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Celebrated as an actress on the London stage (1776-80) and notorious as the mistress of the Prince of Wales (1779-80), Mary Darby Robinson had to write to support herself from the mid-1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge.

Gothic fiction (Literary genre), English --- History and criticism. --- Robinson, Mary, --- Criticism and interpretation. --- English gothic fiction (Literary genre) --- English fiction --- Perdita, --- Robinson, Perdita, --- Robinson, --- Friend to humanity, --- Laura Maria, --- Robinson, M. --- Juvenal, Horace, --- Randall, Anne Frances, --- Bramble, Tabitha, --- Robbinson,

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This book explores how the publication of women's life writing influenced the reputation of its writers and of the genre itself during the long nineteenth century. It provides case studies of Frances Burney, Mary Wollstonecraft, Mary Robinson and Mary Hays, four writers whose names were caught up in debates about the moral and literary respectability of publishing the 'private'. Focusing on gender, genre and authorship, this study examines key works of life writing by and about these women, and the reception of these texts. It argues for the importance of life writing--a crucial site of affective and imaginative identification--in shaping authorial reputation and afterlife. The book ultimately constructs a fuller picture of the literary field in the long nineteenth century and the role of women writers and their life writing within it.

Women in literature. --- Women and literature --- English literature --- British literature --- Inklings (Group of writers) --- Nonsense Club (Group of writers) --- Order of the Fancy (Group of writers) --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- History --- History and cricitism. --- Women authors --- Hays, Mary, --- Robinson, Mary, --- Wollstonecraft, Mary, --- Burney, Fanny, --- Criticism and interpretation. --- Perdita, --- Robinson, Perdita, --- Robinson, --- Friend to humanity, --- Laura Maria, --- Robinson, M. --- Juvenal, Horace, --- Randall, Anne Frances, --- Bramble, Tabitha, --- Robbinson, --- Arblay, --- D'Arblay, --- Burneĭ, --- Bi︠u︡rneĭ, --- Burney, Frances, --- D'Arblay, Fanny, --- D'Arblay, Frances Burney, --- Arblay, Frances Burney d', --- Author of Evelina, --- Evelina, Author of, --- Author of Evelina and Cecilia, --- Evelina and Cecilia, Author of, --- Author of Camilla, --- Camilla, Author of, --- Wood, --- Burney, Frances Anne, --- Wollstonecraft, Mary --- Cresswick, --- Godwin, Mary Wollstonecraft, --- authorship. --- auto/biography. --- celebrity. --- genre. --- life writing. --- literary afterlife. --- nineteenth century. --- reception. --- reputation. --- self-fashioning.