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Dans une société où la lecture, source de questionnement et de réflexion, est considérée comme un acte antisocial, un corps spécial de pompiers est chargé de brûler tous les livres dont la détention est interdite pour le bien collectif. Montag, le pompier pyromane, se met pourtant à rêver d'un monde différent qui ne bannirait pas la littérature et l'imaginaire au profit d'un bonheur immédiatement consommable. Il devient dès lors un dangereux criminel, impitoyablement pourchassé par une société qui désavoue son passé.
Littérature --- Roman --- Bradbury, Ray
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Detailing the adventures of a supernatural clan of vampires, witches, and assorted monstrosities, Ray Bradbury's Elliott family stories are a unique component of his extensive literary output. Written between 1946 and 1994, Bradbury eventually quilted the stories together into a novel, From the Dust Returned (2001), making it a creative project that spanned his adult life. Not only do the stories focus on a single familial unit, engaging with overlapping twentieth-century themes of family, identity and belonging, they were also unique in their time, interrogating post-war American ideologies of domestic unity while reinventing and softening gothic horror for the Baby Boomer generation. Centred around diverse interpretations of the Elliott Family stories, this collection of critical essays recovers the Elliotts for academic purposes by exploring how they form a collective gothic mythos while ranging across distinct themes. Essays included discuss the diverse ways in which the Elliott stories pose questions about difference and Otherness in America; engage with issues of gender, sexuality, and adolescence; and interrogate complex discourses surrounding history, identity, community, and the fantasy of family.
Supernatural in literature. --- Bradbury, Ray, --- Criticism and interpretation.
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Revision of thesis - University of Massachusets, 1981.
Fantasy fiction, American --- Science fiction, American --- Reader-response criticism --- History and criticism --- Bradbury, Ray, --- Bradbury, Ray --- Criticism and interpretation.
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As much as any individual, Ray Bradbury brought science fiction's ideas into the mainstream. Yet he transcended the genre in both form and popularity, using its trappings to explore timely social concerns and the kaleidoscope of human experience while in the process becoming one of America's most beloved authors. David Seed follows Bradbury's long career from the early short story masterpieces through his work in a wide variety of broadcast and film genres to the influential cultural commentary he spread via essays, speeches, and interviews.
Bradbury, Ray --- Criticism and interpretation --- Bradbury, Ray, --- Elliott, William, --- Bradbury, Raymond Douglas, --- Brėdberi, Rėĭ, --- Bredbëri, Rej, --- Брэдбери, Рэй, --- ברדבורי, ריי, --- Criticism and interpretation.
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Horror films --- History and criticism. --- History and criticism --- Bradbury, Ray --- Criticism and interpretation --- Matheson, Richard --- Arnold, Jack --- Bloch, Robert
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Celebrated storyteller, cultural commentator, friend of astronauts, prophet of the Space Age - by the end of the 1960s, Ray Bradbury had attained a level of fame and success rarely achieved by authors, let alone authors of science fiction and fantasy. He had also embarked on a phase of his career that found him exploring new creative outlets while reinterpreting his classic tales for generations of new fans. Drawing on numerous interviews with Bradbury and privileged access to personal papers and private collections, Jonathan R. Eller examines the often overlooked second half of Bradbury's working life.
Authors, American --- Bradbury, Ray, --- Elliott, William, --- Bradbury, Raymond Douglas, --- Brėdberi, Rėĭ, --- Bredbëri, Rej, --- Брэдбери, Рэй, --- ברדבורי, ריי,
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