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Brainard, Joe

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"Joe Brainard's I Remember is a literary and artistic cult classic, praised and admired by writers from Paul Auster to John Ashery and Edmund White. As autobiography, Brainard's method was brilliantly simple: to set down specific memories as they rose to the surface of his consciousness, each prefaced by the refrain "I remember": "I remember when I thought that if you did anything bad, policemen would put you in jail." Brainard's enduring gem of a book has been issued in various forms over the past thirty years ..."--Publisher description.

Authors, American --- Artists --- Memory --- Brainard, Joe, --- Childhood and youth. --- United States --- Social life and customs

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Criminal Ingenuity offers both a history and a theory of the conflicted relation between poetry and painting in high and mid-century modernism, focusing on figures like T.S. Eliot, Clement Greenberg, Marianne Moore, John Ashbery and Joseph Cornell.

Art and society --- Literature and society --- History --- Moore, Marianne, --- Ashbery, John, --- Cornell, Joseph --- Brainard, Joe, --- Criticism and interpretation. --- Moore, Marianne --- Criticism and interpretation --- Ashbery, John Lawrence --- Brainard, Joe --- United States --- 20th century --- 21st century --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Kōneru, Jozefu --- Moore, Marianne Craig, --- Art et société --- Littérature et société --- États-Unis --- 20e siècle --- Histoire --- 21e siècle

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Examines the multiple angles of the avant-garde poetry and art of Joe Brainard Joe Brainard’s work occupies the literal margins of New York school poetry, while also figuratively influencing its aesthetic margins, shaping the school from both within and without. Brainard was not only an important illustrator and friend to many New York school poets, he was also a respected collage artist, miniature artist, cartoonist, avid letter writer and serious poet. As the canon of avant-garde American poetry warmly embraces his poetry alongside his art, the field of literary criticism is freshly responding with enthusiasm to Brainard’s literary contribution with sophisticated scholarship and first-hand accounts which attend to both his textual and visual nuances. This collection offers the first place for the importance of Brainard’s poetry, collaborations and art to be recognised for their contribution and influence, all in one place.Key FeaturesFeatures series of established and new voices in contemporary American poetrySelected essays all focus on writing but transgress disciplinary lines to also incorporate consideration of Brainard’s visual practice at the same timeSuggests Brainard’s work informingly lined, bound , and shaped the poetics of American avant-gardeShifts critical attention to Brainard’s writing (while also attending to his well known comics and collages)Offers further analysis of Brainard’s art and work as uniquely queer in aesthetic practice

Brainard, Joe, --- Criticism and interpretation. --- Artistic collaboration --- Arts, American --- Collage, American --- Experimental poetry, American --- New York school of art. --- ART / American / General. --- History. --- History and criticism. --- New York School --- Art, American --- American experimental poetry --- American poetry --- American collage --- American arts --- Collaboration, Artistic --- Creation (Literary, artistic, etc.) --- Group work in art

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012 ROSENBLUM, ROBERT --- 7.038(7/8) --- 7.01 --- Dada --- Kunsttheorie ; Robert Rosenblum over Amerikaanse kunst --- Beeldende kunst ; Verenigde Staten ; 20ste eeuw --- Gorky, Arshile --- Pollock, Jackson --- De Kooning, Willem --- Rothko, Mark --- Wyeth, Andrew --- Morris, Louis --- Nevelson, Louise --- Bishop, James --- Twombly, Cy --- Johns, Jasper --- Stella, Frank --- Pop-Art --- Lichtenstein, Roy --- Warhol, Andy --- Lewitt, Sol --- Flavin, Dan --- Katz, Alex --- Segal, George --- Brainard, Joe --- Koons, Jeff --- Fischl, Eric --- Salle, David --- Starn, Mike en Doug --- Moskowitz, Robert --- Bibliografie van bepaalde auteur--NAAM--ROSENBLUM, ROBERT --- Kunstgeschiedenis ; 1950 - 2000 ; Amerika --- Kunst ; theorie, filosofie, esthetica --- Modern [style or period] --- Art --- moderne kunst --- anno 1900-1999 --- United States --- Art, American --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- United States of America