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"Cecily Brown creates lush, visceral canvases based on a combination of figuration and abstraction. Her technical proficiency has earned her comparisons to Lucian Freud, Willem de Kooning, and Francis Bacon, yet it is her unique ability to convey the pleasurable and fleeting aspects of sensation that drive her work." "Cecily Brown rapidly rose to success in the late 1990's, and was credited with having contributed to the resurgence of painting at the turn of the millennium. With a visual repertoire indebted as much to the classical themes of the old masters as to porn magazines and Hollywood films, Brown's paintings challenge traditional interpretations and compel us to reconsider the act of painting from a decidedly feminine viewpoint."--Jacket.
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Cecily Brown is a British-born, New York-based artist who rose to prominence in the late 1990s. Originally influenced by Cubism and Abstract Expressionism, Brown has over the years developed her unique voice, which investigates the sensual qualities of oil paint and portraiture through a satirizing and celebratory process inspired both by abstraction and realism. Gentle and yet forceful, Brown's exuberant brushwork, rich palette, intense energy, and black humor have redefined some of painting's historical canons.
Peinture --- Art abstrait --- Brown, Cecily, --- Criticism and interpretation --- Painting --- hedendaagse kunst --- Brown, Cecily --- kunst --- eenentwintigste eeuw --- twintigste eeuw --- 75.071 BROWN --- schilderkunst --- Verenigde Staten --- Brown Cecily --- Groot-Brittannië --- Criticism and interpretation. --- Expressionnisme abstrait --- Brown, Cecily, - 1969- - Criticism and interpretation --- Brown, Cecily, 1969 --- -kunst --- Abstracte schilderkunst ; 21ste eeuw --- Thema's in de schilderkunst ; de vrouw --- Schilderkunst ; 20ste eeuw ; Abstract Expressionisme --- Schilderkunst ; 21ste eeuw --- Brown, Cecily °1969 (°Londen, Groot-Brittannië) --- 75.07 --- Schilderkunst ; schilders A-Z --- -Brown, Cecily, - 1969 --- -Art abstrait --- -Painting
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The authors of After the Revolution return with an incisive study of the work of contemporary women artists.In After the Revolution, the authors concluded that "The battles may not all have been won . . . but barricades are gradually coming down, and work proceeds on all fronts in glorious profusion." Now, with The Reckoning, authors Heartney, Posner, Princenthal, and Scott bring into focus the accomplishments of 24 acclaimed international women artists born since 1960 who have benefited from the groundbreaking efforts of their predecessors. The book is organized in four thematic sections: "Bad Girls" profiles artists whose work represents an assault on conventional notions of gender and racial difference. "History Lessons" offers reflections on the self in the context of history and globalization. "Spellbound" focuses on womens embrace of the irrational, subjective, and surreal, while "Domestic Disturbances" takes on women's conflicted relationship to home, family, and security. Written in lively prose and fully illustrated throughout, this book gives an informed account of the wonderful diversity of recent contemporary art by women.
Art --- video recordings --- installations [visual works] --- painting [image-making] --- photography [process] --- sculpting --- Brown, Cecily --- Bartana, Yael --- Antoni, Janine --- Kozyra, Katarzyna --- Wilson, Jane --- Bruguera, Tania --- Cao Fei --- Hayes, Sharon --- Lidén, Klara --- Lou, Liza --- Margolles, Teresa --- Mutu, Wangechi --- Rottenberg, Mika --- Yuskavage, Lisa --- Gilmore, Kate --- Kurland, Justine --- Emin, Tracey --- Rist, Pipilotti --- Walker, Kara --- Amer, Ghada --- Opie, Catherine --- Zittel, Andrea --- Mehretu, Julie --- Djurberg, Nathalie --- anno 2000-2099 --- Kunsten --- Vrouwen --- Kunst --- Vrouw --- Ondernemerschap --- Poëzie --- Walker, Kara °1969 (°Stockton, California, Verenigde Staten) --- Mehretu, Julie °1970 (° Addis Abeba, Ethiopië; woont en werkt in New York) --- Zittel, Andrea °1965 (°Escondido, Ca., Verenigde Staten) --- Rist, Pipilotti (volledige naam Elisabeth Charlotte Rist) (Grabs, 21 juni 1962) --- Mutu, Wangechi °1972 (°Nairobi, Kenia). Woont en werkt in New York --- Emin, Tracey °1963 (°Londen, Groot-Brittannië) --- Brown, Cecily °1969 (°Londen, Groot-Brittannië) --- Beeldende kunst ; vrouwelijke kunstenaars ; 21ste eeuw --- Vrouwelijke kunstenaars ; 20ste en 21ste eeuw --- 7.039 --- Kunstgeschiedenis ; 2000 - 2050 --- video recordings [physical artifacts] --- vrouwelijke kunstenaar
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essay by Dick Price --- kunst --- twintigste eeuw --- schilderkunst --- beeldhouwkunst --- installaties --- Saatchi --- Saatchi Gallery --- Groot-Brittannië --- new neurotic realism --- Gontarski Steven --- Griffiths Brian Cyril --- Hiorns Roger --- Hosking Mark --- Mueck Ron --- Noble Tim --- Webster Sue --- Schlaegel Andreas --- Takayashi Tomoko --- Wilson Keith --- Gottelier Luke --- HunterTom --- Jones Sarah --- Liebmann Katia --- Smith Paul --- Starkey Hannah --- Brooks Jason --- Brown Cecily --- Coombs Daniel --- Chalmers Victoria --- Dalwood Dexter --- Davies Peter --- Hays Dan --- Hoberman Nicky --- Joffe Chantal --- Larsson Felicia --- Maloney Martin --- Maughan Karl --- Raedecker Michael --- Reynolds Richard --- Snell Rosie --- Spencer Johnny --- Thorpe David --- 7.038 --- Art, British --- Art, Modern --- Realism in art
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Spanning a century, this beautifully illustrated history encompasses a diverse but related group of painters, mostly based in London, who focused on the depiction of the human figure and the everyday landscape they inhabited. Despite their great differences, these artists all shared a similarly intense and scrutinizing gaze, and remained loyal to their pursuit of using paint to capture intimate and powerful representations of reality. Focusing on painters active in the second half of the twentieth century (including Michael Andrews, Frank Auerbach, R.B. Kitaj, Leon Kossoff, Paula Rego, F.N. Souza and Euan Uglow) the book begins by looking at their predecessors, who set a new path for portraying an intimate, subjective and tangible reality artists such as Walter Richard Sickert, David Bomberg, Alberto Giacometti, Chaïm Soutine, Stanley Spencer and William Coldstream. It addresses the relationship between image-making, painting and photography, and also features works by contemporary artists such as Jenny Saville, Cecily Brown and Lynette Yiadom-Boakye, artists who paint figures in a manner that feels true to their personal experience of life.
portretschilderkunst --- Painting --- portraits --- anno 2000-2009 --- anno 1900-1999 --- England --- Bacon, F. --- Freud, L. --- Slade School of Fine Art (Londen) --- dagelijks leven --- identiteit --- menselijk lichaam --- modernisme --- Andrews, Michael --- Auerbach, Frank --- Bacon, Francis --- Bomberg, David --- Coldstream, William --- Deakin, John --- Freud, Lucian --- Giacometti, Alberto --- Kitaj, Ronald B. --- Kossoff, Leon --- Rego, Paula --- Souza, Francis Newton --- 20ste eeuw --- Groot-Brittannië --- identity --- human figures [visual works] --- Brown, Cecily --- Yiadom-Boakye, Lynette --- Newton Souza, Francis --- Saville, Jenny --- modernisme. --- Slade School of Fine Art (Londen). --- identiteit. --- menselijk lichaam. --- dagelijks leven. --- Bacon, Francis. --- Freud, Lucian. --- Souza, Francis Newton. --- Giacometti, Alberto. --- Coldstream, William. --- Bomberg, David. --- Auerbach, Frank. --- Kossoff, Leon. --- Deakin, John. --- Andrews, Michael. --- Rego, Paula. --- 20ste eeuw. --- Groot-Brittannië.
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Women artists brings together thirty essential essays from throughout Linda Nochlin's career, including two written specially for this book, making this the definitive anthology of her writing about women in art.
sexuality --- women [female humans] --- feminism --- art history --- Art --- Kozloff, Joyce --- Kass, Deborah --- Brown, Cecily --- Gilje, Kathleen --- Graves, Nancy --- Lucas, Sarah --- Taylor-Wood, Sam --- Sleigh, Sylvia --- Cassatt, Mary --- Schapiro, Miriam --- Yanagi, Miwa --- Bourgeois, Louise --- Morisot, Berthe Marie Pauline --- Saville, Jenny --- Frank, Natalie --- Frank, Mary --- Mitchell, Joan --- Lou, Liza --- Stettheimer, Florine --- Neel, Alice --- Smith, Kiki --- Calle, Sophie --- Altfest, Ellen --- anno 2000-2099 --- anno 1900-1999 --- anno 1800-1899 --- vrouwelijke kunstenaars --- kunstkritiek --- feminisme --- Nochlin, Linda --- Zuka --- Morisot, Berthe --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- 7.01 --- Vrouwelijke kunstenaars ; 20ste en 21ste eeuw ; 1970-2007 --- Kunst ; van vrouwen ; 20ste en 21ste eeuw --- Kunst ; theorie, filosofie, esthetica --- Women artists. --- Nochlin, Linda, --- Nochlin, Linda. --- Women art historians --- Women artists --- Feminism in art --- Attitudes. --- History. --- Attitudes --- Social conditions. --- vrouwelijke kunstenaars. --- kunstkritiek. --- feminisme. --- Schapiro, Miriam. --- Zuka. --- Stettheimer, Florine. --- Graves, Nancy. --- Morisot, Berthe. --- Kozloff, Joyce. --- Cassatt, Mary. --- Sleigh, Sylvia. --- Kass, Deborah. --- Saville, Jenny. --- Frank, Mary. --- Gilje, Kathleen. --- Mitchell, Joan. --- Taylor-Wood, Sam. --- Neel, Alice. --- Smith, Kiki. --- Lucas, Sarah. --- Brown, Cecily. --- Lou, Liza. --- Yanagi, Miwa. --- Bourgeois, Louise. --- Calle, Sophie. --- Altfest, Ellen. --- Frank, Natalie. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw. --- lichaam (van de mens) --- vrouwelijke kunstenaar --- Feminism --- Artists --- Art history --- Art criticism --- Reference work --- Visual arts --- Biographical details --- Book --- Femmes artistes.
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