guirlandes - Bijbelse thema's - Allegorieën, spreekwoorden - Huwelijks- en boerentaferelen
Bruegel, Pieter [Younger] --- Bruegel, Jan [Elder] --- Art --- Brueghel (fam.) --- Brueghel, Jan (de Oude) --- Brueghel, Pieter (de Jonge) --- Vlaanderen --- Brueghel (familie) --- Balen, Hendrik van (I) --- 1600 --- 16de eeuw --- 17de eeuw --- Zuidelijke Nederlanden --- Breughel de Jonge, Pieter1564-1638 (°Brussel, België) --- Breughel de Oude, Jan 1568-1625 (°Brussel, België) --- Schilderkunst ; 16de en 17de eeuw ; Brueghel familie --- Tentoonstellingscatalogi ; Antwerpen ; Koninklijk Museum voor Schone Kunsten --- 75.07 --- (069) --- Pieter Breugel --- Jan Breugel --- schilderkunst --- schilders --- 75.071 --- 759.9493 --- Schilderkunst ; schilders --- (Musea. Collecties) --- Arts Painting Belgium --- Exhibitions --- Brueghel, Pieter, II --- Brueghel, Jan, the elder --- Brueghel, Pieter, II, --- Brueghel, Jan, the elder, --- Brueghel (fam.). --- Brueghel, Jan (de Oude). --- Brueghel, Pieter (de Jonge). --- Vlaanderen. --- Brueghel, Jan, --- Brueghel, Pieter (de Jonge), --- Kunst --- Bruegel, Pieter [Jongere] --- Bruegel, Jan [Oudere] --- Belgische schilders --- 75.071(493) --- Breughel de Jonge, Pieter1564-1638 (°Brussel, België) --- Breughel de Oude, Jan 1568-1625 (°Brussel, België) --- Brueghel, Pieter II --- Brueghel, Jan I --- van Balen, Hendrick I --- Brueghel, Pieter II. --- Brueghel (familie). --- Brueghel, Jan I. --- van Balen, Hendrick I. --- 1600. --- 16de eeuw. --- 17de eeuw. --- Zuidelijke Nederlanden.
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art criticism --- Painting --- kopiëren --- schilderkunst --- kunstbeschouwing --- painting [image-making] --- Art --- Bruegel, Pieter [Elder] --- Bruegel, Pieter [Younger] --- Bruegel [Family] --- Catalogues d'expositions --- Peinture --- Schilderkunst --- Tentoonstellingscatalogi --- kopieën --- technieken --- Brueghel, Pieter (de Jonge) --- 16de eeuw --- 17de eeuw --- Nederlanden --- 75 BRUEGEL --- 7.026 --- Schilderkunst--BRUEGEL --- Kunstwerken: copiëren; reproduceren; facsimile's --- Exhibitions --- 7.026 Kunstwerken: copiëren; reproduceren; facsimile's --- 75 BRUEGEL Schilderkunst--BRUEGEL --- Kunst --- schilderen [kunst] --- kunstkritiek --- replica's --- reproducties --- Bruegel [Familie] --- Bruegel, Pieter [Oudere] --- Bruegel, Pieter [Jongere] --- anno 1500-1599 --- anno 1600-1699 --- replicas --- reproductions [derivative objects] --- kunst (kopie, kopiëren) --- kunst (+ kopie, kopiëren) --- Brueghel, Pieter II --- Brueghel, Pieter II. --- 16de eeuw. --- 17de eeuw. --- Nederlanden.
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Painting --- landschappen --- Giorgione --- Dürer, Albrecht --- Altdorfer, Albrecht --- Patinir, Joachim --- Hendrik met de Bles --- Brueghel, Pieter (de Jonge) --- Gellée, Claude --- Poussin, Nicolas --- Rubens, Peter Paul --- Constable, John --- Turner, Joseph Mallord William --- Friedrich, Caspar David --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Schilderkunst ; landschappen ; geschiedenis --- Landschapsschilderkunst --- Landscape painting --- History --- Lorrain, Claude --- Brueghel, Pieter II --- landschappen. --- Giorgione. --- Dürer, Albrecht. --- Altdorfer, Albrecht. --- Patinir, Joachim. --- Hendrik met de Bles. --- Brueghel, Pieter II. --- Lorrain, Claude. --- Poussin, Nicolas. --- Rubens, Peter Paul. --- Constable, John. --- Turner, Joseph Mallord William. --- Friedrich, Caspar David. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Herri met de Bles
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underdrawings --- Painting --- Conservation. Restoration --- technical art history --- conferences --- Museology --- Belgique --- België --- Colloques --- Colloquia --- Nederland --- Pays-Bas --- Peinture --- Schilderkunst --- Painting, Renaissance --- Underdrawing --- Infrared technology --- Peinture de la Renaissance --- Dessin sous-jacent --- Rayonnement infra-rouge --- Expertising --- Congresses --- Conservation and restoration --- Congresses. --- Expertise --- Congrès --- Conservation et restauration --- Technologie --- wetenschappelijk onderzoek --- schilderijen --- conservatie --- Veken, Joseph van der --- Benson, Ambrosius --- Bouts, Albrecht --- Orley, Bernard van --- Brueghel, Pieter (de Jonge) --- Berruguete, Pedro --- Lopez, Gregorio --- Brugge --- Histoire de l'art --- Peintres --- Restauration, histoire --- Technologie, histoire --- Academic collection --- Conferences - Meetings --- Congrès --- Paintings, Renaissance --- Renaissance painting --- Drawing --- Technique --- van Orley, Bernard --- Brueghel, Pieter II --- Painting, Renaissance - Netherlands - Expertising - Congresses. --- Painting, Renaissance - Belgium - Expertising - Congresses. --- Underdrawing - Congresses. --- Infrared technology - Congresses. --- Flandre (Comté) --- Radiographie --- Attribution --- wetenschappelijk onderzoek. --- schilderijen. --- conservatie. --- Veken, Joseph van der. --- Benson, Ambrosius. --- Bouts, Albrecht. --- van Orley, Bernard. --- Brueghel, Pieter II. --- Berruguete, Pedro. --- Lopez, Gregorio. --- Bouts, Albert
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Taste is a well known but largely underestimated phenomenon. Yet it is one of the factors that has shaped our knowledge and view of art. Why is Rembrandt van Rijn today considered to be one of the greatest painters in European art while Gerard de Lairesse, Rembrandt's younger contemporary and one of the best-selling painters of his day, is now forgotten? This book is a systematic and quantitative study of taste. More specifically it focuses on the painters of the seventeenth-century Low Countries and follows the changes in consumer evaluation of them from the seventeenth century up to 2008. Proceeding from the same starting point as Gerald Reitlinger in his monumental The Economics of Taste, it uses the prices paintings have fetched at auction as a basis for tracing trends in the taste of the art-buying public. Whereas Reitlinger's approach was rather intuitive, this study develops a sound methodological basis for researching taste and auction prices. It is not only quantitative methods and properties of auction prices that require a specific approach: in historical research quantitative data and analyses are only reliable when they can also be tested against qualitative or historical sources. Based on a statistical analysis, various "universal" painters, such as Rubens and Rembrandt, are defined. In addition, however, specific genres such as landscape, portrait, history painting, and so on are analysed. In the case of eighty-three painters there is sufficient information to allow the profiling of individual price trends. But other quantitative data drawn from the examination of collections or catalogues raisonnés prove an additional source of information when compared with auction prices. This book shows what big data and statistics can mean to our understanding of art.
taste [aesthetics] --- Art auctions --- Painting, Flemish --- Painting, Netherlandish --- Data processing --- Prices --- golden age [mythology] --- Painting --- History --- prices --- art market --- auctions --- Netherlands --- Flanders --- 7.078 --- 351.852 --- 351.852 Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- Overheidstaken, administratieve maatregelen i.v.m. musea, verzamelingen, bibliotheken, archieven --- 7.078 Kunstbescherming. Kunstbevordering --- Kunstbescherming. Kunstbevordering --- economische geschiedenis --- genres --- kunsthandel --- veilingen --- Bakhuizen, Ludolf --- Berchem, Nicolaes Pietersz --- Brouwer, Adriaen --- Brueghel, Jan (de Oude) --- Brueghel, Pieter (de Jonge) --- Craesbeeck, Joos van --- De Lairesse, Gérard --- Dou, Gerrit --- Jordaens, Jacob --- Laer, Pieter van --- Miel, Jan --- Mieris, Frans van (de Oude) --- Ostade, Adriaen van --- Palamedesz., Palamedes (I) --- Rembrandt van Rijn --- Rijckaert, David (III) --- Rubens, Peter Paul --- Snayers, Peter --- Teniers, David (II) --- Van Dyck, Anthony --- Van Poelenburgh, Cornelis --- Wouwerman, Philips --- 17de eeuw --- Noordelijke Nederlanden --- Vlaanderen --- Zuidelijke Nederlanden --- van Dyck, Anthony --- van Poelenburgh, Cornelis --- de Lairesse, Gérard --- van Craesbeeck, Joos --- van Ostade, Adriaen --- van Mieris, Frans (de Oude) --- Rembrandt --- Brueghel, Jan I --- Brueghel, Pieter II --- kunsthandel. --- economische geschiedenis. --- veilingen. --- genres. --- Rubens, Peter Paul. --- Rembrandt. --- van Dyck, Anthony. --- Teniers, David II. --- Bakhuizen, Ludolf. --- Berchem, Nicolaes. --- Wouwerman, Philips. --- van Poelenburgh, Cornelis. --- Brueghel, Jan I. --- Jordaens, Jacob. --- de Lairesse, Gérard. --- Brouwer, Adriaen. --- van Craesbeeck, Joos. --- Brueghel, Pieter II. --- Rijckaert, David (III). --- van Ostade, Adriaen. --- Dou, Gerrit. --- van Mieris, Frans (de Oude). --- Snayers, Peter. --- Palamedesz., Palamedes (I). --- Laer, Pieter van. --- Miel, Jan. --- 17de eeuw. --- Noordelijke Nederlanden. --- Vlaanderen. --- Zuidelijke Nederlanden. --- auctions [sales events] --- Hollandse school --- receptiegeschiedenis --- Vlaamse school --- schilderkunst, Nederlanden --- Teniers, David II --- Berchem, Nicolaes --- Dou, Gerard
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This book aims at explaining the phenomenon from a technical point of view, while also taking into account the historical and economic background. In addition to the wealth of new findings on the son's copies, crucial discoveries were made regarding Bruegel the Elder's painting technique, leading to a new perception of his working practice.
Painting --- Artists' studios --- Genre painting --- Peinture --- Ateliers d'artiste --- Peinture de genre --- Copying --- Technique --- Copie --- Bruegel, Pieter, --- copies [derivative objects] --- Bruegel, Pieter [Younger] --- kopieën --- Brueghel, Pieter (de Jonge) --- Cleve, Marten van (I) --- Brueghel, Peeter, --- Brueghel --- 759.94931 --- Dutch painting --- Copying. --- Arts Painting Belgium Flanders --- Breughel, Pieter, --- Painting, Dutch --- Technique. --- Criticism and interpretation. --- Bruegel, Pieter --- Bolugaier --- Breĭgelʹ, Piter --- Brʹogel, Piter --- Broigel, Peṭer --- Bruegel, Pierre --- Bruegel, --- Brueghel, Pieter --- Bryūgeru, Pītā --- Po-lu-kai-erh --- Bruegel, Pieter [Elder] --- techniek --- Brueghel, Pieter (de Oude) --- 16de eeuw --- 17de eeuw --- Breughel, Pieter --- Breugel, Pieter --- Bolugaier, --- Breĭgelʹ, Piter, --- Brʹogel, Piter, --- Broigel, Peṭer, --- Breughel de Oude, Pieter --- Bruegel, Pierre, --- Brueghel, Pieter, --- Bryūgeru, Pītā, --- Po-lu-kai-erh, --- ברויגל, פיטר --- Breughel, Pieter de Jongere --- kunst (kopie, kopiëren) --- van Cleve, Marten I --- kunst (+ kopie, kopiëren) --- Brueghel, Pieter II --- Bruegel, Pieter, - ca. 1525-1569 --- Brueghel, Peeter, - the elder, - ca.1525-1569 --- Bruegel, Pieter, - ca. 1564-1637/38 --- Brueghel, Peeter, - the young, - ca.1564-1637/38 --- Brueghel (famille) --- Conservation et restauration --- techniek. --- kunst (+ kopie, kopiëren). --- Bruegel, Pieter I. --- Brueghel, Pieter II. --- van Cleve, Marten I. --- 16de eeuw. --- 17de eeuw. --- Bruegel, Pieter I
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