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English literature --- Women poets, Irish --- Women and literature --- Women --- Irish women poets --- History --- Boland, Eavan. --- Boland, Eavan --- BOLAND (EAVAN), 1944 --- -POESIE ANGLAISE --- FEMMES ECRIVAINS IRLANDAISES --- 20E SIECLE --- HISTOIRE ET CRITIQUE --- BIOGRAPHIE

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Pastoral poetry, English --- Irish poetry --- English poetry --- Irish literature --- History and criticism. --- Irish authors --- Ní Dhomhnaill, Nuala, --- McGuckian, Medbh, --- Boland, Eavan. --- Longley, Michael, --- Heaney, Seamus, --- Montague, John. --- Boland, Eavan --- Chēny, Seimous, --- Khini, Sheĭmas, --- Ni Dhomhnaill, Nuala,

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English poetry --- Feminism --- Women and literature --- Irish authors --- History and criticism. --- Women authors --- History --- Boland, Eavan --- Criticism and interpretation.

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This book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a ‘movement’ which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets’ early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets’ engagements with European and other foreign literatures.

Poetry --- English literature --- Literature --- Classical literature --- Klassieke literatuur --- literatuur --- poëzie --- Engelse literatuur --- Boland, Eavan --- Heaney, Seamus --- Longley, Michael --- Mahon, Derek --- anno 1900-1999 --- Great Britain --- Ireland

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This book is about the role that the imperfect, the disquieting and the dystopian are currently playing in the construction of Irish identities. All the essays assess identity issues that require urgent examination, problematize canonical definitions of Irishness and, above all, look at the ways in which the artistic output of the country has been altered by the Celtic Tiger phenomenon and its subsequent demise. Recent narrative from Ireland, principally published in the twenty-first century and/or at the end of the 1990s, is dealt with extensively. The authors examined include Eavan Boland, Mary Rose Callaghan, Peter Cunningham, Emma Donoghue, Anne Enright, Emer Martin, Lia Mills, Paul Muldoon, Eiléan Ní Chuilleanáin, Bernard O’Donoghue, Peter Sirr and David Wheatley.

English literature --- Literature --- literatuur --- Engelse literatuur --- Donoghue, Emma --- Enright, Anne --- Martin, Emer --- Boland, Eavan --- Cunningham, Peter --- Callaghan, Mary Rose --- Mills, Lia --- Ní Chuilleanáin, Eiléan --- O'Donoghue, Bernard --- Sirr, Peter --- Wheatley, David --- Muldoon, Paul --- anno 1900-1999 --- Great Britain --- Ireland