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Radio still remains an important form of media, with millions listening to it daily. It has been reborn for the digital era, and is an area where there is great interest in its development, role and form. Attempting to fill the gap in research on British radio criticism, this volume explores the development and role of radio criticism in the discourse around radio in Britain from its birth in the 1920s up to present day. Using a historical approach to explore how, as radio emerged, the press provided coverage which helped shape and reflect radio’s position in popular culture, Paul Rixon delivers an interesting and engaging exploration that provides a cultural perspective on radio, with a specific focus on newspaper criticism. Radio Critics and Popular Culture is an innovative and original addition to existing research and will be invaluable for those interested in the way that British radio has evolved.
Radio broadcasting --- History. --- Journalism. --- Ethnology-Europe. --- British Culture. --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Ethnology—Europe.
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“Stephen Glynn has a thoroughbred pedigree in the field of sport in British cinema, and The British Horseracing Film is an odds-on favourite to be another winner. Written with verve and vigour, this gallop through a hitherto unknown subject is also good fun to read. I recommend all film and turf enthusiasts to take a punt.” —James Chapman, Professor of Film Studies at the University of Leicester, UK, and editor of the Historical Journal of Film, Radio and Television This book constitutes the first full volume dedicated to an academic analysis of horseracing in British cinema. Through comprehensive contextual histories of film production and reception, together with detailed textual analysis, this book explores the aesthetic and emotive power of the enduringly popular horseracing genre, its ideologically-inflected landscape and the ways in which horse owners and riders, bookmakers and punters have been represented on British screen. The films discussed span from the 1890s to the present day and include silent shorts, quota quickies and big-budget biopics. A work of social and film history, The British Horseracing Film demonstrates how the so-called “sport of kings” functions as an accessible institutional structure through which to explore cinematic discussions about the British nation—but also, and equally, national approaches to British cinema. .
Motion pictures --- Motion pictures—Great Britain. --- Ethnology—Europe. --- British Cinema and TV. --- British Culture.
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This collection of essays highlights the variety of 1970's culture, and shows how it responded to the transformations that were taking place in that most elusive of decades. The 1970's was a period of extraordinary change on the social, sexual and political fronts. Moreover, the culture of the period was revolutionary in a number of ways; it was sometimes florid, innovatory, risk-taking and occasionally awkward and inconsistent. The essays collected here reflect this diversity and analyse many...
Nineteen seventies. --- Geschichte 1970-1980 --- Great Britain --- Civilization --- British culture --- Culture --- Society
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church --- religion --- British culture --- gender issues --- the sexual revolution --- moral change --- censorship --- entertainment
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This book highlights the changing dynamics of Muslim identity and integration in Britain, focusing on the post-9/11 era. Historically, Muslims faced discrimination based on ethnicity rather than religion. However, contemporary discrimination against Muslims is rooted in different reasons, with events like the Rushdie affair significantly impacting multicultural relations. This study analyzes the evolving multicultural landscape in Britain, exploring the shift from predominantly assimilationist policies to a more mutual process of integration. It delves into the emergence of interfaith dialogue as well as the complexities surrounding the intersection of race, religion, gender, and identity. The research examines two key themes: the discursive positioning of Islam beyond integration and terrorism narratives, and the operationalization of identity by Muslims in various contexts. The study employs empirical methods and cultural studies theories to understand how individual and social practices intersect in this context. By doing so, it contributes to Islamic studies, socio-political studies, and cultural studies, shedding light on the discourses that shape and are shaped by Muslim lives in Britain. The analysis encompasses diverse perspectives, from macro-level societal discourses to micro-level individual actions, thus providing a comprehensive exploration of the multifaceted experiences of Muslims in Britain.
Religion and sociology. --- Ethnology --- Culture. --- Islam. --- Sociology of Religion. --- British Culture. --- Great Britain.
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This Pivot explores the cultural economy of comedy in the UK, looking specifically at the links between industry practices and structures and who produces comedy in the UK. The research is based on interviews with comedians in the East Midlands; significantly, this demographic has been historically under-researched in studies of precarity, where the East Midlands is typically overlooked in discussions of arts funding and access in favour of a more simplistic north/south divide narrative. Similarly, whilst there has been increased discussion of the precarity of the creative and cultural industries, as well as media articles on the difficulty of breaking into comedy as a member of a marginalised group, there has been relatively little academic research to support this. While Friedman’s work in particular has been helpful for understanding the link between comedy producers, class and taste making, there has been less attention paid to the sociologies of work within comedy. This book fills these gaps in research by exploring the experiences of comedians in the East Midlands, contributing to the rich body of scholarship on inequality in the cultural industries and promoting a better understanding of the impact of structural inequalities and precarity on access to the cultural industries. .
Comedians --- Stand-up comedy --- Comedy. --- Ethnology --- Culture. --- Comedy Studies. --- British Culture. --- Great Britain.
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This book explores the genesis of armorial porcelain manufacture in Britain. While heraldic devices began appearing on Chinese porcelain from the sixteenth century onwards, armorials did not appear on British porcelain until the 1750s. It examines the development of porcelain in China and traces its introduction to Western Europe. The book delves into the market for armorial porcelains, from the early commissioning of Chinese armorial porcelainware to the establishment of manufactories in England capable of producing armorial porcelain. It also discusses the reasons behind the timing of armorial porcelain's manufacture in Britain. Additionally, it assesses armorial porcelain as a contemporary historical source. Building upon previous research by the authors, the book presents armorial porcelain as a distinct and highly personalized product. By integrating detailed genealogical research, cultural insights, and chemical analysis, it offers a comprehensive understanding of armorial porcelain within the context of heritage, culture, and science. .
Ceramic materials. --- Cultural property. --- Ethnology --- Culture. --- Analytical chemistry. --- Ceramics. --- Cultural Heritage. --- British Culture. --- Analytical Chemistry. --- Great Britain.
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‘Terence Rattigan was among the most successful British playwrights of the modern era – a master of comedy as well as tragedy. He is so incredibly good it should come as no surprise that a significant revival has been underway for some time. In fact, Rattigan has been slowly achieving a permanent place of esteem in the essential repertoire of twentieth century dramatists. And that place will be bolstered by this brilliant comprehensive study of the playwright’s art by John A. Bertolini. His book is a pleasure to read: elegantly written, persistently intelligent, and lucid, and it does exactly what it promises: makes a case for Rattigan.’ - Jay Parini, D.E.Axinn Professor of English, Middlebury College, USA This book asserts the extraordinary quality of mid-twentieth century playwright Terence Rattigan’s dramatic art and its basis in his use of subtext, implication, and understatement. By discussing every play in chronological order, the book also articulates the trajectory of Rattigan’s darkening vision of the human potential for happiness from his earlier comedies through his final plays in which death appears as a longed for peace. New here is the exploration through close analysis of Rattigan’s style of writing dialogue and speeches, and how that style expresses Rattigan’s sense of life. Likewise, the book newly examines how Rattigan draws on sources in Greek and Roman history, literature, and myth, as well as how he invites comparison with the work of other playwrights, especially Bernard Shaw and Shakespeare. It will appeal broadly to college and university students studying dramatic literature, but also and especially to actors and directors, and the play-going, play-reading public.
Culture --- Ethnology --- Theater --- Cultural and Media Studies. --- Theatre History. --- British Culture. --- Study and teaching. --- Europe. --- History. --- Rattigan, Terence. --- Cultural studies --- Theater-History. --- Ethnology-Europe. --- Theater—History. --- Ethnology—Europe.
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This open access book provides a detailed exploration of the British media coverage of the press reform debate that arose from the News of the World phone hacking scandal and the Leveson Inquiry. Gathering data from a content analysis of 870 news articles, Ogbebor shows how journalists cover debates on media policy and illustrates the impact of their coverage on democracy. Through this analysis, the book contributes to knowledge of paradigm repair strategies; public sphere; gatekeeping theory; the concept of journalism as an interpretive community; political economy of the press; as well as the neoliberal and social democratic interpretations of press freedom. Providing insight into factors inhibiting and aiding the role of the news media as a democratic public sphere, it will be a valuable resource for the press, media reform activists, members of the public, and academics in the fields of journalism, politics and law.
Journalism. --- Ethnology—Europe. --- Mass media—Political aspects. --- British Culture. --- Media Policy. --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Journalism --- British Culture --- Media Policy --- Media Policy and Politics --- Leveson Inquiry --- News of the World --- Phone hacking --- Phone hacking scandal --- Media policy --- Media and democracy --- Journalistic metadiscourse --- open access --- Media studies: Journalism --- Media, entertainment, information & communication industries --- Cultural studies --- Media studies
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This book constitutes the first full volume dedicated to an academic analysis of British football as depicted on film. From early single-camera silents to its current multi-screen mediations, the repeated treatment of football in British cinema points to the game’s importance not only in the everyday rhythms of national life but also, and especially, its immutable place in the British imaginary landscape. Through close textual analysis together with production and reception histories, this book explores the ways in which professional footballers, amateur players and supporters (the devoted and the demonized) have been represented on the British screen. As well as addressing the joys and sorrows the game necessarily engenders, British football is shown to function as an accessible structure to explore wider issues such as class, race, gender and even the whole notion of ‘Britishness’. .
Soccer in motion pictures. --- Motion pictures --- Motion pictures-Great Britain. --- Ethnology-Europe. --- Sports-Sociological aspects. --- British Cinema and TV. --- British Culture. --- Sociology of Sport and Leisure. --- Motion pictures—Great Britain. --- Ethnology—Europe. --- Sports—Sociological aspects.
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