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Met No Time to Die verschijnt de langverwachte 25ste James Bond-film, de vijfde en tevens laatste film met Daniel Craig. Hoog tijd voor een overzicht van bijna 60 jaar aan Bondmania. De figuur van James Bond, die als geniale geheim agent metafoor staat voor de wereldwijde strijd tegen het kwaad, heeft nog niets aan kracht moeten inboeten. Vele actiefilms zijn er schatplichtig aan en ook de filmindustrie heeft dankzij Bond begrippen mogen ontdekken zoals teaser, productplacement en tie-in. Dit boek is het ultieme naslagwerk dat alle 007-films benadert vanuit de essentie, die James Bond zo uniek maakt: de plot, de acteurs, de stunts, de snufjes. Met extra aandacht voor de verdiensten en de blunders, voor het design en de muziek, de locaties en de productie. En dit alles in een strak vormgegeven gids, met scores, sterren en steekkaartjes.
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The release of No Time To Die in 2020 heralds the arrival of the twenty-fifth installment in the James Bond film series. Since the release of Dr. No in 1962, the cinematic James Bond has expedited the transformation of Ian Fleming's literary creation into an icon of western popular culture that has captivated audiences across the globe by transcending barriers of ideology, nation, empire, gender, race, ethnicity, and generation. The Cultural Life of James Bond: Specters of 007 untangles the seemingly perpetual allure of the Bond phenomenon by looking at the non-canonical texts and contexts that encompass the cultural life of James Bond. Chronicling the evolution of the British secret agent over half a century of political, social, and cultural permutations, the fifteen chapters examine the Bond-brand beyond the film series and across media platforms while understanding these ancillary texts and contexts as sites of negotiation with the Eon franchise.
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James Bond films --- James Bond (Films) --- History and criticism --- Histoire et critique
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In this new edition of Licence To Thrill, James Chapman builds upon the success of his classic work, regarded as the definitive scholarly study of the history of the James Bond film series from the first picture, Dr No (1962), to the present. He considers the origins of the films in the spy thrillers of Ian Fleming and examines the production histories of the films in the contexts of the British and international film industries.This edition includes a new introduction and chapters on Quantum of Solace (2008), Skyfall (2012), Spectre (2015) and No Time to Die (2021). Chapman explores how the films have changed over time in response to developments in the wider film culture and society at large. He charts the ever-evolving Bond formula, analysing the films' representations of nationhood, class, and gender in a constantly shifting cinematic and ideological landscape.
Bond, James (Fictitious character) --- James Bond films --- History and criticism
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James Bond films --- Motion pictures --- James Bond (Films) --- Cinéma --- History and criticism --- History --- Histoire et critique --- Histoire --- Fleming, Ian, --- Bond, James
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The release of No Time To Die in 2020 heralds the arrival of the twenty-fifth installment in the James Bond film series. Since the release of Dr. No in 1962, the cinematic James Bond has expedited the transformation of Ian Fleming's literary creation into an icon of western popular culture that has captivated audiences across the globe by transcending barriers of ideology, nation, empire, gender, race, ethnicity, and generation. The Cultural Life of James Bond: Specters of 007 untangles the seemingly perpetual allure of the Bond phenomenon by looking at the non-canonical texts and contexts that encompass the cultural life of James Bond. Chronicling the evolution of the British secret agent over half a century of political, social, and cultural permutations, the fifteen chapters examine the Bond-brand beyond the film series and across media platforms while understanding these ancillary texts and contexts as sites of negotiation with the Eon franchise.
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The release of No Time To Die in 2020 heralds the arrival of the twenty-fifth installment in the James Bond film series. Since the release of Dr. No in 1962, the cinematic James Bond has expedited the transformation of Ian Fleming's literary creation into an icon of western popular culture that has captivated audiences across the globe by transcending barriers of ideology, nation, empire, gender, race, ethnicity, and generation. The Cultural Life of James Bond: Specters of 007 untangles the seemingly perpetual allure of the Bond phenomenon by looking at the non-canonical texts and contexts that encompass the cultural life of James Bond. Chronicling the evolution of the British secret agent over half a century of political, social, and cultural permutations, the fifteen chapters examine the Bond-brand beyond the film series and across media platforms while understanding these ancillary texts and contexts as sites of negotiation with the Eon franchise.
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The character of James Bond for many people is intrinsically linked in their minds with particular brands - Aston Martin, Bollinger, Omega, Smirnoff vodka, and so on. This direct association between character and brand highlights the intrinsic role of pro
James Bond films --- Product placement in mass media. --- History and criticism.
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James Bond films --- History and criticism. --- Bond, James, --- Au cinéma
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