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Book
Jérôme Bosch: par delà l'envers et l'endroit
Author:
ISBN: 2729101543 9782729101541 Year: 1984 Publisher: Paris La Différence


Book
Les chardons et la petite tortue ou Le jardin des délices de Jérôme Bosch décrypté
Author:
ISBN: 2203607017 9782203607019 Year: 1992 Publisher: Tournai: Casterman,


Book
Hieronymus Bosch : "Le jardin des délices" / Hans Belting ; traduit de l'allemand par Pierre Rusch
Authors: ---
ISBN: 2070118231 9782070118236 Year: 2005 Publisher: Paris: Gallimard,


Book
Au cœur de la violence, Jérôme Bosch : Le portement de croix de Gand
Authors: ---
ISBN: 2728908567 9782728908561 Year: 1998 Publisher: [Paris]: Mame,


Book
Jérôme Bosch
Authors: ---
ISBN: 2804605442 9782804605445 Year: 2001 Volume: *30 Publisher: Tournai: La renaissance du livre,


Book
The land of unlikeness : Hieronymus Bosch, The garden of delights
Author:
ISBN: 9789040077678 9040077673 Year: 2011 Publisher: Zwolle: Waanders,

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Abstract

Hieronymus Bosch painted The garden of earthly delight shortly before 1500. The unique late medieval pictorial language that he used has always raised many questions and diverse interpretations. About the precise meaning of the many details there is until today no consensus. Reindert Falkenburg reads The garden of earthly delight from the point of view of possible commisioners and their world view. This reading presents a fascinating interpretation of the cultural climate in which this painting could be painted.


Book
Art as history, history as art : Jheronimus Bosch and Pieter Bruegel the Elder : assembling knowledge, not setting puzzles
Author:
ISSN: 13503138 ISBN: 9782503554556 2503554555 Year: 2014 Volume: 21 Publisher: Turnhout: Brepols,

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Abstract

This book challenges many of the assumptions about Jheronimus Bosch and Pieter Bruegel the Elder. The academic contest to unravel these two has never abated. What exactly is the meaning of their work is one of art history's blood sports. The answer lies in the cultural relationship between the artwork and its audience. Both artists demonstrate social, economic and political resonances in paintings that are numbingly familiar yet still poorly understood. There is social, religious, and political motivation in their art, an art that is frequently described in art historical isolation. For Bosch the image was a morality play about the paucity of good in a world teeming with evil monsters. For Bruegel it was frequently a reference to political events. Far from producing puzzle pictures they were assembling knowledge as part of a visual culture that was central to the life of society. It relates to the knowledge of the world at a particular time and two artists' experiences of it. It stretches from the sexuality and spirituality of Bosch to secular satisfaction in Bruegel at a time of social upheaval and a great turning point of world history, the beginning of the modern world and the end of the Middle Ages.


Book
Das Sprichwort im Bild: Der Wald hat Ohren, das Feld hat Augen: zu einer Zeichnung von Hieronymus Bosch
Author:
ISBN: 3515050752 9783515050753 Year: 1987 Volume: 1987/10 Publisher: Wiesbaden: Steiner,

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